Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
Its All Gone Pete Tong is a comedy following the tragic life of legendary Frankie Wilde. The story takes us through Frankie's life from one of the best DJ's alive, through subsequent battle... See full summary »
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' ... See full summary »
Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be. Written by
The exterior Hacienda scenes were faithfully shot at the correct location, i.e. the corner of Whitworth Street West and Albion Street in central Manchester. The Happy Mondays' video shoot scene with the children was shot at The Ritz, another nightclub on Whitworth Street West. The interior scenes for the Factory nights in the first half of the film were shot at Jilly's (formerly Rockworld), a nightclub around the corner on Oxford Road. See more »
When New Order is writing Blue Monday (which was first performed November 1982), the synthesizer on the left is an AKAI 7000. This model was not sold until 1986. See more »
Is it a bird? Is it a plane? No, it's the latest craze sweeping the Pennines, and I've got to be honest, I'd rather be sweeping the Pennines right now.
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You may like it simply for the music. Superficially, it is a one of those things unsuitably called a "docudrama," a category that I don't quite understand.
But here's the way it is constructed. We have a fellow whose job is to show viewers around odd and interesting things. He's a character who takes on a metarole in the film as our guide, sometimes within the movie and sometimes stepping out of it and speaking directly to us, using several modes.
And the subject of this carefully folded structure? Anarchism. Music as anarchy, as specifically breaking the musical equivalent of narrative. I'm not sure that anyone can honestly like this music without making the commitment themselves. Otherwise, its a sort of perverse voyeurism, but I guess that's what drives the music business.
Winterbottom isn't a halfway kinda guy though, and you should be inclined to share anything he serves up. Here, he is back in the German new wave mode, where there is no story at all. No arc, no climax. Each event just sort of falls into the next. The camera (which takes the role of the watcher within, Tony, and the watcher without) similarly falls. To underscore this, Winterbottom has Ian Curtis hang himself in front of a TeeVee. On that is playing Herzog's Stroszek, dancing chicken and the amuck truck. Its Herzog's film with the same attitude: no narrative, a loss of narrative is the narrative or where the hole is.
After that death, incidentally, is one of the most haunting images I've seen. I do not think it is taken from another film. Children in Klan suits, some black, parade in a highly stylized 2d shot, then one carries a huge, erect Klan hat on a false color beach and tumbles.
You might consider this the male lover of "9 Songs." I do.
Ted's Evaluation -- 3 of 3: Worth watching.
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