There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub-human conditions since 1979 with the Soviet Union ... See full summary »
Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be. Written by
The character Charles is a composite character based on many Granada producers. The name Charles was chosen in honor of Charles Sturridge, out of whose apartment Factory Records was run. See more »
In the opening hang-gliding sequence, the design on the glider changes between close-ups and long shots (the long shots are of Tony Wilson himself during the actual event that is being portrayed). See more »
Is it a bird? Is it a plane? No, it's the latest craze sweeping the Pennines, and I've got to be honest, I'd rather be sweeping the Pennines right now.
See more »
This movie is quite hyperbolic about the Manchester scene which is portrayed with so much style, energy, humor, and gutty performances, that even if you weren't a fan of Joy Division & Happy Mondays, this particular musical revolution is extolled on a par with Memphis early 50's, the whole of UK 1963-65, San Francisco 1966-67, or Austin 1972-74. I wasn't a fan of those Manchester bands, but I really enjoyed all of the music in this film. And Steve Coogan's performance and the structure of his charismatic part are wonderful. And very funny.
Like "SLC Punk" and movies like "Rude Boy" and the Sex Pistols movies, "24 Hour Party People" captures the anger of the times and incredible energy of that socio-musical upheaval, and ultimately the sadness at the inevitable passing of a bright moment in popmusic history. When Coogan/Wilson brags about the birth of the rave culture in his club in his beloved city, taking credit for another major movement, I didn't feel his pride or excitement, only that sense of sadness at the techno-evolution of punk...
17 of 19 people found this review helpful.
Was this review helpful to you?