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24 Hour Party People (2002)

 -  Biography | Comedy | Drama  -  5 April 2002 (UK)
7.4
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Ratings: 7.4/10 from 23,349 users   Metascore: 85/100
Reviews: 124 user | 99 critic | 29 from Metacritic.com

In 1976, Tony Wilson sets up Factory Records and brings Manchester's music to the world.

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Cast

Cast overview, first billed only:
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Charles
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Mark Windows ...
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Raymond Waring ...
Vini
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Derek Ryder
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Danny Cunningham ...
Dave Gorman ...
Ralf Little ...
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Nigel Pivaro ...
Actor at Granada
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Storyline

Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be. Written by IGB

Plot Summary | Plot Synopsis

Taglines:

The unbelievably true story of one man, one movement, the music and madness that was Manchester.


Motion Picture Rating (MPAA)

Rated R for strong language, drug use and sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 April 2002 (UK)  »

Also Known As:

24 ores gemates rock  »

Filming Locations:

 »

Box Office

Opening Weekend:

$34,940 (USA) (9 August 2002)

Gross:

$1,130,379 (USA) (11 October 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In 2003, Tony Wilson wrote a novelization titled "24 Hour Party People: What the Sleeve Notes Never Tell You" based on the screenplay for the film. See more »

Goofs

When New Order is writing Blue Monday (which was first performed November 1982), the synthesizer on the left is an AKAI 7000. This model was not sold until 1986. See more »

Quotes

[first lines]
Tony Wilson: Is it a bird? Is it a plane? No, it's the latest craze sweeping the Pennines, and I've got to be honest, I'd rather be sweeping the Pennines right now.
See more »

Connections

Referenced in The Keith Barret Show: Episode #1.6 (2004) See more »

Soundtracks

Skipscada
Written by Martin Moscrop, Donald Johnson, Jeremy Kerr, Simon Topping and Pete Terrel
Published by copyright control
Performed by A Certain Ratio
Courtesy of A Certain Ratio
See more »

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User Reviews

Stumbles
28 June 2007 | by (Virginia Beach) – See all my reviews

There's more to this than meets the eye.

You may like it simply for the music. Superficially, it is a one of those things unsuitably called a "docudrama," a category that I don't quite understand.

But here's the way it is constructed. We have a fellow whose job is to show viewers around odd and interesting things. He's a character who takes on a metarole in the film as our guide, sometimes within the movie and sometimes stepping out of it and speaking directly to us, using several modes.

And the subject of this carefully folded structure? Anarchism. Music as anarchy, as specifically breaking the musical equivalent of narrative. I'm not sure that anyone can honestly like this music without making the commitment themselves. Otherwise, its a sort of perverse voyeurism, but I guess that's what drives the music business.

Winterbottom isn't a halfway kinda guy though, and you should be inclined to share anything he serves up. Here, he is back in the German new wave mode, where there is no story at all. No arc, no climax. Each event just sort of falls into the next. The camera (which takes the role of the watcher within, Tony, and the watcher without) similarly falls. To underscore this, Winterbottom has Ian Curtis hang himself in front of a TeeVee. On that is playing Herzog's Stroszek, dancing chicken and the amuck truck. Its Herzog's film with the same attitude: no narrative, a loss of narrative is the narrative or where the hole is.

After that death, incidentally, is one of the most haunting images I've seen. I do not think it is taken from another film. Children in Klan suits, some black, parade in a highly stylized 2d shot, then one carries a huge, erect Klan hat on a false color beach and tumbles.

You might consider this the male lover of "9 Songs." I do.

Ted's Evaluation -- 3 of 3: Worth watching.


7 of 11 people found this review helpful.  Was this review helpful to you?

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