24 Hour Party People (2002)

In 1976, Tony Wilson sets up Factory Records and brings Manchester's music to the world.

Director:

Michael Winterbottom

Writer:

Frank Cottrell Boyce (screenplay)

Stars:

Steve Coogan, John Thomson, Paul Popplewell

1 win & 12 nominations.

Cast

Cast overview, first billed only:
Steve Coogan	...	Tony Wilson
John Thomson	...	Charles
Paul Popplewell	...	Paul Ryder
Lennie James	...	Alan Erasmus
Shirley Henderson	...	Lindsay
Mark Windows	...	Johnny Rotten
Paddy Considine	...	Rob Gretton
Raymond Waring	...	Vini
Ron Cook	...	Derek Ryder
John Simm	...	Bernard Sumner
Danny Cunningham	...	Shaun Ryder
Dave Gorman	...	John the Postman
Ralf Little	...	Hooky (Peter Hook)
Andy Serkis	...	Martin Hannett
Nigel Pivaro	...	Actor at Granada

Storyline

Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.

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Plot Keywords:

manchester | factory records | sex | record label | drugs | 

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Taglines:

The unbelievably true story of one man, one movement, the music and madness that was Manchester.

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Genres:

Biography | Comedy | Drama | Music

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Motion Picture Rating (MPAA)

Rated R for strong language, drug use and sexuality

Details

Country:

UK

Language:

English

Release Date:

5 April 2002 (UK)

Also Known As:

24 ores gemates rock

Filming Locations:

Chester, Cheshire, England, UK

Box Office

Opening Weekend:

$34,940 (USA) (9 August 2002)

Gross:

$1,130,379 (USA) (11 October 2002)

Company Credits

Production Co:

Revolution Films, Baby Cow Productions, Film Consortium, The

Technical Specs

Runtime:

117 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Following the film's release, Tony Wilson had to apologize to Mick Hucknall for the two comments made in the film about him.

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Goofs

According to Tony Wilson on the DVD commentary, the scene showing neo-fascists attending a Joy Division concert or them causing a riot, as implied by the film, never occurred.

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Quotes

[first lines]
Tony Wilson: Is it a bird? Is it a plane? No, it's the latest craze sweeping the Pennines, and I've got to be honest, I'd rather be sweeping the Pennines right now.

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Connections

References Scooby Doo, Where Are You! (1969)

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Soundtracks

"Louie Louie"
Written by Richard Berry
Published by EMI Music Publishing Ltd
Performed by Dave Gorman

User Reviews

Worth multiple viewings and a little homework

I get the general sense from reading some of the reviews that people didn't like this movie because it didn't provide any instant gratification or personal meaning. That's probably true for people who don't know Joy Division, New Order, or the Happy Mondays, but I think it's totally unfair to discredit this film on a basis of a lack of prior knowledge. Many great films and novels aren't great because you get them on the first try, and I think that this movie follows the same path. If you didn't like it the first time, take a look at an old Tony Wilson interview or a concert tape of Joy Division and you will instantly see the quality production and acting that went into this film. Ian Curtis/Joy Division are portrayed with an eerily haunting accuracy (down to the instruments they play, which are rumoured to be the originals from the late 1970s) and you can tell that the cast really did their homework. The concert scenes are spectacularly energetic, the sets (especially the Hacienda) are ripped right out of the time period. Comic relief isn't overlooked, as the dry humour of Steve Coogan and the rest of the cast is pursued to the dime. The unscripted dialogue is also quite good, which is another indication of the actors' homework. This movie is worth the time: it details a very important time and place in pop music history that is often overlooked in the wake of much larger, more commercialized scenes. Rave and post-punk may be fading today, but one need only take a look at the charts to see its influence. Go out and get this movie, learn a little about it, and you will be impressed.