There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub-human conditions since 1979 with the Soviet Union ... See full summary »
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
Former musician Frankie Wilde is a legend within the Ibiza club scene for being the most inspired DJ around. On top of that, he has a beautiful model wife named Sonja Slowinski, although ... See full summary »
Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be. Written by
In the scene at the Factory Records office, where the owners of London Records have arrived to discuss potentially funding the Happy Mondays studio time for their new album, the instrumental demo of the new album is played on the stereo. One of the members of the Happy Mondays is heard to say "I like that, turn it up". This phrase is included as a sample at the beginning of the Happy Mondays song "Mad Cyril" track 3 on the Happy Mondays second album, "Bummed" See more »
In the film Tony Wilson is seen at the funeral of Ian Curtis however in real life he could not attend the funeral as he was given the task of looking after Annik Honore, Ian's lover from Belgium, so that she would not attend the funeral and cause upset. She had come to see Ian before he flew with the band to America for the tour. See more »
Is it a bird? Is it a plane? No, it's the latest craze sweeping the Pennines, and I've got to be honest, I'd rather be sweeping the Pennines right now.
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24 Hour Party People is just one of those movies that has that click with the subject matter. The actual style of the film corresponds with the music, the irreverence, and the energy of it all. But there's more than just the unconventionality of the script and direction; the film has that sort of stream-of-thought, wry, distinct British humor to it, and a sincerity beneath the absurdist parts. It follows its main character down the line, in a surreal way like a documentary, if that makes sense- we move between Tony Wilson addressing the audience (played by Steve Coogan, who is so on target with the honesty of the portrayal you can't picture anyone else in the role), an almost behind-the-scenes filming of it (I think), and a dramatization shot on pure digital, independent vibes.
Wilson, who sees the Sex Pistols play in Manchester (his hometown, and the main base and heart in the location of this film), is also a journalist on television. He gets so enamored with what he sees as an extremely important part of history (the viewer will get a good idea of this), he gets involved with the bands, the locals, and goes from just bands, to maintaining the Hacienda, a club. Some parts of the film one might expect, if considering it includes the rise and fall of fame (or rather, in this film, a lot of times in the mind), and the drug scene coinciding with the music. One knows that Tony Wilson is the main character, the protagonist, basically in every scene, but somehow he does not become the only important part of the film's success. The music too is a huge factor, and the speed it sets for a movie like this.
As much biography as musical, 24 Hour Party People brings to light the scene of Manchester as a history lesson, but an entertaining one to boot. Bands like New Order (the form after Joy Division split) will be known to most who follow music, but unless if you're not really steeped in the new-wave/dance scene of the 80's and 90's, some of the bands may sound totally unfamiliar. Still, this is not an automatic deterrent- the music is what it is, and most who will want to see the film will know what they're getting (in truth, the ratio of British punk and new-wave vs. electronica is fairly balanced). But even when some of the music doesn't stand the test of time, it serves the story all the same (some of the more interesting and darkly funny scenes are when no one comes to the club the sort of 'mix-way' between the two musical eras).
And all through this, Coogan plays it like a pro. The Coogan Wilson, of course, is far from the real Tony Wilson (one of the DVD interviews says he's a 'Jerry Springer'-looking type), so it becomes more of being a character in this whole environment that springs up around and by him. In a way he's kind of like a British Andy Warhol with the idealistic, serious journalist instead of the painter/filmmaker. There's a sort of checked insanity that underlays some of his performance, and yet for most of the time, like a lot of the better British actors, he doesn't play it more for laughs than he needs, and when serious drama/tragedy comes up it's still kept to this reality. So, along with him, and the music, and the strange form of putting together a dramatized, documentary/musical/black comedy by director Michael Winterbottom and writer Frank Cottrell Boyce, it all gels. This is one of the finest sleepers I've seen in a while.
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