Based on the comic with the same title, this series follows the adventures of police detective Sara Pezini, the bearer of the Witchblade. The Witchblade is a powerful gauntlet-like weapon ... See full summary »
An exotic dancer, cryogenically frozen in the year 2001, is accidentally thawed out in 2525 by two female warriors who are fighting against evil robots which have taken over the world. The ... See full summary »
When strange anomalies in time start to appear all over England, Professor Cutter and his team have to help track down and capture all sorts of dangerous prehistoric creatures from Earth's distant past.
Andrew Lee Potts,
Based on the comic with the same title, this series follows the adventures of police detective Sara Pezini, the bearer of the Witchblade. The Witchblade is a powerful gauntlet-like weapon with a will of its own. Existing since the dawn of time it chooses each time the right person to be merged with, and Sara is the chosen one of this generation. Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
During the second season of the show, production was halted so that star Yancy Butler could seek treatment for alcoholism. When she completed the treatment, the show was cancelled. See more »
In the pilot, when Sara questions Kenneth Irons about Ian Nottingham, she shows him the newspaper photo she took from Jake McCartey's apartment with Ian in the background. The same photo Jake was seen looking at right after Sara had supposedly left with it. See more »
Difficulties of Crossing Genres and Uncommon Cultural References
Perhaps one would appreciate the series more if one was familiar with the mythological history that invigorates its story. I enjoyed the series tremendously for this reason, and because it presented a vital alternative to the usual fare. A different story with all the same tropes of the genre would have been unexciting. Also, the series tries to cross two genres (fantasy and cop dramas) that probably don't cross well in the American cultural consciousness. The people that enjoy high fantasy and ancient mythology (to put these two together) likely aren't the same people who enjoy gritty cop dramas. That is, the audience is not sufficiently large to justify the show's continued existence.
Likewise, though for different reasons, I attribute the demise of Farscape. It was innovative in ways that a large audience did not sufficiently appreciate, though I would have thought that its audience was sufficiently large for continued production. Again, the danger of breaking conformance to cultural consciousness.
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