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Read My Lips (2001)
"Sur mes lèvres" (original title)

R  |   |  Crime, Drama, Romance  |  26 July 2002 (USA)
7.4
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Ratings: 7.4/10 from 10,408 users   Metascore: 82/100
Reviews: 62 user | 80 critic | 32 from Metacritic.com

She is almost deaf and she lip-reads. He is an ex-convict. She wants to help him. He thinks no one can help except himself.

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Cast

Cast overview, first billed only:
...
...
...
Olivier Perrier ...
...
Bernard Alane ...
Céline Samie ...
Pierre Diot ...
François Loriquet ...
Serge Onteniente ...
Mammouth (as Serge Boutleroff)
David Saracino ...
Christophe Vandevelde ...
Bô Gaultier de Kermoal ...
Le Barman
Loïc Le Page ...
Quentin
Nathalie Lacroix ...
L'Employée ANPE
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Storyline

Young secretary Carla is a long-time employee of a property development company. Loyal and hardworking, first to arrive and last to leave, Carla is beginning to chafe at the limitations of her career and is looking to move up. But as a 35-five-year-old woman with a hearing deficiency, she is not sure how to climb out of her humdrum life, though she is confident in her own abilities. Into her life comes Paul Angeli, a new trainee she decides to hire. Paul is 25 years old and completely unskilled, but Carla covers for him when the need arises because of his other qualities - he's a thief, fresh out of jail and very good-looking. It's a case of good meeting bad. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

Don't believe everything you hear. See more »


Motion Picture Rating (MPAA)

Rated R for language, violence and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 July 2002 (USA)  »

Also Known As:

Read My Lips  »

Filming Locations:

 »

Box Office

Budget:

FRF 49,000,000 (estimated)

Opening Weekend:

$909,354 (France) (19 October 2001)

Gross:

$1,359,133 (USA) (27 November 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Goofs

When the man calls for Paul Angeli and then hangs up, Carla peers into the copy room and then hangs up the phone. As she is sitting at her desk, the reflection of a moving crane or boom mic extension is visible in the glass behind her. See more »

Connections

References Rear Window (1954) See more »

Soundtracks

Last Dance (and I come over)
(Fafa Monteco Vocal Mix Edit)
(Fabrice Texier / Fafa / Mike 303 / Stéphane B.)
Vocals written & performed by Everis Pellius
Performed by Superfunk
(c) Fiat Lux/Delabel Editions
(p) 2000 Fiat Lux
With kind permission of Virgin France
See more »

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User Reviews

 
A Breath of French Air
30 July 2006 | by (Sydney Australia) – See all my reviews

This was one of the DVD's I recently bought in a set of six called "Frenchfilm" to brush up our French before our planned holiday in beautiful Provence this year. So far, as well as improving our French we have considerably enhanced our appreciation of French cinema.

What a breath of fresh air to the stale, predictable, unimaginative, crash bang wallop drivel being churned out by Hollywood. What a good example for screenplay writers, actors, directors and cinematographers to follow. It was so stimulating also to see two identifiable characters in the lead roles without them having to be glossy magazine cover figures.

The other thing I liked about this film was the slow character and plot build up which kept you guessing as to how it was all going to end. Is there any real good in this selfish thug who continually treats his seemingly naïve benefactor with the type of contempt that an ex-con would display? Will our sexually frustrated poor little half deaf heroine prove herself to the answer to her dreams and the situation that fate has bestowed upon her? The viewer is intrigued by these questions and the actors unravel the answers slowly and convincingly as they face events that challenge and shape their feeling towards each other.

Once you have seen this film, like me you may want to see it again. I still have to work out the director's psychological motive for the sub plot in the role of the parole officer and some of the subtle nuances of camera work are worth a second look. The plot does ask for a little imagination when our hero is given a chance to assist our misused and overworked heroine in the office. You must also be broad minded to believe in her brilliant lip reading and how some of the action falls into place. But if you go along for the thrilling ride with this example of French cinema at its best you will come out more than satisfied. Four stars out of five for me.


17 of 17 people found this review helpful.  Was this review helpful to you?

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