| Richard Harris | ... | Sandeman | |
| Reece Noi | ... | The Boy | |
| Lynn Redgrave | ... | Mandy | |
| Tom Bell | ... | Quick | |
| Emma Catherwood | ... | Jo | |
| Aidan Gillen | ... | Puttnam | |
| Louise Lombard | ... | Kath | |
| Paul McGann | ... | Dean | |
| Jimi Mistry | ... | Jug | |
| Lorraine Pilkington | ... | Tracy | |
| Colin Salmon | ... | The Chair | |
| James Foy | ... | Animal | |
| James McMartin | ... | Mineral | |
| Danny Lawrence | ... | Tigger | |
| Gerard Starkey | ... | Minder | |
| Sasha Johnson Manning | ... | Soprano | |
| Seamus O'Neill | ... | Snowy | |
| Chris Armstrong | ... | Dutch farmer | |
| Ingi Thor Jonsson | ... | Dutch farmer | |
| Otis Graham | ... | Delroy | |
| David Yip | ... | Merv | |
| Kieran O'Brien | ... | Photographer | |
| Jack Marsden | ... | Billy the whizz | |
| Amer Nazir | ... | Mutt | |
| Mushi Noor | ... | Jeff | |
| Carl Learmond | ... | Rudi | |
| Anthony Dorrs | ... | Skunk | |
| Steve Foster | ... | Toffee | |
| Oscar James | ... | Desmond | |
| Sylvia Gatril | ... | Brothel receptionist | |
| Sharon Byatt | ... | Annie | |
| Desmond Bayliss | ... | John the dog | |
| Kelly Murphy | ... | Karen | |
| Leanne Burrows | ... | Miss Joy |
Directed by | |||
| Don Boyd | |||
Writing credits(in alphabetical order) | ||
| Don Boyd | ||
| Nick Davies | ||
| William Shakespeare | play "King Lear" | |
Produced by | |||
| Gabriela Bacher | .... | producer | |
| Keith Evans | .... | executive producer | |
| Torsten Leschly | .... | post production producer | |
| Nadine Mellor | .... | executive producer | |
| Kermit Smith | .... | co-producer | |
| William Turner | .... | executive producer | |
| Anthony Waye | .... | line producer | |
| Neal Weisman | .... | producer | |
Original Music by | |||
| Simon Fisher-Turner | |||
| Deirdre Gribbin | |||
Cinematography by | |||
| Dewald Aukema | |||
Film Editing by | |||
| Adam Ross | |||
Casting by | |||
| Judi Hayfield | |||
| Michelle Smith | |||
Production Design by | |||
| Luana Hanson | |||
Art Direction by | |||
| David Endley | |||
Costume Design by | |||
| Mary-Jane Reyner | |||
Makeup Department | |||
| Kirstin Chalmers | .... | hair designer | |
| Kirstin Chalmers | .... | makeup designer | |
| Peta Dunstall | .... | assistant hair stylist (as Peta D) | |
| Peta Dunstall | .... | assistant makeup artist (as Peta D) | |
| Michelle Oxford | .... | assistant hair stylist | |
| Michelle Oxford | .... | assistant makeup artist | |
| Lesa Warrener | .... | hair stylist | |
| Lesa Warrener | .... | makeup artist | |
Production Management | |||
| Jay Coquillon | .... | post-production supervisor | |
| Kirsten Eller | .... | production manager | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tommy Banks | .... | assistant director | |
| Christopher Dando | .... | first assistant director (as Chris Dando) | |
| Beth Elliott | .... | assistant director | |
Art Department | |||
| Dion Banner | .... | stand-by painter | |
| Paul Caswell | .... | props | |
| Bob Creighton | .... | stand-by carpenter | |
| Stewart Cunningham | .... | dressing props | |
| John Earlam | .... | stand-by painter | |
| Alan Ebbrell | .... | carpenter | |
| Gordon Fitzgerald | .... | property master | |
| Rebecca Greenham | .... | stand-by art director | |
| Peter Holden | .... | stand-by carpenter | |
| Piero Jamieson | .... | dressing props | |
| Robina Kelly | .... | assistant art director (as Robinia Kelly) | |
| Anna Lynch-Robinson | .... | props buyer | |
| Gary McCabe | .... | construction supervisor | |
| Graham McHugh | .... | painter | |
| Les Pullan | .... | carpenter | |
| Tony Rycyk | .... | stand-by props | |
| Sarah Sweet | .... | art department assistant | |
| Neville Taylor | .... | stand-by props | |
| Kevin Waite | .... | construction manager | |
| David Weatherstone | .... | prop hand | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | assistant sound mixer | |
| Kasper Val Bjerregård Larsen | .... | sound re-recording mixer (as Søren Bjerregaard-Ryan) | |
| Jens Bønding | .... | foley editor | |
| St. Clair Davis | .... | boom operator | |
| Giancarlo Dellapina | .... | sound mixer | |
| Zane Hayward | .... | supervising sound editor | |
| Bruno Langiano | .... | foley artist | |
| Gadou Naudin | .... | foley artist | |
| Joakim Sundström | .... | dialogue editor | |
| Trevor Swanscott | .... | adr editor | |
| Paul Wrightson | .... | adr editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Tim Baxter | .... | optical effects | |
| Steve Breheney | .... | special effects technician | |
| Mark Danbury | .... | special effects assistant | |
| Evan Green-Hughes | .... | special effects supervisor | |
Visual Effects by | |||
| Matt Butcher | .... | digital effects artist | |
| Jan Hogevold | .... | digital lab producer: Framestore CFC (uncredited) | |
Stunts | |||
| Charles Jarman | .... | stunt performer | |
| Glenn Marks | .... | stunt coordinator | |
| Tony Van Silva | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Graham Attwood | .... | still photographer | |
| Phil Brookes | .... | gaffer | |
| Dion M. Casey | .... | Steadicam operator | |
| Dave Fowler | .... | electrician (as David Fowler) | |
| Stuart Graham | .... | focus puller | |
| Danny Griffiths | .... | assistant camera | |
| Steve Griffiths | .... | best boy | |
| Allan Hughes | .... | grip | |
| Dominic Hyndman | .... | assistant grip | |
| Andrew McDonnell | .... | camera operator: "b" camera | |
| John Taylor | .... | steadicam operator | |
| Anthony Stanier | .... | focus puller (uncredited) | |
Casting Department | |||
| Rachel Parker | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jo Beatty | .... | wardrobe supervisor | |
| Vikki Illing | .... | wardrobe assistant | |
| Isobel Pye | .... | costume department runner | |
| Joanna Wright | .... | wardrobe assistant | |
Editorial Department | |||
| Darren Brady | .... | assistant editor: Liverpool | |
| Thomas Caspersen | .... | assistant editor | |
| Khalid Mohammed | .... | post-production coordinator | |
Music Department | |||
| Ivan Chandler | .... | music supervisor | |
| Nicholas Kok | .... | conductor | |
| Gerry O'Riordan | .... | music mixing engineer | |
| Steve Price | .... | music recording engineer | |
Transportation Department | |||
| Martin Chart | .... | unit driver | |
Other crew | |||
| Stephen Cheers | .... | location manager | |
| Moyra Chesnut | .... | assistant to director (as Moyra Chesnutt) | |
| Wayne Docksey | .... | animal master | |
| Kirsten Eller | .... | production coordinator | |
| Alec Gibson | .... | laboratory grader | |
| Eva Juel Hammerich | .... | personal assistant to actor (as Eva Juel) | |
| Rachel Higgins | .... | production accountant | |
| Moira Houlihan | .... | unit publicist | |
| Falco Ink | .... | unit publicist | |
| Patrick Isherwood | .... | post-production accountant | |
| Rowena Ladbury | .... | script supervisor | |
| Sally Maynard | .... | location assistant | |
| Neil Mockler | .... | laboratory contact | |
| Katja Mordaunt | .... | producer's assistant | |
| Chas Morrison | .... | assistant to producer | |
| Stewart Nick | .... | production assistant | |
| Chris Paton | .... | unit publicist | |
| Mark Shelley | .... | weapons armorer | |
| Julie Smith | .... | publicist | |
| David Trezise | .... | laboratory contact | |
| Dean Williamson | .... | floor runner | |
| Michael Burnett | .... | lifecast of Lynn Redgrave (uncredited) | |
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and one his best. He plays the boss of a Liverpool rime family, whose own naivety brings his downfall. This is based on King Lear but it doesn´t really work for me here. We´re supposed to believe that this tough, streetwise gang boss would be stupid enough not to see the consequences of his actions (I don´t want to give the story away, but those familiar with King Lear will know what happens. This supposed sudden naivety goes totally aginst the grain of the character Harris portrays in the film up until his fateful decision.
It was an interesting idea but just doesn´t work for me and the second half of the film becomes increasingly silly as a consequence. I´ve also no idea why one of the main gangsters is a Sihk. Liverpool is unusual amongst British cities in having a very small asian population and I don´t think I´ve ever seen a Sihk there. Strange.
That said, it´s not a bad film. There´s some good camerawork, Harris is on good form and the supporting cast are mostly very good. 8/10 for the first half of the film, 5/10 for the second.