This early Seventies British comedy takes us through seven short stories based on the Seven Deadly Sins. This film is a montage of different styles, from Spike Milligan's mainly silent "... See full summary »
Jesse W. Haywood graduates from dental school in Philadelphia in 1870 and goes west "to fight oral ignorance." Meanwhile stagecoach robber Penelope "Bad Penny" Cushing is offered a pardon ... See full summary »
Hosted by Orson Welles, this documentary utilizes a grab bag of dramatized scenes, stock footage, TV news clips and interviews to ask: Did 16th century French astrologer and physician ... See full summary »
Harry Kellogg, a widower, lives in a small town and does his best to raise his teen-aged daughter. His sister-in-law, who believes him to be hopelessly incompetent, barges into his house to... See full summary »
The Battle of Sutjeska known as ''Fifth offensive'' is the hardest, most tragic and the greatest battle that was led Yugoslav Partisans in World War II. Chaos, hell, fates, suffering, ... See full summary »
Velimir 'Bata' Zivojinovic
Five short comic sketches, all unrelated to each other, except that they are all expressions of Italian sexual humor. In one sketch, Marty Feldman plays a bodyguard, hired by her father to ... See full summary »
When I was at college I saw this on television. At the time I was really into the work of Welles, rarely noticing the criticism that was to be found against him. While on the whole he was a welcome film and stage giant he had flaws. One of them was his comic sense. He had a sense of humor, but his performance as Sheridan Whiteside seemed pretty dull. And his singing "American Pie" several times in the course of the play seemed meaningless (Monty Wooley sang "I'se Just a Wittle Wabbit" once in the play and movie, so Welles's warbling seemed even more meaningless).
Actually the real problem was that the Wooley-Davis film of 1941 was just too perfect to be replaceable by later versions (at least until Nathan Lane's excellent "Sheridan Whiteside" portrayal could be compared to Wooley). Both men went to town as the irascible critic who meddles in people's lives. But Welles never came to grips with it. Without a good central performance "The Man Who Came To Dinner" is hardly worth watching. So yes, this one is justly forgotten.
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