Don Knotts is Hollis Figg, the dumbest bookkeeper in town. When the city fathers buy a second-hand computer to cover up their financial shenanigans, they promote Figg to look after things, ... See full summary »
Hard up and with a grudge against insurance companies, Rex Black feigns his death and meets up with his wife and the money in Malaga when things seemed to have quietened down. But when the ... See full summary »
The priceless Blue Water sapphire is coveted by the heirs of Sir Hector Geste - his new wife, Flavia; his daughter, Isabel; and his adopted twin sons, heroic Beau and pathetic Digby. When ... See full summary »
This spoof of the Sherlock Holmes stories finds Inspector Winship and Dr. Tart investigating a strange death in a possibly haunted mansion, while dealing with the beautiful heiress and the ... See full summary »
After a scientific experiment goes horribly wrong during a demonstration, a scientist finds himself trapped in an alternate reality that bears some similarities to our own, but also has ... See full summary »
In his autobiography, Don Knotts said that most of the performers got sick due to Orson's insistence that the air be turned down to keep him cool. Marty Feldman had to be carried from the hotel to the stage he was so weak from the flu. See more »
[rejecting his "Tang" orange drink ]
I don't care if it's what the astronauts drink! I want fresh squeezed!
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When I was at college I saw this on television. At the time I was really into the work of Welles, rarely noticing the criticism that was to be found against him. While on the whole he was a welcome film and stage giant he had flaws. One of them was his comic sense. He had a sense of humor, but his performance as Sheridan Whiteside seemed pretty dull. And his singing "American Pie" several times in the course of the play seemed meaningless (Monty Wooley sang "I'se Just a Wittle Wabbit" once in the play and movie, so Welles's warbling seemed even more meaningless).
Actually the real problem was that the Wooley-Davis film of 1941 was just too perfect to be replaceable by later versions (at least until Nathan Lane's excellent "Sheridan Whiteside" portrayal could be compared to Wooley). Both men went to town as the irascible critic who meddles in people's lives. But Welles never came to grips with it. Without a good central performance "The Man Who Came To Dinner" is hardly worth watching. So yes, this one is justly forgotten.
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