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| Index | 14 reviews in total |
8 out of 10 people found the following review useful:
Good, funny but inconsistent, 18 October 2003
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Author:
Tim Evanson (tevanson@earthlink.net) from Washington, D.C.
I wasn't sure what to expect from this movie, which in some ways probably
helps. Going in with absolutely no expectations about any of the performers
(or the director) may have helped make my experience more
enjoyable.
The best thing about this film is Troels Lyby, who seems to have hot on just
the right combination of humor, sadness, realism and indecision for
"Jorgen." Particularly good is the scene where his friends try to cheer him
up as his partner packs up to leave. His slow disintegration during lunch
is an example of really good acting. He never lets his character get too
maudlin or too "I'm putting on the cheery face for you" (as an American
actor would have done).
Mads Mikkelson, however, is nowhere near as good. His "Jakob" seems mopey,
bored, angry and closeted. Where is the thrill of finding a new sexual
partner he's obsessed by? The script clearly calls for that, but Mikkelson
never really gets the audience to believe that Jakob is truly fascinated by
Caroline. Mikkelson seems to be just going through the motions in so much
of the movie. One could say that Jakob is deeply conflicted by his sexual
and emotional attraction to Caroline; hence, the sullen acting. But I just
don't buy that. The script never calls for that explanation, and Mikkelson
doesn't bring it off anyway.
Peter Frodin as the outlandish Frederik is your stereotypical hysterical
queen. But he brings it off without offending us, becoming obnoxious, or
turning Frederik into a cardboard cut-out. (His scene where he describes
his angst over "Sailor's" refusal to come out of the closet and love him is
really quite good.)
Less effective is Charlotte Munck as Caroline. In part, this is due to the
material she has to work with. I never really felt that Caroline was
suffering that much in her failing marriage to Tom (Jesper Lohmann). Sure,
Tom is never home. But Caroline doesn't want another baby anyway, and Tom
being home would increase the pressure on her. So why does she turn to
Jakob? The whole movie hinges on us believing that Caroline and Jakob
really share a deep, festering obsession with one another. But the film
never goes there, and as a result half the movie (anything to do with Jakob
and Caroline) just doesn't work that well. (Munck, however, is superb in
the Swedish skating-rink scene. her physical acting and facial expressions
really convinced me that she was finally, truly happy.)
Jesper Lohmann is given even less to work with, and as a result his Tom is
just a caricature of the work-a-holic husband. (It makes absolutely no
sense for him to be the salvation of Jakob and Jorgen's marriage. It's a
cute ending, somewhat along the lines of "Flying Down to Rio." But it makes
no sense.)
Watch for superb bit performances by Morten Kirkskov and Henning Jensen as
the super-fag married couple (particularly their two scenes mid-movie, one
where they are horrified that Jakob has turned straight and one where the
"ugly secret" of their marriage comes out). Oskar Valsoe is really good as
the lone straight (?) man in the bunch, without falling over into
supercilious liberal guilt (as so many American films would push the
character).
The editing is just superb, and the cinematography at times really reaches
for your heart. The soundtrack is very good -- when it is there. It's too
bad there wasn't more if it (a la "Muriel's Wedding" or "Boogie
Nights").
And okay -- so the script at times falls into triteness. Jorgen loses an
eye after driving drunkenly through the night after hearing Jakob's
confession. Like we didn't see that one coming! (After "The World
According to Garp," this is just too, too common a story-telling trick.)
The ending, too, is just far too pat. The inclusion of the horse was just
so bookend-ish, it really pushed the conclusion far beyond acceptable
storytelling limits. But overall, this film is rather good. I had a very
pleasant time watching it.
3 out of 3 people found the following review useful:
Feel good film, which will leave you laughing one moment & crying the next., 19 March 2007
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Author:
Peniann from United Kingdom
I loved this film. Although this film tackles serious issues such as coping with homosexuality, the break up of relationships, and family disputes - it is light hearted humorous, and fun. It will have you laughing one minute, and crying the next. Mads Mikkelsen plays his role fantastically. You can't help but fall in love with him, despite the fact that he is the one causing all the heartache. Troels Lyby's character tugs at your heart strings, as the 'dumped boyfriend', and you can't help but emphasise with Charlotte Munck's character. I won't give anything away in case you've not already seen the film, but these 3 play the title roles splendidly. The film is set in and around the beautiful scenery of Copenhagen. It is a brilliant film for people who are not already familiar with Copenhagen, and Copenhagen/Danish culture, to get a feel from. The soundtrack is another good reason to watch, containing some wonderful tracks from contemporary Scandinavian artists, and complementing the film wonderfully. My recommendation? Watch it.
3 out of 4 people found the following review useful:
Loved it, 16 January 2006
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Author:
Casper from South Africa
While on visiting Sweden & Denmark, I bought a heap of Scandanavian movies, "En Kort en Lang" being one of them. I had no idea what the movie was about, and from the moment it started I found it utterly charming and very funny, with some unexpected twists in the plot. The acting is great and the characters were all believable. My only gripe would be with a few bad make-up decisions, especially a less convincing mustache on a supporting character and an amateurishly assembled beard on another. But these are minor problems and did not spoil the movie for me. A real fun movie with a wonderful ending you'd expect from a romantic comedy!
4 out of 6 people found the following review useful:
The Not-so-straight Story, 12 December 2001
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Author:
McBuff from Slagelse, Denmark
Spoiled want-it-all Jacob wants to marry his male partner Jørgen, but happens to fall for Jørgen´s brother´s wife, leading to many hilarious situations and poignant moments. Actress Hella Joof´s directing debut has laugh-out-loud comedy and sensitive drama in equal measures, with excellent performances by the three leads, Mads Mikkelsen as Jacob, Troels Lyby as his long-suffering partner, and Charlotte Munck as the girl who gets between them. Gay stereotypes abound, but performed by a talented cast, with Peter Frödin and Nikolaj Steen as standouts. Film has its share of flaws and doesn´t quite steer clear of romantic movie clichés, that airport-set denouement just doesn´t ring true, but the film is so appealing that you probably won´t mind. Written by the director and actor Klaus Bondam (who appears as a priest with a red-dyed porcupine haircut) For Danish viewers: Look for an unrecognizable Lars Hjortshøj as an alcoholic and Zlatko Buric as a cab-driver. Be sure to stick around for the end credits and check out the Polaroid snapshots for one final hilarious punchline involving the identity of "Sørmand"! ***
1 out of 1 people found the following review useful:
An emotional roller-coaster, 26 September 2009
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Author:
Gordon-11 from Hong Kong
This film is about a man who is about to marry the man he loves, but
falls for his sister instead.
"Shake It All About" is an unconventional romantic comedy. It's well
written, and the story is engaging. It's an emotional roller-coaster
that exposes a painful reality. Troels Lyby's acting as Jorgen is
phenomenal. His character faces many adversities, and each time Lyby
conveys his sadness, frustration and anger very well. I can see his
pain and I can feel his pain. The lunch party scene where Jacob packs
up is the best example of his splendid acting. I would certainly want
to watch more of his films. Mads Mikkelsen is disappointing on the
other hand. He does not carry his emotions as thoroughly as Troels
Lyby. I enjoyed watching "Shake It All About".
3 out of 5 people found the following review useful:
The cinema's first closeted heterosexual?, 18 April 2003
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Author:
Havan_IronOak from NYC/FL
Jørgen & Jacob are a happy gay couple living in Denmark. On the night of Jacob's birthday party Jørgen proposes marriage and Jacob accepts only to find that he's fallen in love with Caroline, Jørgen's sister-in-law. While the hetero couple try gallantly to deny the attraction, its there and it quickly leads to all manner of complications.
Trying to broaden the rom-com..., 6 January 2005
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Author:
elsa a from France
This is a true feelgood movie, trying to be a more liberal but
succeeding with the base genre without more ado. It is a warm, pleasing
experience, best suited for anxiety-filled hung-over Sundays.
Although classical stereotypes shine through, the film makes an honest
attempt to broaden the rom-com genre by being more liberal-minded and
equal in attitude.
What gives the film an edge are the side characters - as previously
pointed out, fronted by the brilliant doctor in the hospital scene.
Joof's sense of detail (in this way most close to classic Disneys) does
not save the movie however, and it ends a pleasant but short memory.
1 out of 2 people found the following review useful:
Truely Unforgettable, 14 February 2002
Author:
ghettosvend75 from Copenhagen, Denmark
To give a short summary of the movie it´s about a gay couple, and their
difficulties when one of them falls in love with a woman.
I had high expectations prior to seeing this movie because many of my
friends had recommended it to me. On top of that, it was one of the best
reviewed Danish movies of the year, but I was truely disappointed. A movie
that in it´s trailer wishes to appear as a fun, light hearted movie that
contains funny scenes such as one where the main character compares his
boyfriends penis to vegetable. But this movie is only sporadically funny.
It
tries to combine a much to serious story with jokes that could have been
part of American Pie. THAT does not work.
Mads Mikkelsen(perhaps THE most popular actor in Denmark) seems out of
place
and constantly gives one the impression that he would rather have been
somewhere else. But having said that, I still must still applaud many of
the
actors appearing in this movie, Troels Lyby(who represents the serious(but
sadly boring) part of the movie, Peter Frödin(funny as always) and Nikolai
Steen(extremely funny in a quite grotesque role.
So the conclusion to my review is: if you wish to see a funny movie(that
does not share the bottom level of scary movie or not another teen movie) -
don´t waste your money here. Amelie or Bridget Jones´diary are much higher
on my scale.
evaluation 5/10
1 out of 3 people found the following review useful:
What is the chance that both the director and writer get kidnapped at the end?, 30 December 2008
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Author:
Stein Erik Aulie from Norway
*** This review may contain spoilers ***
This movie use the Hollywood recipe how to do a romantic holiday movie.
At the start, I though that this has something else, some kind of
Nordic irony to the whole genre. The script had a lot of these ironic
and sarcastic views on the romantic story - the audience didn't know
that the Mads Mikkelsen was a gay until quite a few minutes. Further
on, I think the director, cinematographer and editor do a very good
job. There's a bunch of minor, but important, details that I really
appreciated. This is actually a good, funny and interesting
movie....until I found out that it actually DID the whole f¤%#n
Hollywood set phrase.
-----------spoiler------- The last 20 min was awful. It seems that the
writer stopped breathing, and the hired some monkey from the Hollywood
film school to finish it...yes the actually ripped the movie apart and
executed it while the audience couldn't do a thing about it. How can
you underestimate people like that? Had the writer NOT written an end
for it? Why the hell does Mads Mikkelsen's character run back? On a
bloody horse? Nothing indicated that he would get back to his fiancée!
A happy ending? This was an awful ending. This is why Dannish (and
Scandinavian films generally) fails to make it big....they follow the
same boring footsteps as all the wanna be film-makers. Do your thing!
This is Europe! The director is the king here! Not the producer! If the
producer f#¤s you up, it's probably a Hollyowood one.
A movie that goes from a 8-9 to 1 because of the the last 20 min...need
I say more. I'm frustrated that I spent one and a half hour of my life
+ ten minutes writing this comment.
5 out of 11 people found the following review useful:
Supporting role's everywhere!, 6 May 2002
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Author:
Longo Vital from Copenhagen D.C.
This film is a mess.
From the beginning it is clear that this movie's first and foremost wish
is:
Your sympathy. It is clear that debutant director Hella Joof (probably
Denmark's most succesful black actress!) has a lot of love for her
characters. And that is probably why she has decided to fill this movie
with
a bunch of originals. And you wonder why there are so many of them. Many
have one or two punch lines each - Peter Frödin as the only supporting role
has got more! - and then they just remain there, filling the void left in
which we ought to laugh. It seems as a waste of acting capacity seeing
Ellen
Hillingsøe, Pernille Højmark, Ditte Gråbøl, Thomas Winding, Lars Knutzon,
Ghita Nørby, Hannah Bjarnhof etc. have so little screen
time.
The plot surrounds the gay couple played very straight by Mads Mikkelsen
and
Troels Lyby. The one falls in love with the others sister in law and here
goes trouble as it is in a bisexual reality.
The actors seem pretty much left to themselves and as most of them are
experienced that can do. But Joof's eager to plaster celebrity Danes in
every little part of the movie is ridiculous. Bodil award winner Zlatko
Buric gets one line as a taxi driver - and that is symptomatic for the
entire movie.
The only supporting role that earns praise is Lotte Merete Andersen as the
doctor. She gets 30 second and steals the scene. That is
acting!
Joof is famous for her special and somewhat childish humor as expressed in
acting ensembles "Det Brune Punktum" and "Lex & Klatten" and it shows also
here. Her fondness of 'dirty' words here are nevertheless not funny at all
but seems misplaced in a film about very sensitive adults.
All in all this is a disappointment. Indeed one of the weakest Danish
comedies in years.
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