| Mads Mikkelsen | ... | Jacob | |
| Troels Lyby | ... | Jørgen | |
| Charlotte Munck | ... | Caroline | |
| Jesper Lohmann | ... | Tom | |
| Oskar Walsøe | ... | Oskar | |
| Peter Frödin | ... | Frederik | |
| Nikolaj Steen | ... | Mads | |
| Ditte Gråbøl | ... | Inge | |
| Morten Kirkskov | ... | Adrian | |
| Henning Jensen | ... | Palle | |
| Pernille Højmark | ... | Ellen | |
| Ellen Hillingsø | ... | Anne | |
| Ghita Nørby | ... | Bine | |
| Thomas Winding | ... | Hans Henrik | |
| Klaus Bondam | ... | Præsten | |
| Tammi Øst | ... | Anja | |
| Lars Knutzon | ... | Finn | |
| Thomas Bendixen | ... | Simon | |
| Preben Harris | ... | Jørgen og Toms Far, Poul | |
| Karen Lis Ahrenkiel | ... | Jørgen og Toms Mor, Else (as Karen-Lis Ahrenkiel) | |
| Hannah Bjarnhof | ... | Tante Paula | |
| Lars Hjortshøj | ... | Alkoholiker | |
| Andras Banfi | ... | Ibrahim Modi, Moskéens Bygherre | |
| Joy-Maria Frederiksen | ... | Carolines Veninde (as Joy Maria Frederiksen) | |
| Martin Brygmann | ... | Parterapeut | |
| Benedikte Hansen | ... | Kvindelig Betjent (as Benedickte Hansen) | |
| Malkith Singh | ... | Per (as Malkit Singh) | |
| Anne Sofie Espersen | ... | Lærke | |
| Lærke Winther Andersen | ... | Synne (as Lærke Winter Andersen) | |
| Lotte Andersen | ... | Læge | |
| Ellen Nyman | ... | Stewardess | |
| Zlatko Buric | ... | Taxachauffør | |
| Mattias Straub | ... | Falckmand | |
| Morten Hilbert | ... | Rocker 1 | |
| John Kalmar | ... | Rocker 2 | |
| Peter Lambert | ... | Rocker 3 | |
| rest of cast listed alphabetically: | |||
| Michael Larsen | ... | Restaurantgæst | |
| Anders Thomas Jensen | ... | Drunk customer at Frederik's bar (uncredited) | |
| Søren Kaster | ... | Søren (uncredited) | |
| Jim Lyngvild | ... | Extra (uncredited) | |
| Ali Rezvani | ... | Passenger in plain (uncredited) | |
Directed by | |||
| Hella Joof | |||
Writing credits | ||
| Hella Joof | (screenplay) & | |
| Klaus Bondam | (screenplay) | |
| Thomas Gammeltoft | (idea) & | |
| Michael Christoffersen | (idea) | |
Produced by | |||
| Thomas Gammeltoft | .... | producer | |
| Mogens Glad | .... | executive producer | |
| Frank Hübner | .... | producer | |
| Poul Erik Lindeborg | .... | executive producer | |
Original Music by | |||
| Povl Kristian | |||
Cinematography by | |||
| Eric Kress | |||
Film Editing by | |||
| Anders Villadsen | |||
Production Design by | |||
| Peter Grant | |||
Costume Design by | |||
| Manon Rasmussen | |||
Makeup Department | |||
| Eva Flamholc | .... | makeup artist (as Eva Flamholc Andersen) | |
| Charlotte Laustsen | .... | makeup artist | |
| Anne Cathrine Sauerberg | .... | makeup artist (as Anne Catrine Sauerberg) | |
| Susanne Søbye | .... | makeup artist | |
| Agneta von Gegerfelt | .... | makeup artist | |
Production Management | |||
| Casper Holm | .... | unit production manager | |
| Sanne Arnt Torp | .... | production manager | |
| Nanna van Elk | .... | post-production supervisor | |
| Reinhild Gräber | .... | production supervisor: ApolloMedia (uncredited) | |
| Rudolf Kurz | .... | production supervisor: ApolloMedia (uncredited) | |
Art Department | |||
| Poul Dybendal Andersen | .... | craftsman | |
| Sebastian Bacquaert | .... | assistant props | |
| Ivar Baungaard | .... | property master | |
| Jean Roch Bechameil | .... | stucco artist (as Jean Bechameil) | |
| Mogens Craner | .... | craftsman | |
| Niels Valentin Dal | .... | designer: back insignia (as Niels Valentin Dal Hansen) | |
| Morten Droob | .... | assistant props | |
| Simone Grau | .... | props | |
| Leo Jørgart | .... | construction supervisor | |
| Jørgen Krogh | .... | craftsman | |
| Andrea Nemcova | .... | assistant production designer | |
| Tine Hieronymus Nielsen | .... | set dresser (as Tine Hieronymus) | |
| Tina Pedersen | .... | assistant props (as Tina Helen Pedersen) | |
| René Pejl | .... | craftsman | |
| Søren Simonsen | .... | craftsman | |
| Jac Villemann | .... | craftsman (as Jac Villeman) | |
| Paul Wilson | .... | artistic director: Yellow1 | |
| Paul Wilson | .... | graphical designer: Yellow1 | |
Sound Department | |||
| Morten Degnbol | .... | sound | |
| Pétur Einarsson | .... | assistant sound editor | |
| Pétur Einarsson | .... | boom operator | |
| Henrik Garnov | .... | sound editor | |
| Nino Jacobsen | .... | sound designer | |
| Nino Jacobsen | .... | sound re-recording mixer | |
| Nino Jacobsen | .... | supervising sound editor | |
| Lars Lund | .... | boom operator | |
| Julien Naudin | .... | foley artist | |
Special Effects by | |||
| Hans Peter Ludvigsen | .... | special effects | |
Visual Effects by | |||
| Mikael Balle | .... | Inferno artist | |
| Daniel Silwerfeldt | .... | visual effects supervisor | |
| Robin Skjoldborg | .... | camera operator: special photographic effects | |
| Lars H. Sørensen | .... | Inferno artist | |
| Tonni Zinck | .... | 3D artist | |
Costume and Wardrobe Department | |||
| Stine Gudmundsen-Holmgreen | .... | costumer | |
Editorial Department | |||
| Rasmus Beckett | .... | teaser trailer editor (as Rasmus Beckett Nilsson) | |
| Anders V. Christensen | .... | assistant editor | |
| Peter Diemar | .... | color grader | |
| Camilla Ebling | .... | assistant editor | |
| Henrik Fleischer | .... | teaser trailer editor | |
| Janni Helleskov | .... | post-production coordinator | |
| Michael Frank Nielsen | .... | film color timer (as Michael Nielsen) | |
Music Department | |||
| Flemming Patrick Andersen | .... | musician: second violin | |
| Kaare Bjerkø | .... | musician: harmonica (as Kåre Bjerkø) | |
| Lars Bjørnkær | .... | musician: first violin (as Lars Bjørnkjær) | |
| Gbatokai Dakinah | .... | musician: bass | |
| Pelle Fridell | .... | musician: flute, clarinet and saxophone | |
| Demitri Golovanov | .... | musician: viola | |
| Peter Halaburt | .... | musician: English horn | |
| Flemming Hansson | .... | music engineer | |
| Flemming Hansson | .... | music mixer | |
| Michael Hendersson | .... | music engineer | |
| Eugine Hye-Knudsen | .... | musician: cello (as Eugene Hye-Knudsen) | |
| Keld Ipsen | .... | musician: bassoon | |
| Aske Jacoby | .... | musician: guitar | |
| Povl Kristian | .... | music producer | |
| Povl Kristian | .... | musician: piano | |
| Flemming Muus | .... | musician: bass | |
| Rune Harder Olesen | .... | musician: percussion | |
| Christian Overgaard | .... | musician: guitar | |
| Nikolai Pedersen | .... | musician: trombone | |
| Peter Peter | .... | musician: guitar and mandolin | |
| Morten Reumert | .... | musician: hammond organ | |
| Jesper Riis | .... | musician: trumpet and horn | |
| Flemming Rothaus | .... | musician: drums | |
| Joakim Thomsen | .... | musician: oboe (as Joakim Dam Thomsen) | |
| Kasper Tranberg | .... | musician: cornet | |
| Mika Vandborg | .... | musician: guitar | |
| Rune Vestberg | .... | music engineer | |
| Rasmus Winther | .... | music engineer (as Rasmus Winther Jensen) | |
| Rasmus Winther | .... | score mixer | |
Other crew | |||
| Kim Fupz Aakeson | .... | script consultant | |
| Henrik Køier Andersen | .... | horse trainer | |
| Ariette Walsøe Busch | .... | location assistant (as Arlette Walsøe) | |
| Marianne Christensen | .... | consultant: TV2 | |
| Nina Crone | .... | financing | |
| Kim Demacena | .... | runner | |
| Gert Duve Skovlund | .... | film consultant: Det Danske Filminstitut | |
| Mikkel Beha Erichsen | .... | behind-the-scenes documentary | |
| Lillian Rype Fokdal | .... | script supervisor | |
| Lene Gunnarson | .... | bookkeeper | |
| Jens Haubæk | .... | behind-the-scenes documentary (as Jens Haubek) | |
| Anne Heeno | .... | extras coordinator | |
| Janni Helleskov | .... | production coordinator | |
| Jørgen Hinsch | .... | studio coordinator (as Jørgen Hinch) | |
| Marie Hyllested | .... | lawyer | |
| Jannik Johansen | .... | technical director | |
| Matt Lawford | .... | shortfall insurance | |
| Jens Lundvang | .... | runner | |
| Samia Mainz | .... | assistant: Frank Hübner | |
| Rasmus Rise Michaelsen | .... | runner (as Rasmus Rise) | |
| Claus Nielsen | .... | location manager | |
| Katja Elisabeth Olsen | .... | runner | |
| Valeria Richter | .... | public relations | |
| Sara Stockmann | .... | public relations | |
| Paul Wilson | .... | title designer: Yellow1 | |
| Søren Ølund | .... | controller | |
Thanks | |||
| Sunny Asemota | .... | special thanks | |
| Christoffer Berdal | .... | special thanks | |
| Marianne Christensen | .... | special thanks | |
| Janni Helleskov | .... | special thanks | |
| Gaute Høgh | .... | special thanks: Kunde & Co. (as Gaute Hoegh) | |
| Anders Thomas Jensen | .... | special thanks | |
| Line Knutzon | .... | special thanks | |
| Thomas Kristensen | .... | special thanks | |
| Birthe Neumann | .... | special thanks | |
| Marianne Nilsson | .... | special thanks | |
| Hanne Palmquist | .... | special thanks | |
| Greg Rogers | .... | thanks: Film Music Group | |
| Troels Agueh Vestergaard | .... | special thanks | |
| Eigil Wahele | .... | thanks: Arkitekterne WDW | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Denmark section |
I wasn't sure what to expect from this movie, which in some ways probably helps. Going in with absolutely no expectations about any of the performers (or the director) may have helped make my experience more enjoyable.
The best thing about this film is Troels Lyby, who seems to have hot on just the right combination of humor, sadness, realism and indecision for "Jorgen." Particularly good is the scene where his friends try to cheer him up as his partner packs up to leave. His slow disintegration during lunch is an example of really good acting. He never lets his character get too maudlin or too "I'm putting on the cheery face for you" (as an American actor would have done).
Mads Mikkelson, however, is nowhere near as good. His "Jakob" seems mopey, bored, angry and closeted. Where is the thrill of finding a new sexual partner he's obsessed by? The script clearly calls for that, but Mikkelson never really gets the audience to believe that Jakob is truly fascinated by Caroline. Mikkelson seems to be just going through the motions in so much of the movie. One could say that Jakob is deeply conflicted by his sexual and emotional attraction to Caroline; hence, the sullen acting. But I just don't buy that. The script never calls for that explanation, and Mikkelson doesn't bring it off anyway.
Peter Frodin as the outlandish Frederik is your stereotypical hysterical queen. But he brings it off without offending us, becoming obnoxious, or turning Frederik into a cardboard cut-out. (His scene where he describes his angst over "Sailor's" refusal to come out of the closet and love him is really quite good.)
Less effective is Charlotte Munck as Caroline. In part, this is due to the material she has to work with. I never really felt that Caroline was suffering that much in her failing marriage to Tom (Jesper Lohmann). Sure, Tom is never home. But Caroline doesn't want another baby anyway, and Tom being home would increase the pressure on her. So why does she turn to Jakob? The whole movie hinges on us believing that Caroline and Jakob really share a deep, festering obsession with one another. But the film never goes there, and as a result half the movie (anything to do with Jakob and Caroline) just doesn't work that well. (Munck, however, is superb in the Swedish skating-rink scene. her physical acting and facial expressions really convinced me that she was finally, truly happy.)
Jesper Lohmann is given even less to work with, and as a result his Tom is just a caricature of the work-a-holic husband. (It makes absolutely no sense for him to be the salvation of Jakob and Jorgen's marriage. It's a cute ending, somewhat along the lines of "Flying Down to Rio." But it makes no sense.)
Watch for superb bit performances by Morten Kirkskov and Henning Jensen as the super-fag married couple (particularly their two scenes mid-movie, one where they are horrified that Jakob has turned straight and one where the "ugly secret" of their marriage comes out). Oskar Valsoe is really good as the lone straight (?) man in the bunch, without falling over into supercilious liberal guilt (as so many American films would push the character).
The editing is just superb, and the cinematography at times really reaches for your heart. The soundtrack is very good -- when it is there. It's too bad there wasn't more if it (a la "Muriel's Wedding" or "Boogie Nights").
And okay -- so the script at times falls into triteness. Jorgen loses an eye after driving drunkenly through the night after hearing Jakob's confession. Like we didn't see that one coming! (After "The World According to Garp," this is just too, too common a story-telling trick.) The ending, too, is just far too pat. The inclusion of the horse was just so bookend-ish, it really pushed the conclusion far beyond acceptable storytelling limits. But overall, this film is rather good. I had a very pleasant time watching it.