| Joaquin Phoenix | ... | John | |
| Claire Danes | ... | Elena | |
| Sean Penn | ... | Marciello | |
| Douglas Henshall | ... | Michael | |
| Alun Armstrong | ... | David | |
| Margo Martindale | ... | Betsy | |
| Mark Strong | ... | Arthur | |
| Geoffrey Hutchings | ... | Mr. Morrison | |
| Harry Ditson | ... | George | |
| Thomas Bo Larsen | ... | Night Porter | |
| Teddy Kempner | ... | Brooklyn Receptionist | |
| Indra Ové | ... | Production Assistant (as Indra Ove) | |
| Georgi Staykov | ... | Bookish Interpreter (as Giorgi Staykov) | |
| Anna Wallander | ... | Young Interpreter | |
| Mariann Rudberg | ... | Old Interpreter | |
| Michael Simpson | ... | Master of Cerimonies (as Michael Philip Simpson) | |
| Alexander Sapone | ... | Boy in Street | |
| Giulia Melis | ... | Italian Girl in Street | |
| Norman Fearrington | ... | Hotel Bodyguard | |
| Daniel Okine | ... | Ugandan Man | |
| Martha Siima | ... | Ugandan Girl | |
| Suat Kutlug | ... | Robber in Subway | |
| Larry Wendorf | ... | Sleeping Man in Subway | |
| Julia Forgy Viktrup | ... | Reporter | |
| Sean-Michael Smith | ... | Pete | |
| Ingemar Persson | ... | Chef | |
| Joanna Nowakowski | ... | Young Elena | |
| Dennis Kemp | ... | Young John | |
| rest of cast listed alphabetically: | |||
| Steve Aalam | ... | Managers Assistant (uncredited) | |
| Håkan Andersson | ... | Managers Assistant (uncredited) | |
| Betina Andreasen | ... | Audience Member (uncredited) | |
| James Cagnard | ... | Managers Assistant (uncredited) | |
| James Franklin | ... | Managers Assistant (uncredited) | |
| Ia Gustafsson | ... | Managers Assistant (uncredited) | |
| Morten B. Petersen | ... | Audience Member (uncredited) | |
| Sandra Reid | ... | Managers assistant (uncredited) | |
| Ines Sebalj | ... | Waitress (uncredited) | |
| Manya Seisay | ... | Waitress (uncredited) | |
| Michael Sommerville | ... | Managers Assistant (uncredited) | |
| Gunnel Stenberg | ... | Managers Assistant (uncredited) | |
| Trine Stårup | ... | Iceskating Audience (uncredited) | |
| Nick Wolf | ... | Managers Assistant (uncredited) | |
Directed by | |||
| Thomas Vinterberg | |||
Writing credits(in alphabetical order) | ||
| Mogens Rukov | writer | |
| Thomas Vinterberg | writer | |
Produced by | |||
| Marianne Christensen | .... | line producer: pre-production | |
| Bo Ehrhardt | .... | executive producer | |
| Tomas Eskilsson | .... | co-producer | |
| Birgitte Hald | .... | producer | |
| Stephen Hegyes | .... | line producer: Vancouver | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Lars Jönsson | .... | co-producer | |
| Morten Kaufmann | .... | line producer | |
| Deborah Bayer Marlow | .... | line producer: New York | |
| Lars Bredo Rahbek | .... | executive producer | |
| Els Vandevorst | .... | co-producer | |
| Paul Webster | .... | executive producer | |
| Shawn Williamson | .... | line producer: Vancouver | |
| James Wilson | .... | co-executive producer | |
Original Music by | |||
| Zbigniew Preisner | |||
Cinematography by | |||
| Anthony Dod Mantle | (director of photography) | ||
Casting by | |||
| Joyce Nettles | (casting: UK) | ||
| Ilene Starger | (casting: US) | ||
Production Design by | |||
| Ben van Os | |||
Art Direction by | |||
| Jette Lehmann | |||
Set Decoration by | |||
| Jesper Lorents | |||
Costume Design by | |||
| Ellen Lens | |||
Makeup Department | |||
| Malin Birch-Jensen | .... | makeup designer | |
| Jessica Cederholm | .... | makeup assistant | |
| Anja Dahl | .... | makeup assistant | |
| Karin Fahlén | .... | makeup designer: Claire Dane (as Karin Fahlén Lee) | |
| Anna Granlund | .... | additional hair stylist: Sweden | |
| Laila Granlund | .... | additional hair stylist: Sweden | |
| Morten Jacobsen | .... | special makeup effects artist | |
| Tony Mack | .... | hair stylist: New York | |
| Anne Cathrine Sauerberg | .... | makeup artist: second unit | |
| Henrik Steen | .... | makeup assistant | |
| Angelina P. Cameron | .... | hair stylist: Sean Penn (uncredited) | |
Second Unit Director or Assistant Director | |||
| Toby Hefferman | .... | second assistant director | |
| Tim Lewis | .... | first assistant director | |
| Lance Reisch | .... | second assistant director: New York | |
| Iben Snebang | .... | third assistant director | |
| James Bitonti | .... | second assistant director: Vancouver (uncredited) | |
| Tarnya Cook | .... | third assistant director (uncredited) | |
| Andrew M. Robinson | .... | first assistant director: Vancouver (uncredited) | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | sound designer | |
| Jens Bønding | .... | foley recordist | |
| Tammy Douglas | .... | sound mixer: New York (as Tammy M. Douglas) | |
| Anne Jensen | .... | adr editor | |
| Per Dybdal Jensen | .... | assistant to sound designer | |
| William Kozy | .... | sound mixer: New York | |
| Hans Møller | .... | dialogue editor | |
| Julien Naudin | .... | foley artist (as Julien Naudin Fra) | |
| Eddie Simonsen | .... | sound designer: trailer | |
| Eddie Simonsen | .... | sound re-recording mixer | |
| Ad Stoop | .... | sound recordist | |
| René van den Berg | .... | sound recordist (as Rene van den Berg) | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Carsten Elkjær | .... | special effects assistant | |
| Stinne Fuglsbjerg | .... | special effects assistant | |
| Lars Kolding Andersen | .... | special effects | |
| Ilja Jonbak Nielsen | .... | special effects assistant (as Ilja Jon Bak Nielsen) | |
| Martin 'Marty' McLaughlin | .... | snow effects technician (uncredited) | |
Visual Effects by | |||
| Ian Bach | .... | apprentice compositor | |
| Mikael Balle | .... | additional visual effects | |
| Mikael Balle | .... | digital mastering | |
| Morten Balling | .... | additional visual effects | |
| Morten Balling | .... | digital mastering | |
| Morten Bartholdy | .... | lead 3d artist | |
| Jaron Brender | .... | visual sets and machmoving | |
| Niels Valentin Dal | .... | digital matte painter (as Niels Valentin Dal Hansen) | |
| Stuart Galloway | .... | motion control camera operator | |
| Esben Garn | .... | hardware support (as Esben Ulrik Garn) | |
| Peter Hjorth | .... | visual effects supervisor | |
| Tove Jystrup | .... | visual effects coordinator | |
| Tine Nikali | .... | particles and volumetrics | |
| Andrew Sargent | .... | motion control camera operator (as Andrew James Sargent) | |
| Lars H. Sørensen | .... | additional visual effects | |
| Lars H. Sørensen | .... | digital mastering | |
Stunts | |||
| Stig Günther | .... | stunt coordinator | |
Casting Department | |||
| Louise Cross | .... | casting assistant: UK | |
| Gregory Kramer | .... | casting director: New York | |
| Fouzia Mouna | .... | street casting: Denmark | |
| Parminder Singh | .... | casting assistant: Denmark | |
| Eric Voge | .... | casting: Sweden | |
| Janice Wilde | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Pernille Brandstrup | .... | costume trainee | |
| Sara Eriksson | .... | wardrobe assistant | |
| Louise Lindblom | .... | wardrobe assistant | |
| Sara Mau | .... | tailor | |
| Helle Nielsen | .... | costumes: second unit (as Helle C. Nielsen) | |
| Stine Brynjolf Pedersen | .... | costume trainee | |
| Margrethe Rasmussen | .... | costume assistant | |
| Margrethe Rasmussen | .... | tailor: Elena and Betsy's costumes | |
| Therese Sandersson | .... | wardrobe assistant | |
| Therese Schimmelsohn | .... | wardrobe assistant | |
| Signe Sejlund | .... | costume assistant | |
| Miriam Sohn | .... | seamstress: New York | |
| Sabina Sømod | .... | costume trainee (as Sabina Sømod Jensen) | |
| Stine Terp | .... | tailor | |
| Gaby Wehn | .... | wardrobe: New York | |
Editorial Department | |||
| Jette Bjørkmann | .... | negative cutter | |
| Dorthe Brandt Bankwell | .... | color grader (as Dorthe Bankwell) | |
| Helle Hansen | .... | negative cutter | |
| Peter Hjorth | .... | colorist: tape to tape | |
| Thomas Højmark Pedersen | .... | colorist (as Thomas Højmark) | |
| Marianne Jerris | .... | negative cutting coordinator | |
| Bodil Kjærhauge | .... | assistant editor | |
| Evelyn Kristiansen | .... | negative cutter | |
| Lasse Martinussen | .... | assistant editor | |
| Pia Nielsen | .... | post-production coordinator: second unit | |
| Sara Reither | .... | additional editor | |
| Vagn Rose | .... | assistant editor (as Vagn Eric Rose) | |
| Cecilie Rui | .... | post-production assistant | |
| Morten Skytte | .... | dailies | |
| Jacob Thuesen | .... | additional editor | |
| Carsten Bramsen | .... | assistant editor (uncredited) | |
Music Department | |||
| Laurence Aston | .... | music management and business affairs | |
| Urszula Chajdecka | .... | music studio manager | |
| Marcin Dziuba | .... | music mixer | |
| Lidia Halon | .... | conductor: chorus | |
| Sylwia Kicka | .... | music production organization and coordination | |
| Nagrania I. Koncerty Klasyczne | .... | musicians: orchestra | |
| Jacek Koltuniak | .... | music studio engineer | |
| M. Kmicik Lejman | .... | musician | |
| Leszek Mozdzer | .... | musician: piano | |
| Michal Nesterowicz | .... | conductor | |
| Rafal Paczkowski | .... | music sound engineer | |
| John Parricelli | .... | musician: guitar | |
| Andy Pask | .... | musician: bass guitar | |
| Zbigniew Preisner | .... | music producer | |
| Peter Schultz | .... | assistant music editor | |
| Stefan Sendecki | .... | musician: samplers | |
| Wojciech Siwiecki | .... | music studio engineer | |
| Leila Vestgaard | .... | music coordinator | |
| Geoff Foster | .... | score recordist (uncredited) | |
| Jørgen Lauritsen | .... | orchestrator (uncredited) | |
Thanks | |||
| Nikolaj Egelund | .... | thanks | |
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| Jumper | Three Days of the Condor | The Interpreter | 2012 | King Kong |
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'It's All About Love' is a true oddity. It feels almost like someone recorded all the strange ideas that came into their head for a week, and chose a common topic, i.e. 'Love', and wrote a screenplay from their notes.
But that's not to say it's a bad movie.
In truth, I quite enjoyed it, although I came out of it feeling like I'd woken up from a dream, or possibly a nightmare.
It's quite unsettling.
The plot is both incredibly simple and incredibly complex:
John (Joaquin Phoenix) goes to New York to get a divorce from his famous figure skating wife, Elena (Claire Danes). While he's there, he notices that Elena seems to be in the middle of a vast conspiracy, and together they try to escape it, rediscovering their love at the same time.
The film is set in the near future, although it doesn't really need to be. I like the future in this film, because it's not radically different (except for flying Africans...go figure) but feels like twenty odd years from now. In the near future, people who are lonely or suffer a great loss will often drop dead. And the people of the near future merely walk over their bodies.
John and Elena are Polish, although they don't need to be. It adds certain poignancy, two foreigners not quite in place in a world that keeps putting them out of place.
Joaquin Phoenix and Claire Danes, while both very good (I think...it's hard to tell in a film as strange as this) could possibly have used some accent work. At times they speak with no accent at all, and it seems to distract.
On that note, I would like to point out how brilliant Claire Danes is. Ever since I saw Brokedown Palace, I have been astounded by her acting ability (although, that said, she doesn't do heart-wrenching crying very well). I won't spoil it, but under the circumstances of what happens to her character(s), she's incredible.
Also thrown into the mix is Sean Penn playing John's brother. I honestly couldn't see why he was in the movie, except maybe to oversee all the weather changes (think a far more subtle, low budget Day After Tomorrow with more meaning. For instance, it snows in New York in July, and there are days when all the fresh water freezes) I'm not saying it's a bad point, but another end that wasn't loose, but still needed tightening.
As I mentioned, the plot is incredibly complex. It twists a fair bit, until it seems to cut all things loose and start a new movie some twenty minutes before the ending. Still another way this movie unsettles me.
Visually, the film is stunning. It looks like a far more mainstream film than it obviously is. And while the film is beautiful, it still feels hard to watch, like there's something dreaded under the gloss.
If this reads as an ambiguous review, that's probably a good thing. I like this movie, quite a lot. But I also dislike it. It's easy to see why the DVD cost me $10.
I also like the fact that I own this movie before America even get an official release date. As an Australian, always open to release dates getting pushed back by three months, or movies being on DVD in America for about a year before we even get a theatrical release, this gives me a strange sense of superiority.
An incredibly strange movie and most certainly not everyone's cup of tea, I'll have to be careful of who I recommend this movie to. But see it yourself, as it's a movie that deserves an audience, just a very select one.
7/10