| Alessandra Acciai | ... | Diana Berti | |
| Jean Hebert | |||
| Viola Simoncioni | |||
| Giuseppe Stefano De Sando | (as Stefano De Sando) | ||
| Morena Turchi | |||
| Fabio Iellini | (as Fabio Jellini) | ||
| Valeria Milillo | |||
| Giuseppe Pianviti | |||
| Luca Fagioli | |||
| Daria Nicolodi | ... | Preside | |
| rest of cast listed alphabetically: | |||
| Piero Cucchi | ... | Padre della ragazza scomparsa (uncredited) | |
Directed by | |||
| Lamberto Bava | |||
Writing credits(in alphabetical order) | ||
| Roberto Gandus | screenplay | |
| Roberto Gandus | story | |
| Dardano Sacchetti | screenplay | |
| Giorgio Stegani | screenplay | |
Produced by | |||
| Lamberto Bava | .... | producer | |
| Andrea Piazzesi | .... | producer | |
Original Music by | |||
| Simon Boswell | |||
Cinematography by | |||
| Gianfranco Transunto | |||
Film Editing by | |||
| Daniele Alabiso | |||
Casting by | |||
| Fabrizio Bava | |||
Production Design by | |||
| Katia Dottori | (as Catia Dottori) | ||
Costume Design by | |||
| Katia Dottori | (as Catia Dottori) | ||
Makeup Department | |||
| Franco Casagni | .... | special makeup artist | |
| Piero Cucchi | .... | hair stylist | |
Production Management | |||
| Alberto Brusco | .... | production supervisor | |
| Francesco Fantacci | .... | production supervisor (as Giovanni Francesco Fantacci) | |
Second Unit Director or Assistant Director | |||
| Ferzan Ozpetek | .... | assistant director | |
Art Department | |||
| Lionello Fantacci | .... | assistant property master | |
| Mauro Vitturini | .... | property master | |
Sound Department | |||
| Fabio Ancillai | .... | sound recordist | |
| Romano Checcacci | .... | sound mixer | |
| Giancarlo Laurenzi | .... | boom operator | |
| Fiamma Maglione | .... | dialogue editor (as Fiamma Maione) | |
| Rossana Maiuri | .... | dubbing assistant | |
Special Effects by | |||
| Ditta Corridori | .... | special effects | |
Camera and Electrical Department | |||
| Giancarlo Battaglia | .... | first assistant camera | |
| Roberto Esposti | .... | key grip | |
| Stefano Marino | .... | chief electrician | |
| Elena Ucropina | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Stella Battista | .... | seamstress | |
Editorial Department | |||
| Enrico Crescenzi | .... | second assistant editor | |
| Bruno Micheli | .... | first assistant editor | |
Music Department | |||
| Vincent Messina | .... | soundtrack coordinator | |
Other crew | |||
| Anna Maria De Pedys | .... | administrator (as Anna De Pedys) | |
| Lara Di Fiandra | .... | second assistant production secretary | |
| Carlo Alberto Fantacci | .... | production assistant | |
| Giovanfrancesco Fantacci | .... | location manager | |
| Alfredo Grassini | .... | production secretary | |
| Gino La Monica | .... | dubbing director (as Luigi La Monica) | |
| Stefano Mafera | .... | titles | |
| Rossana Rocchi | .... | script supervisor (as Rosanna Rocchi) | |
| Anita Sonnino | .... | cashier | |
| Ario Taddei | .... | first assistant production secretary | |
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| An American Haunting | Who Saw Her Die? | So Sweet, So Dead | Virgin Killer | The Psychic |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section |
Well, it's not a big surprise for me that I'm actually the first to review this film cause there's nothing special about it. It's along with few other movies(SODOMA'S GHOSTS, NIGHT AT THE CEMETERY), a rare example of eurohorror that's really boring & worthless. It tells us a story of young teacher who tries to find out something about "the Game" that her pupils are playing. The cliché-ridden script was co-written by overly prolific Dardano Saccetti(Demoni, Zombi2 and half a billion of other Italian horror flicks) so, do expect plot situations and twists lifted right from THE BEYOND, THE OGRE, and the other films he scripted.Kids are all small and repulsive It's a TV movie, so there's no gore in. I mean it - no gore at all!Just like in Bava's similar gore free pseudo horror shlock NIGHT AT THE CEMETERY. At a positive side, I'd point out the atmospheric opening sequence and nice music by always reliable Simon Boswell(Deliria, and many other Lamberto Bava flicks) So I conclude: buy or watch it only if you're a Bava completist, otherwise you may die of boredom.