Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, ... See full summary »
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated? Written by
I went in expecting nothing since all I"d ever seen of HJ was about a half hour, as much as I could stand, of "Always" a really unbearable movie, starring him, of the lovesick clueless guy somehow had gorgeous girlfriend and now shall mope for 90 minutes and she thinks he's cute even now for some mysterious reason even though it's over while the audience well, simply has to endure him, variety.
Anyway I thought it was pretty great this movie, really well plotted, I liked the actresses in particular: anouk, gretta and the girl who played "Blue". . . they were all really wonderful. The characters were vividly drawn and I thought it was a really well written human comedy.
What I would encourage him to do in the future however is to try something other than a score that shows your movie as being a knock off of woody allen or gives that feeling, which this music did. The film would have seemed a lot more his own had he had a different sound to go with.
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