| George Foster | ... | Joseph | |
| Christina Kew | ... | Anna | |
| Kirk B.R. Woller | ... | Martin | |
| Garth Wilton | ... | Professor Richardson | |
| Ken Gruz | ... | Stan | |
| Chuck Martinez | ... | Library Assistant | |
| Chris Wright | ... | Abusive Husband | |
| Maki Yamane | ... | Abused Wife | |
| Carry Patterson | ... | Professor Williams | |
| Grace Kurowski | ... | Little Girl | |
| Mike Libonati | ... | Abusive Father | |
| Linda Fontaine | ... | Joseph's Mother | |
| Teigh McDonough | ... | Female Jogger | |
| Kass Connors | ... | Lenny | |
| DJ von Zell | ... | Pretty Boy | |
| Zachary Meeks | ... | Child Joseph | |
| Rod Damer | ... | Police Detective | |
| Larry Dirk | ... | Joseph's Father |
Directed by | |||
| Zachary Hansen | |||
Writing credits | ||
| Zachary Hansen | (written by) | |
Produced by | |||
| Ferrán Viladevall | .... | producer | |
| Farine Yeganegi | .... | producer | |
Original Music by | |||
| Zachary Hansen | |||
Cinematography by | |||
| Neal Fredericks | |||
Film Editing by | |||
| Zachary Hansen | |||
Production Design by | |||
| Chris Wright | |||
Art Direction by | |||
| Carlos Osorio | |||
Makeup Department | |||
| Sai | .... | key makeup artist | |
Production Management | |||
| Farine Yeganegi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Rosa Gamazo | .... | second assistant director | |
| Carlos Vila | .... | assistant director | |
| Ferrán Viladevall | .... | first assistant director | |
Sound Department | |||
| Arlan H. Boll | .... | sound designer | |
| Kristen Clarke | .... | boom operator | |
| Rachael Maughan | .... | sound mixer | |
| Wendy Oakes | .... | boom operator | |
Visual Effects by | |||
| Maki Yamane | .... | optical effects | |
Camera and Electrical Department | |||
| Byron Blade | .... | best boy | |
| Richard E. Garcia | .... | assistant camera | |
| T.J. Grable | .... | grip | |
| John Grondorf | .... | assistant camera | |
| Thomas Kost | .... | assistant camera | |
| Brandon L. Menchen | .... | key grip | |
| Dale Obert | .... | gaffer | |
| Julio Perillán | .... | grip | |
| Norman Porticella | .... | assistant camera | |
| Joe Solari | .... | assistant camera | |
| Sam Urdank | .... | still photographer | |
Music Department | |||
| Arlan H. Boll | .... | music editor | |
Other crew | |||
| Rosa Gamazo | .... | production assistant | |
| Valentina Petringa | .... | production assistant | |
| Paola Pini | .... | production assistant | |
| Kathy Ziquin | .... | script supervisor | |
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| The Watcher | Close Your Eyes | Resurrection | Sacrifice | Silent Night, Bloody Night |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb USA section |
Zachary Hansen's Killer Me is a chilling psychological study of two people building a very unusual relationship. Even when you think you see what's coming, this film keeps you off-balance and draws you in to the emotional turmoil of the two lead characters. George Foster makes his character, Joseph, come alive in all his technicolor torment. Christina Kew gives a great performance as the strangely bold-yet-timid female lead (Anna) who sometimes seems almost to take her own breath away with her actions. Watching the relationship evolve between these two is fascinating, and only becomes moreso as the story unfolds.
This film is not for everyone, but will appeal to a broad range of film fans, while refusing to neatly fit into any single category. There are things in this film that we never figure out or know for certain, but one thing that is certain is that Joseph is emotionally disturbed, and suffers from post-traumatic stress syndrome. Anna is obviously not only attracted to but somehow drawn to Joseph. This is one of those rare films that succeeds in leaving the viewer satisfied without answering all the questions and filling in the blanks.
Neal Fredericks, cinematographer for THE BLAIR WITCH PROJECT, also filmed KILLER ME.
The promotional literature for this film says: "Killer Me is a mysterious, unsettling film that gets inside your head..." and this picture delivers on that promise.