The first days of WWI. Adrien, a young and handsome lieutenant, is wounded by a piece of shrapnel. He will spend the entire wartime at the Val-de-Grâce Hospital, in Paris. Five long years, ... See full summary »
Bulgaria near the end of World War I: Conan, warrior and wolf, leads a band of 50 ruthless French fighters who love hand-to-hand combat. Their motto: "We forgot to take prisoners, Captain."... See full summary »
Samuel Le Bihan,
Bernard Le Coq
Echoes of Dostoyevsky. At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in... See full summary »
In a small town in the State of Minas Gerais, Brazil, two sisters meet again after years apart. One of them headed for the big city, trying to secure a career as an actress. The other stayed to look after their father.
Joel Zito Araújo
Ruth de Souza,
Alfred and Jerzy take part in a brutal incident: during a train ride, a couple of hooligans harass a young woman. Jerzy stands in her defense. Alfred hesitates and becomes a helpless ... See full summary »
The first days of WWI. Adrien, a young and handsome lieutenant, is wounded by a piece of shrapnel. He will spend the entire wartime at the Val-de-Grâce Hospital, in Paris. Five long years, and his life will change forever... Written by
When Adrien is passing through the village there is a British 18-pounder field gun visible in the background. The British were not involved in the fighting yet at this stage. The French relied almost exclusively on their "75s" and almost certainly did not use British guns. See more »
The Officer's Ward is compelling insight into the horrors of The Great War which will have you rivetted to the screen.
Eric Caravaca is the engineer in the French army who's face is badly disfigured by a bomb blast at the outset of the First World War.
Destined to spend the rest of the war in a Paris hospital where doctors attempt to reconstruct his face, the film focuses on his thoughts, experiences, relationships with other patients in a similar situation, and his struggle for acceptance by his family and society.
Where in the wrong hands the film could have ended up a soppy and sentimental mess, Francois Dupeyron handles proceedings with sensitivity, dignity, and not does not rely on the initial extent of his injuries for shock value. We don't see his face for nearly an hour into the film, so the only indication as to the extent of his injuries is from the reactions of the hospital staff.
Good performances all round, and a stirring condemnation of warfare, and salute to the power of the human spirit
8 out of 10
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