Directed by | |||
| Nicole Garcia | |||
Writing credits(in alphabetical order) | ||
| Frédéric Bélier-Garcia | ||
| Emmanuel Carrère | novel | |
| Jacques Fieschi | ||
| Nicole Garcia | ||
Produced by | |||
| Christine Gozlan | .... | executive producer | |
| Andres Martin | .... | associate producer | |
| Alain Sarde | .... | producer | |
| Ruth Waldburger | .... | associate producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Emmanuelle Castro | |||
Casting by | |||
| Frédérique Moidon | |||
Production Design by | |||
| Véronique Barnéoud | |||
Art Direction by | |||
| Thierry Flamand | |||
Costume Design by | |||
| Nathalie du Roscoat | |||
Makeup Department | |||
| Patrick Girault | .... | key hair stylist | |
| Leticia Rochaix | .... | makeup artist | |
Production Management | |||
| Jean-Jacques Albert | .... | production manager | |
| Helene Glabeke | .... | post-production supervisor | |
| François Menny | .... | unit manager | |
Sound Department | |||
| Jean-Pierre Duret | .... | sound | |
| Dominique Eyraud | .... | boom operator | |
| Stéphanie Granel | .... | sound | |
| Eric Grattepain | .... | foley artist | |
| Jean-Pierre Laforce | .... | sound | |
| Nicolas Moreau | .... | sound | |
| Stephane Rabeau | .... | conform editor | |
| Annick Raoul | .... | dialogue editor | |
| Stéphane Thiébaut | .... | sound re-recording mixer | |
Stunts | |||
| Gilles Conseil | .... | stunts | |
Camera and Electrical Department | |||
| Blaise Bauquis | .... | grip | |
| Emilie de la Hosseraye | .... | still photographer | |
| Nicolas Le Gal | .... | assistant camera | |
| Nicolas Ragetly | .... | crane technician grip | |
| Luc Reyrolle | .... | electrician | |
| Benjamin Speyer | .... | crane technician | |
| Christian Weyers | .... | gaffer | |
Costume and Wardrobe Department | |||
| Tess Hammami | .... | costumer | |
Editorial Department | |||
| Nicolas Criqui | .... | digital conformation | |
| Isabelle Julien | .... | color timer | |
| Carlos Pinto | .... | apprentice editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Philippe Tourret | .... | digital intermediate coordinator | |
Music Department | |||
| Valérie Lindon | .... | music producer | |
Other crew | |||
| Marie-Jo Duchemin | .... | production assistant | |
| Agnès Feuvre | .... | script supervisor | |
| Charles Senard | .... | additional location scout: Paris | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb France section |
The magnificent Daniel Auteuil is ... well ... magnificent once again in this study of a common man whose world turns unaccountably pear-shaped, and who is powerless to get out of the increasingly large hole he's dug for himself. The sequencing of the film is very neatly done - we know from the word 'go' that Faure has done something horrendous, we're pretty sure what it is, and we are led to find out why through a complex series of flashbacks. The art of Auteuil is in his ability to make Faure a sympathetic character, despite his many flaws and the gruesome crime he commits. The painstakingly constructed portrait of a man in torment may get painted on a little too thickly at times, but Auteuil's descent from mixed-up family-man to lethal psychopath is gripping stuff.