Lucie and Marie are twin sisters with a love-hate relationship, their personalities completely opposed. Lucie is an extroverted pin-up model, drawn to Paris seeking fame and dragged into a ... See full summary »
It's been six months since Rachel Siprien disappeared. At the request of Rachel's mother, private detective François takes over the investigation. The young woman, with a complex and ... See full summary »
Samuel Le Bihan
Manu has been incarcerated for one year in a Marseille prison. Back in his hometown Nantes, he rejoins his family and friends whom he left from one day to the next. How is he going to renew... See full summary »
Marie, a pretty young woman, wanders the aisles of a futuristic supermarket where everything is for sale - from the miracle pill to the virtual man. This evening, she's going to celebrate ... See full summary »
The "Green Planet" belongs to another solar system. Through the simplicity of their lifestyle those who live there are a real step ahead of us: they spend their time concentrating their ... See full summary »
This "film" is actually a made for TV mini-series. Its theme is death, and each segment is handled by a different French director. Some of these directors are well-known artists (Claude Chabrol, Georges Lautner), many are new men on the scene (most of them have already made a long-length movie, though). The segments are very uneven as could be expected. Personally, I'll only remember the "Confession" segment, which is why I've rentes the whole thing. The main attraction here is Christopher Lee playing... death, a fitting role if there ever was one. The British actor plays the reaper with his usual charm and witty humour has been added to the character. He is opposed to a priest played by the late French character actor Ticky Holgado, which accounts for a pretty funny mixture. Lee speaks in a perfectly enunciated French, in those dark murmuring tones that suits his characters so well. The segment is directed by René Manzor, who has an interest in horror cinema, which is a rare case among French directors. This segment is worth a watch, while even Chabrol and Lautner disappoint...
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