| Nastassja Kinski | ... | Dr. Jennifer Stillman | |
| Randy Quaid | ... | Dr. Michael McCann | |
| Bobby Edner | ... | Ben Miller / McCann | |
| Harry Groener | ... | Sheriff Ken | |
| Lee de Broux | ... | Cook Harlan (as Lee DeBroux) | |
| Stephen Tobolowsky | ... | Principal Ed Turner | |
| Debra Christofferson | ... | Nurse Della Divelbuss | |
| Nik Dressbach | ... | Buzzcut | |
| Brandon de Paul | ... | Frankie Carter | |
| Kate Fuglei | ... | Waitress Carlita | |
| Neil Vipond | ... | The Judge | |
| Brian Steele | ... | The Creature | |
| David Getz | ... | Deputy #1 | |
| Kathryn Fiore | ... | Maggie Miller | |
| David Doty | ... | Nice Guy | |
| Robert Hill | ... | Deputy #2 | |
| Alexander Gould | ... | Young Ben | |
| Olivia Marlow | ... | Woman in Crowd |
Directed by | |||
| Terence Gross | |||
Writing credits(WGA) | ||
| Brian King | (story) | |
| Max Enscoe | (teleplay) & | |
| Annie DeYoung | (teleplay) | |
Original Music by | |||
| Charles Bernstein | |||
Cinematography by | |||
| Mark Vargo | |||
Film Editing by | |||
| Stephen Mark | |||
Production Design by | |||
| Jerry Fleming | |||
Art Direction by | |||
| Peter Borck | |||
Set Decoration by | |||
| Betty Berberian | |||
Costume Design by | |||
| Julia Schklair | |||
Makeup Department | |||
| Barbara Cantu | .... | key hair stylist | |
| Stephanie Coffey | .... | makeup artist | |
| Polly Lucke | .... | assistant hair stylist | |
| Myke Michaels | .... | makeup department head | |
| Richard Wetzel | .... | key makeup artist | |
Production Management | |||
| Larry Ferguson Jr. | .... | post-production supervisor | |
| Marsha L. Swinton | .... | production supervisor | |
| Robert E. Warner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dirk Craft | .... | first assistant director (as Dirk Wallace Craft) | |
| Jessica W. Leung | .... | second assistant director | |
| Elenie Mansalis | .... | second second assistant director | |
Art Department | |||
| Manuel Baca | .... | assistant property master | |
| Sarah Bullion | .... | art department assistant | |
| Lance DeSpain | .... | lead scenic artist | |
| Steven P. Duchscherer | .... | property master | |
| Bill Luckey | .... | property maker | |
| Lisa Robinson | .... | on-set dresser | |
| Christopher Schultz | .... | swing | |
| Wayne Springfield | .... | construction coordinator | |
Sound Department | |||
| Kami Asgar | .... | supervising sound editor | |
| William Freesh | .... | sound re-recording mixer | |
| Kyle Rochlin | .... | foley mixer | |
| Tim Tuchrello | .... | first assistant sound editor | |
Special Effects by | |||
| Joe Andreas | .... | special effects | |
| David Gallion | .... | special effects foreman | |
| Chris Grossnickle | .... | technician: Stan Winston Studio | |
| Richard J. Landon | .... | key mechanical designer | |
| Lindsay MacGowan | .... | design artist: Stan Winston Studio | |
| Bob Mano | .... | key mechanical designer: Stan Winston Studio | |
| Bob Mano | .... | puppeteer | |
| David Monzingo | .... | technician: Stan Winston Studio | |
| Steve Newburn | .... | technician: Stan Winston Studio | |
| Justin Raleigh | .... | technician: Stan Winston Studio | |
| Arjen Tuiten | .... | crew member: Stan Winston Studio | |
| Jor Van Kline | .... | special effects coordinator | |
| Stan Winston | .... | special effects | |
Visual Effects by | |||
| Oliver Arnold | .... | digital artist | |
| Eric Heavens | .... | digital compositing supervisor | |
| Dan Schmit | .... | visual effects supervisor | |
| Stan Winston | .... | visual effects | |
Stunts | |||
| Shauna Duggins | .... | stunts | |
| Thomas M. Ficke | .... | stunt coordinator (as Tom Ficke) | |
Camera and Electrical Department | |||
| J.D. Bishop | .... | assistant chief lighting technician | |
| D.R. Curtis | .... | set lighting technician | |
| Casey Ellison | .... | set lighting technician | |
| Mary Funsten | .... | first assistant camera | |
| Daniel H. Goldstein | .... | set lighting technician | |
| Matthew Livingston | .... | dolly grip | |
| Brett Lood | .... | grip | |
| Bob Myers | .... | grip | |
| Jeff Noble | .... | grip | |
| Stephen Martin Paull | .... | lighting technician | |
| Michael Pescasio | .... | grip | |
| C. Shipley | .... | best boy grip | |
| Chris Shipley | .... | best boy grip | |
| Donna Simons | .... | grip | |
| Christian Franz Staab | .... | grip | |
| Bruce Swift | .... | key grip | |
| Richard Tibbetts | .... | grip | |
| Jason Young | .... | electrician | |
| Chuck Zlotnick | .... | still photographer | |
Casting Department | |||
| Shari Steinberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Tess Inman | .... | set costumer | |
| Daniela Kurrle | .... | costume manufacturer | |
| Daniela Kurrle | .... | costumer | |
| Mandi Line | .... | assistant costume designer | |
| Hayley Stuppel | .... | set costumer | |
Editorial Department | |||
| Pharaba Hacker-Witt | .... | post-production assistant (as Pharaba Witt) | |
| Mark Hartzell | .... | assistant editor | |
| Jonny Jenks | .... | post-production assistant | |
Music Department | |||
| Dino A. Moriana | .... | music editor (as Dino Moriana) | |
Other crew | |||
| Michael Barnes | .... | financial legal services | |
| Eamon Buehning | .... | payroll accountant | |
| Robert Cable | .... | first assistant accountant | |
| Charles Canzoneri | .... | key set production assistant | |
| Robert Gluck | .... | location manager (as Bob Gluck) | |
| Andrew Harrison | .... | assistant location manager | |
| Stephen Jensen | .... | paralegal | |
| Samantha C. Kirkeby | .... | script supervisor (as Samantha Clair Kirkeby) | |
| Shari LaFranchi Blakney | .... | production coordinator (as Shari LaFranchi) | |
| Richard J. Landon | .... | puppeteer | |
| Charissa McLain | .... | assistant production coordinator | |
| Darin Pfeiffer | .... | assistant to executive producer | |
| Jeffrey Pritz | .... | personal assistant: Lou Arkoff | |
| Austin Rodriguez | .... | medic | |
| Lynn M. van Kuilenburg | .... | location manager | |
Thanks | |||
| James H. Nicholson | .... | dedicated to the memory of | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
Yes, I'm giving a higher mark to this film. There are several things that make this an above-par effort. The story will hold your interest, the cast is mature and the acting is with enough conviction. It gives a nice B-movie feel without resorting to bad CGI effects for a creature.
The Day The World Ended has the classic cliché elements for a perfect B flick: a mysterious misunderstood child, a town with a secret, and an alien (or IS it?). While not a direct remake of the 1956 film of the same title, it utilizes the original film by showing segments on a TV seen within the story and showing that VHS video box cover as part of the child's interest in aliens. High production values combined with B movie flair work just enough to be passable entertainment for some, but if you enjoy the *wink-wink* of its intended fun, it comes out a winner. It has the look and feel of a decent X-Files episode with the more psychological horror elements of the newer Outer Limits. That's not bad at all, considering.
Younger audiences may not give this a chance as the cast (except for the child) is well over 40, but I welcomed that element gladly as the older classic sci-fi/horror films always used a mature cast as well. They cast who would work well with the story instead of who was young and hot at the moment. By casting the way they did, this film will hold up better in years to come. Choosing a teen-looking cast would obviously date it when those stars have faded from the spotlight. Randy Quaid and Nastassia Kinski both give convincing performances, and Stephen Toblowsky adds just enough humor to his role as the principal.
The creature itself is hit-or-miss: in some scenes it looks fine, in others it doesn't. But the fact that it was actually part person/puppet/mechanics helps a lot even if it's not entirely convincing, as these days too many films just use computer animation which becomes distracting like watching cheap animation mixed in with live action.
Yes, this is a B movie. But it's a fun one, just like the old classics of its genre but with a bit more cussing and violence. Don't let the R rating keep you back on that part, as it's not gratuitous and just in the right doses. As for the MPAA's warning of a "sex scene"...it's so brief, rather awkward, and basically humorous that it's not even worth fretting over. Otherwise, those looking for sex and breasts better look elsewhere, this film concentrates on the story and its stronger psychological horror.
Those who are collectors of -- and particularly of ones that are homages to -- old B films will be quite satisfied and not worry that the DVD has just the basics to offer, plus some inside views from Stan Winston and Shane Mahan on a commentary. Others just looking to pass the time might not find the price worth it. I personally think this one will be one that years from now will still entertain. It's good enough, smart enough, and doggone it -- just creepy enough that people might like it. I know I've enjoyed this one a heck of a lot more than the most recently hyped theatrical blockbuster yawners, so give this one a try with a big bowl of popcorn and enjoy! Don't have extreme expectations and you'll be fine!