| Nastassja Kinski | ... | Dr. Jennifer Stillman | |
| Randy Quaid | ... | Dr. Michael McCann | |
| Bobby Edner | ... | Ben Miller / McCann | |
| Harry Groener | ... | Sheriff Ken | |
| Lee de Broux | ... | Cook Harlan (as Lee DeBroux) | |
| Stephen Tobolowsky | ... | Principal Ed Turner | |
| Debra Christofferson | ... | Nurse Della Divelbuss | |
| Nik Dressbach | ... | Buzzcut | |
| Brandon de Paul | ... | Frankie Carter | |
| Kate Fuglei | ... | Waitress Carlita | |
| Neil Vipond | ... | The Judge | |
| Brian Steele | ... | The Creature | |
| David Getz | ... | Deputy #1 | |
| Kathryn Fiore | ... | Maggie Miller | |
| David Doty | ... | Nice Guy | |
| Robert Hill | ... | Deputy #2 | |
| Alexander Gould | ... | Young Ben | |
| Olivia Marlow | ... | Woman in Crowd |
Directed by | |||
| Terence Gross | |||
Writing credits(WGA) | ||
| Brian King | (story) | |
| Max Enscoe | (teleplay) & | |
| Annie DeYoung | (teleplay) | |
Original Music by | |||
| Charles Bernstein | |||
Cinematography by | |||
| Mark Vargo | |||
Film Editing by | |||
| Stephen Mark | |||
Production Design by | |||
| Jerry Fleming | |||
Art Direction by | |||
| Peter Borck | |||
Set Decoration by | |||
| Betty Berberian | |||
Costume Design by | |||
| Julia Schklair | |||
Makeup Department | |||
| Barbara Cantu | .... | key hair stylist | |
| Stephanie Coffey | .... | makeup artist | |
| Polly Lucke | .... | assistant hair stylist | |
| Myke Michaels | .... | makeup department head | |
| Richard Wetzel | .... | key makeup artist | |
Production Management | |||
| Larry Ferguson Jr. | .... | post-production supervisor | |
| Marsha L. Swinton | .... | production supervisor | |
| Robert E. Warner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dirk Craft | .... | first assistant director (as Dirk Wallace Craft) | |
| Jessica W. Leung | .... | second assistant director | |
| Elenie Mansalis | .... | second second assistant director | |
Art Department | |||
| Manuel Baca | .... | assistant property master | |
| Sarah Bullion | .... | art department assistant | |
| Lance DeSpain | .... | lead scenic artist | |
| Steven P. Duchscherer | .... | property master | |
| Bill Luckey | .... | property maker | |
| Lisa Robinson | .... | on-set dresser | |
| Christopher Schultz | .... | swing | |
| Wayne Springfield | .... | construction coordinator | |
Sound Department | |||
| Kami Asgar | .... | supervising sound editor | |
| William Freesh | .... | sound re-recording mixer | |
| Kyle Rochlin | .... | foley mixer | |
| Tim Tuchrello | .... | first assistant sound editor | |
Special Effects by | |||
| Joe Andreas | .... | special effects | |
| David Gallion | .... | special effects foreman | |
| Chris Grossnickle | .... | technician: Stan Winston Studio | |
| Lindsay MacGowan | .... | design artist: Stan Winston Studio | |
| Bob Mano | .... | key mechanical designer: Stan Winston Studio | |
| Bob Mano | .... | puppeteer | |
| David Monzingo | .... | technician: Stan Winston Studio | |
| Steve Newburn | .... | technician: Stan Winston Studio | |
| Justin Raleigh | .... | technician: Stan Winston Studio | |
| Arjen Tuiten | .... | crew member: Stan Winston Studio | |
| Jor Van Kline | .... | special effects coordinator | |
| Stan Winston | .... | special effects | |
Visual Effects by | |||
| Oliver Arnold | .... | digital artist | |
| Eric Heavens | .... | digital compositing supervisor | |
| Dan Schmit | .... | visual effects supervisor | |
| Stan Winston | .... | visual effects | |
Stunts | |||
| Shauna Duggins | .... | stunts | |
| Thomas M. Ficke | .... | stunt coordinator (as Tom Ficke) | |
Camera and Electrical Department | |||
| J.D. Bishop | .... | assistant chief lighting technician | |
| D.R. Curtis | .... | set lighting technician | |
| Casey Ellison | .... | set lighting technician | |
| Mary Funsten | .... | first assistant camera | |
| Daniel H. Goldstein | .... | set lighting technician | |
| Matthew Livingston | .... | dolly grip | |
| Brett Lood | .... | grip | |
| Bob Myers | .... | grip | |
| Jeff Noble | .... | grip | |
| Stephen Martin Paull | .... | lighting technician | |
| Michael Pescasio | .... | grip | |
| C. Shipley | .... | best boy grip | |
| Chris Shipley | .... | best boy grip | |
| Donna Simons | .... | grip | |
| Christian Franz Staab | .... | grip | |
| Bruce Swift | .... | key grip | |
| Richard Tibbetts | .... | grip | |
| Jason Young | .... | electrician | |
| Chuck Zlotnick | .... | still photographer | |
Casting Department | |||
| Shari Steinberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Tess Inman | .... | set costumer | |
| Daniela Kurrle | .... | costume manufacturer | |
| Daniela Kurrle | .... | costumer | |
| Mandi Line | .... | assistant costume designer | |
| Hayley Stuppel | .... | set costumer | |
Editorial Department | |||
| Pharaba Hacker-Witt | .... | post-production assistant (as Pharaba Witt) | |
| Mark Hartzell | .... | assistant editor | |
| Jonny Jenks | .... | post-production assistant | |
Music Department | |||
| Dino A. Moriana | .... | music editor (as Dino Moriana) | |
Other crew | |||
| Michael Barnes | .... | financial legal services | |
| Eamon Buehning | .... | payroll accountant | |
| Robert Cable | .... | first assistant accountant | |
| Charles Canzoneri | .... | key set production assistant | |
| Robert Gluck | .... | location manager (as Bob Gluck) | |
| Andrew Harrison | .... | assistant location manager | |
| Stephen Jensen | .... | paralegal | |
| Samantha C. Kirkeby | .... | script supervisor (as Samantha Clair Kirkeby) | |
| Shari LaFranchi Blakney | .... | production coordinator (as Shari LaFranchi) | |
| Charissa McLain | .... | assistant production coordinator | |
| Darin Pfeiffer | .... | assistant to executive producer | |
| Jeffrey Pritz | .... | personal assistant: Lou Arkoff | |
| Austin Rodriguez | .... | medic | |
| Lynn M. van Kuilenburg | .... | location manager | |
Thanks | |||
| James H. Nicholson | .... | dedicated to the memory of | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
There are definitely too many references to other movies and story traditions in this flick. It starts like Stanley Kubrick's The Shining (the heroine driving a New Beetle yech!), it continues with dark humor like a novel by Kafka (heroine with a badly defined mission comes to a strange place and meets a bunch of strangely hostile stereotype comic book characters of uncertain authority), then there's a whiff of Twin Peaks (hints of sexual abuse of minors and general depravity in the backwoods), then in comes E.T. (minor bonds with extraterrestrial), then it turns out that minor's mother was regarded by the populace as a kind of a witch and was treated accordingly. On top of that, there is a clear reference to a 50ies horror B-movie. (Hence the confusing title which has nothing to do with the story told here).
The references in themselves are not really bad or a rip-off. However, it would have been more fun, had they tied all that stuff together in a more coherent, rigid and orderly fashion. The pairing of psychology and the supernatural clearly does not work here. I didn't manage to find out what story the movie wants to tell and I suspect its makers could never really make up their mind. This is a pity, as the cast is quite good. I hope Nastassja Kinski still has a long career ahead of her. Not only for her looks, but also because she really is a versatile actress who in my opinion still didn't get her share of good movie parts. Randy Quaid and Bobby Edner are equally convincing in their roles, within the apparent limits of the script. The same goes for the rest of the characters who are parodies or stereotypes.