|
| Rick Schneider-Calabash | .... | storyboard supervisor (52 episodes, 2001-2002) |
| Calvin Suggs | .... | additional storyboard artist / prop designer (52 episodes, 2001-2002) |
| Robert Griffith | .... | additional storyboard artist / storyboard artist (51 episodes, 2001-2002) |
| Jason Hulst | .... | prop designer (50 episodes, 2001-2002) |
| Ernie Guanlao | .... | prop designer (45 episodes, 2001-2002) |
| Bruce Berkey | .... | prop designer (35 episodes, 2001-2002) |
| Tom Bernardo | .... | storyboard artist / additional storyboard artist (35 episodes, 2001-2002) |
| Garrett Ho | .... | storyboard artist (28 episodes, 2001-2002) |
| Todd Kurosawa | .... | additional storyboard artist / storyboard artist (28 episodes, 2001-2002) |
| Rossen Varbanov | .... | storyboard artist (28 episodes, 2001-2002) |
| Greg Peters | .... | additional storyboard artist (27 episodes, 2001-2002) |
| Bob McKnight | .... | storyboard artist (20 episodes, 2001-2002) |
| Sean Bishop | .... | storyboard artist (18 episodes, 2001-2002) |
| Paul Fisher | .... | storyboard artist (17 episodes, 2001-2002) |
| Jay Won So | .... | additional storyboard artist / storyboard artist (17 episodes, 2001-2002) |
| Kurt Anderson | .... | storyboard artist (15 episodes, 2001-2002) |
| Cynthia Petrovic | .... | storyboard artist (15 episodes, 2001-2002) |
| Ed Baker | .... | storyboard artist (14 episodes, 2001-2002) |
| Jenny Lerew | .... | additional storyboard artist / storyboard artist (14 episodes, 2002) |
| Dublin Evans | .... | additional storyboard artist (12 episodes, 2001-2002) |
| Rebecca Shen | .... | additional storyboard artist (12 episodes, 2001-2002) |
| Chong Lee | .... | storyboard artist (10 episodes, 2001-2002) |
| Larry Scholl | .... | storyboard artist (10 episodes, 2001-2002) |
| Chuck Puntuvatana | .... | prop designer (9 episodes, 2001-2002) |
| Luke Brookshier | .... | prop designer (8 episodes, 2001-2002) |
| Carlos Baeza | .... | storyboard artist (7 episodes, 2001-2002) |
| Phil Mosness | .... | storyboard artist (7 episodes, 2001-2002) |
| Mark Teague | .... | prop designer (7 episodes, 2001-2002) |
| Al Zegler | .... | storyboard artist (6 episodes, 2001-2002) |
| William Austin | .... | storyboard artist / additional storyboard artist (5 episodes, 2001-2002) |
| Eddy Houchins | .... | storyboard artist (5 episodes, 2001-2002) |
| Daan Jippes | .... | storyboard artist (5 episodes, 2001-2002) |
| Lyndon Ruddy | .... | storyboard artist (5 episodes, 2001-2002) |
| Kirk Hanson | .... | storyboard artist (5 episodes, 2002) |
| Mark Zoeller | .... | storyboard artist (4 episodes, 2001-2002) |
| Debra Pugh | .... | storyboard artist / additional storyboard artist (3 episodes, 2001-2002) |
| Tris Mast | .... | prop designer (3 episodes, 2002) |
| Jerry Verschoor | .... | storyboard artist / additional storyboard artist (3 episodes, 2002) |
| Robert Griggs | .... | storyboard artist (2 episodes, 2001-2002) |
| Ginny Suess | .... | storyboard artist (2 episodes, 2001-2002) |
| Monika Tomova | .... | storyboard artist (2 episodes, 2001-2002) |
| Tom Ellery | .... | storyboard artist (2 episodes, 2002) |
| Kenneth M. Kinoshita | .... | additional storyboard artist / storyboard artist (2 episodes, 2002) |
| Rob Renzetti | .... | storyboard artist (2 episodes, 2002) |
| Kenny Thompkins | .... | prop designer (2 episodes, 2002) |
| Kirk Tingblad | .... | storyboard artist (2 episodes, 2002) |
| |
|
| Roberto Angeles | .... | background supervisor (52 episodes, 2001-2002) |
| Rolando Angelo | .... | animator (52 episodes, 2001-2002) |
| Edwin Argena | .... | animator (52 episodes, 2001-2002) |
| Norman Baculi | .... | clean-up/inbetween supervisor (52 episodes, 2001-2002) |
| Colin Baker | .... | unit director: Toon City (52 episodes, 2001-2002) |
| Joseph Balderas | .... | animator (52 episodes, 2001-2002) |
| Serafin Balnaja | .... | animator (52 episodes, 2001-2002) |
| Ric Bernardo | .... | animator (52 episodes, 2001-2002) |
| Lester Cabarles | .... | animator (52 episodes, 2001-2002) |
| Jane Cabrera | .... | painter (52 episodes, 2001-2002) |
| Jolan Calibuso | .... | assistant animation supervisor (52 episodes, 2001-2002) |
| Ted Camahalan | .... | animator (52 episodes, 2001-2002) |
| Tony Cardiente | .... | painter (52 episodes, 2001-2002) |
| Pilsen Cayabyab | .... | painter (52 episodes, 2001-2002) |
| Dante Clemente | .... | animation supervisor (52 episodes, 2001-2002) |
| Jerome Co | .... | animator (52 episodes, 2001-2002) |
| Joselito Cruz | .... | animator (52 episodes, 2001-2002) |
| Alona de Leon | .... | painter (52 episodes, 2001-2002) |
| Sanny De Ramos | .... | animator (52 episodes, 2001-2002) |
| Ross dela Vega | .... | layout supervisor (52 episodes, 2001-2002) |
| Ronaldo Delfino | .... | animator (52 episodes, 2001-2002) |
| Doris Desiderio | .... | painter (52 episodes, 2001-2002) |
| Joceline Diaz | .... | animator (52 episodes, 2001-2002) |
| Noel Domingo | .... | animator (52 episodes, 2001-2002) |
| Louis Durian | .... | painter (52 episodes, 2001-2002) |
| Nelia V. Erni | .... | color stylist (52 episodes, 2001-2002) |
| Rosalie Estacio | .... | animator (52 episodes, 2001-2002) |
| Edelson Eugenio | .... | animator (52 episodes, 2001-2002) |
| Maria Christina Fernandez | .... | color stylist (52 episodes, 2001-2002) |
| Alexander Ferrarez | .... | animator (52 episodes, 2001-2002) |
| Akiblas Flores | .... | animator (52 episodes, 2001-2002) |
| Annabelle Galvez | .... | animator (52 episodes, 2001-2002) |
| Romy Garcia | .... | animation supervisor / unit director: Toon City (52 episodes, 2001-2002) |
| Milagros Gardoce | .... | color stylist (52 episodes, 2001-2002) |
| Greg Hill | .... | overseas animation director (52 episodes, 2001-2002) |
| Mikee Icaro | .... | painter (52 episodes, 2001-2002) |
| Noriel Israel | .... | animator (52 episodes, 2001-2002) |
| Cynthia Javier | .... | animator (52 episodes, 2001-2002) |
| Don Juan | .... | animator (52 episodes, 2001-2002) |
| Dana Landsberg | .... | character designer (52 episodes, 2001-2002) |
| Alex Leal | .... | background supervisor (52 episodes, 2001-2002) |
| Willy Leonardo | .... | animator (52 episodes, 2001-2002) |
| Charina Mabalot | .... | painter (52 episodes, 2001-2002) |
| Nats Miranda | .... | animator (52 episodes, 2001-2002) |
| Joseph Molinari | .... | animatic editor (52 episodes, 2001-2002) |
| Mike Moon | .... | key layout designer (52 episodes, 2001-2002) |
| Rey Morano | .... | animator (52 episodes, 2001-2002) |
| Robert Ocon | .... | animator (52 episodes, 2001-2002) |
| Jocelyn Pangan | .... | painter (52 episodes, 2001-2002) |
| Nomer Panlaqui | .... | animator (52 episodes, 2001-2002) |
| Esperanza Pasana | .... | painter (52 episodes, 2001-2002) |
| Marilyn Pasana | .... | painter (52 episodes, 2001-2002) |
| Manuel Pascual | .... | animator (52 episodes, 2001-2002) |
| Oliver Regoniel | .... | animator (52 episodes, 2001-2002) |
| Jojo Reynon | .... | animator (52 episodes, 2001-2002) |
| Warren Romero | .... | animator (52 episodes, 2001-2002) |
| Michael Salindong | .... | painter (52 episodes, 2001-2002) |
| Edwin Santiago | .... | animator (52 episodes, 2001-2002) |
| Rommel Santiago | .... | animator (52 episodes, 2001-2002) |
| Raul Santos | .... | animator (52 episodes, 2001-2002) |
| Marife Sarmiento | .... | painter (52 episodes, 2001-2002) |
| Evangelina Soriano | .... | animator (52 episodes, 2001-2002) |
| Lorna Sun | .... | animator (52 episodes, 2001-2002) |
| Francis Tan | .... | animator (52 episodes, 2001-2002) |
| Michelle Tan | .... | painter (52 episodes, 2001-2002) |
| Art Tolentino | .... | animator (52 episodes, 2001-2002) |
| Dennis Tomacruz | .... | animator (52 episodes, 2001-2002) |
| Rogel Venturanza | .... | animator (52 episodes, 2001-2002) |
| Levy Vergara | .... | layout supervisor (52 episodes, 2001-2002) |
| Noel Villano | .... | assistant animation supervisor (52 episodes, 2001-2002) |
| David Dimatteo | .... | background key color correction (50 episodes, 2001-2002) |
| Calvin Suggs | .... | character clean-up / character designer (47 episodes, 2001-2002) |
| Sy Thomas | .... | key background painter (47 episodes, 2001-2002) |
| Brian Woods | .... | key layout designer (45 episodes, 2001-2002) |
| Bruce Berkey | .... | key layout designer (44 episodes, 2001-2002) |
| Chris Roszak | .... | key background painter (42 episodes, 2001-2002) |
| Timothy Barnes | .... | key background painter (41 episodes, 2001-2002) |
| Donald Devine | .... | background key color correction (41 episodes, 2001-2002) |
| Pamela Long | .... | color key stylist (41 episodes, 2001-2002) |
| Suzette Darling | .... | color key stylist (40 episodes, 2001-2002) |
| Bob Zamboni | .... | timing director (40 episodes, 2001-2002) |
| Kevin Petrilak | .... | timing director (39 episodes, 2001-2002) |
| Greg Nelson | .... | animatic editor (37 episodes, 2001-2002) |
| Adam Chase | .... | background key color correction (35 episodes, 2001-2002) |
| Kexx Singleton | .... | character designer (34 episodes, 2001-2002) |
| Dave Dunnet | .... | key layout designer (32 episodes, 2001-2002) |
| Bob Treat | .... | timing director (27 episodes, 2001-2002) |
| Alex McCrae | .... | key layout designer (24 episodes, 2001-2002) |
| Donovan Cook | .... | supervising timing director / animator: Los Angeles (22 episodes, 2001-2002) |
| Marta Glodkowska | .... | color key stylist (22 episodes, 2001-2002) |
| Eugene Salandra | .... | character designer (22 episodes, 2001-2002) |
| Christopher Staples | .... | background key color correction (22 episodes, 2001-2002) |
| Tracy Jones | .... | color key stylist (19 episodes, 2001-2002) |
| Ernie Pava | .... | background key color correction / key background painter (18 episodes, 2001-2002) |
| Joey Banaszkiewicz | .... | timing director (16 episodes, 2001-2002) |
| Don Watson | .... | key background painter (16 episodes, 2001-2002) |
| Mike Van Cleave | .... | key layout designer (14 episodes, 2001-2002) |
| Nancy Ulene | .... | color key stylist (13 episodes, 2001-2002) |
| John Nunnemacher | .... | character designer / animator: Los Angeles (12 episodes, 2001-2002) |
| Simon Rodgers | .... | key layout designer (10 episodes, 2001-2002) |
| John Koch | .... | key layout designer (9 episodes, 2001-2002) |
| Dean Stanley | .... | background key color correction (8 episodes, 2001-2002) |
| Carmen Woods | .... | animatic editor (8 episodes, 2001-2002) |
| Richard Evans | .... | key background painter (7 episodes, 2001-2002) |
| Kirk Tingblad | .... | animation director / timing director (7 episodes, 2001-2002) |
| Shane Prigmore | .... | character designer / character clean-up (6 episodes, 2001-2002) |
| Neal Sternecky | .... | animator: Los Angeles (5 episodes, 2001-2002) |
| Ginny Suess | .... | character designer (5 episodes, 2001-2002) |
| John Loter | .... | character designer (4 episodes, 2001-2002) |
| Jill Stirdivant | .... | color key stylist (4 episodes, 2001-2002) |
| Ken Boyer | .... | character designer (3 episodes, 2001-2002) |
| Tony Craig | .... | timing director (3 episodes, 2001-2002) |
| Jim Hickey | .... | key background painter (3 episodes, 2001-2002) |
| Eddy Houchins | .... | timing director (3 episodes, 2001-2002) |
| Ruben Chavez | .... | key background painter (3 episodes, 2001) |
| Frederick J. Gardner III | .... | key layout designer (3 episodes, 2002) |
| Jang Gil Kim | .... | timing director (2 episodes, 2001-2002) |
| Robert Shellhorn | .... | timing director (2 episodes, 2001-2002) |
| David Kuhn | .... | animation supervisor: Los Angeles (2 episodes, 2001) |
| Rick Leon | .... | timing director (2 episodes, 2001) |
| Tom Pniewski | .... | background key color correction (2 episodes, 2002) |
| |
|
| Kevin Campbell | .... | supervising story editor / story editor (52 episodes, 2001-2002) |
| Christopher Collins | .... | production coordinator (52 episodes, 2001-2002) |
| Joann Estoesta | .... | production coordinator / production associate (52 episodes, 2001-2002) |
| Roberts Gannaway | .... | dialogue director (52 episodes, 2001-2002) |
| Richard Honig | .... | production accountant / production controller (52 episodes, 2001-2002) |
| Chad Infranca | .... | production coordinator (52 episodes, 2001-2002) |
| Leona Jernigan | .... | script coordinator (52 episodes, 2001-2002) |
| Kelly Lauhon | .... | script coordinator (52 episodes, 2001-2002) |
| Janelle Momary | .... | production coordinator / production secretary (52 episodes, 2001-2002) |
| Lisa Schaffer | .... | talent coordinator (52 episodes, 2001-2002) |
| Wayne Smith | .... | unit coordinator: Toon City (52 episodes, 2001-2002) |
| Michael Tyau | .... | technical director / assistant technical director (52 episodes, 2001-2002) |
| Robin Police | .... | continuity coordinator (50 episodes, 2001-2002) |
| Marc Silver | .... | production associate (33 episodes, 2001-2002) |
| Henry Gilroy | .... | story editor (24 episodes, 2001-2002) |
| Charles Lyons | .... | assistant technical director (22 episodes, 2002) |
| Darren Clark | .... | technical director (21 episodes, 2001-2002) |
| Tracy Jones | .... | technical director (18 episodes, 2001-2002) |
| Thomas Hart | .... | story editor (16 episodes, 2001-2002) |
| Marina Cappas | .... | continuity coordinator (15 episodes, 2001-2002) |
| Jim Finch | .... | continuity coordinator (12 episodes, 2001-2002) |
| Merle Welton | .... | continuity coordinator (10 episodes, 2001-2002) |
| Larry Smith | .... | continuity coordinator (9 episodes, 2001-2002) |
| Kimberly Rose | .... | technical director (4 episodes, 2001-2002) |
| Barbara Donatelli | .... | continuity coordinator (3 episodes, 2002) |
| Kelly Day | .... | technical director (2 episodes, 2001-2002) |
| Louie C. Jhocson | .... | continuity coordinator (2 episodes, 2001) |
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| Tim Hauser | .... | script supervisor (unknown episodes) |
| |
First of all, this is one of my all-time favorite Disney animated shows. Although my only quip is that I kind of wish that the Mickey Mouse Works shorts and the featurettes from the '30s, '40s and '50s would've been dropped as intervals for what took place during the club scenes/segments, and that the latter were the bigger focus, and emphasized more. Since that's mainly what many people prefer to see a lot more for the aforementioned apparent reasons and some of us could care less about that. But I think the series is a lot better than the direct-to-video/DVD movies. Anyway, this isn't the first time various Disney characters have been shown together, from not only the shorts, but the full-length features. That title would go to 1938's Mickey's Polo Team. But this cartoon marks the first time this many characters have been assembled in this convention by that point a few years ago. Who knows when and if we'll ever see anything like this again in the future. But should another project that involves the crossover of this many Disney characters ever be made, I hope it'll be better and they get more screen time with nothing to interfere with that and them the next time around. But the show's most defining (and I think best) as well as signature, and probably most memorable moment/highlight is the part in the episode "Ask Von Drake", in which the professor duck performs a song naming the clientele there whom we've gotten to know over the decades. I wish that Disney didn't come up with and stick to that 65 episode rule, and that this one lasted longer. I too believe it had potential and limitless possibilities, if given the opportunity to grow more, so much more could've been done I agree, not all Disney shows even made it that far to 65 and this is one of them.
What else I love about it: The theme song "Rockin' At The House Of Mouse", which is performed by rockabilly singer/swing revivalist Brian Setzer is great and among my favorites. I've seen all the episodes except "Clarabelle's Christmas List", "Pete's Christmas Caper" and "Mickey And The Culture Clash". Though there are a few flaws, notably with some certain Mickey Mouse Works shorts, but I don't think that there are too many of those within them. As for the plots of what happened in the club, I'll save my critiques for individual episodes which are what would take for me to cover them. The concept of the show may be somewhat odd, I guess I agree to a certain extent, but it's still great for playing the game of "spot and point out the Disney characters". For the previous reviewers who aren't feeling this show and wrote that Looney Tunes are better, I'm partial to both and it's cool if y'all prefer one over the other more, but don't hate on Disney just because it isn't quite as wacky as the Warners/Looney Tunes stuff. Disney had wacky moments, albeit to lesser degree, on rare occasions. But the great thing about both of them is that they have there own unique qualities of what they're typically known for and that's just fine. So I don't mind nor do I see what's wrong with not being as wacky. On another quip, I wish more characters from various t.v. series made appearances and were included. I'm guessing or speculating here, but while some with then original characters who hadn't already been established yet could've appeared (e.g. the Gummi Bears cast), others that had established characters mixed with those who came along later (e.g. the Chip 'N' Dale Rescue Rangers cast), perhaps just would've been somewhat too difficult, complicated and confusing, considering the continuity or should I say alternate universes involving the previously established featurette/full-length feature characters. Or the writers simply wanted to focus almost exclusively on characters from the films. That's only my hypothesis.
Despite some of the flaws of effort that had been put into this series, I say that it's still worth checking out and shouldn't be passed. As it provides great entertainment with the jokes of characters making references to their renowned quotes, catch phrases and such for example. Master of ceremonies Mickey and doorman Donald make a great team as co-owners of the hotspot. Maitre d' Minnie makes sure things are going in tip-top form. Head waiter Goofy is at times clumsy as ever with the food deliveries. As for the others' responsibilities at the club, I'll just let y'all check it out and find out for yourselves, if y'all can. One more thing: No one ever seems to have mentioned this but me elsewhere, but it's apparent that the main reason why this show was created was to commemorate and nearly coincide with the 100th anniversary of Walt Disney's birth. And I think this was a great and the perfect way to honor him.