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Punch-Drunk Love (2002)

7.3
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Ratings: 7.3/10 from 91,294 users   Metascore: 78/100
Reviews: 866 user | 244 critic | 37 from Metacritic.com

A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.

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Nominated for 1 Golden Globe. Another 16 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jason Andrews ...
Operator Carter (voice)
...
Plastic (voice)
...
...
David Schrempf ...
Customer #1
Seann Conway ...
Customer #2
...
Rico
Hazel Mailloux ...
Rhonda
Karen Kilgariff ...
Anna (voice)
Julie Hermelin ...
Kathleen
Salvador Curiel ...
Sal
Jorge Barahona ...
Jorge
Ernesto Quintero ...
Ernesto
Julius Steuer ...
Mechanic
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Storyline

Barry Egan runs his own company, is continually hounded by his seven sisters, and every now and then gets a tiny bit violent. One odd morning a harmonium first appears in the street then a striking young lady asks for his help with her car. She re-appears a few days later and there seems to be a spark between them, but can they possibly cut through his seemingly over-complicated life and his somewhat unusual interpersonal skills? Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong language including a scene of sexual dialogue | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 2002 (USA)  »

Also Known As:

Just Desserts  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£151,494 (UK) (7 February 2003)

Gross:

£322,921 (UK) (14 February 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Working titles included "Punchdrunk Knuckle Love", "Just Desserts" and "The X-4 Project". See more »

Goofs

When Barry is looking at the piano after he brought it into the office; Lance arrives and he runs to greet him. When Lance and Barry go back to office; all the lights are on, in what had been a dark office. See more »

Quotes

[first lines]
Barry: Yes, I'm still on hold.
Phone Rep: And what was this?
Barry: I'm looking at your advertisement for the airline promotion and giveaway.
Phone Rep: Ah, the 10 for 1 mile plan...
Barry: Yeah, it's hard to understand, because it says "in addition to". But I can't exactly understand in addition to what? Because there's actually nothing to add to.
Phone Rep: I think that's a typo then.h
Barry: Okay, so just to clarify - I'm sorry - 10 purchases of any of your healthy choice products equals 500 miles, and with the coupon, the same purchase ...
[...]
See more »

Crazy Credits

Egan's seven sisters are credited collectively as "The Sisters." The four brothers who pursue and assault him are credited collectively as "The Brothers." See more »

Connections

References Shoot the Pianist (1960) See more »

Soundtracks

He Needs Me
Written by Harry Nilsson
Performed by Shelley Duvall
Produced by Bruce Robb & Harry Nilsson
Recorded, Engineered & Mixed by Bruce Robb at Cherokee Studios
Courtesy of Paramount Pictures and Walt Disney Pictures
See more »

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User Reviews

Wow, I never *felt* a movie before
10 November 2003 | by (San Francisco) – See all my reviews

One of my old English teachers once asked us about a book, "Did you all like the book? I'm not asking whether you enjoyed it; I don't care. I want to know if you liked it." She was making an important distinction.

I remembered that as I watched Punch-Drunk Love. It's very unusual. The film is set in L.A., but you don't see much scenery indicating that. You see unpleasant things. Adam Sandler's office is long and empty: just seeing him sitting at his desk assaults you with a feeling of loneliness (not because of any sappy music--but because of the set and the camera work). He walks out into a never-ending warehouse; it feels empty, brutal. He exits the warehouse and you see another unending sight: the row of garage-like doors of all the other warehouses. It feels like it lasts forever, this row of doors, and when Adam gets to the end of it, he looks out onto a long, straight, industrial, empty street. It looks HORRIBLE, but why? Nothing is happening on the street, there are no gruesome sights, no particular signs of squalor or anything, and yet you feel repulsed, hopeless, alone. Then, out of the distance, a car whizzes by, nothing unusual, but it feels abrasive. With no relation at all to the plot, just as it appears, this car hits something and explodes, its remains slide off into the distance and you see nothing more of it. It's trivial. But you feel like the movie is being hostile toward YOU, the viewer.

Yes, that's the best way I can put it: you feel like the movie is being hostile toward YOU. A few minutes later, a truck flies by, again very abrasively, and drops a harmonium in front of Adam Sandler. There is no rhyme or reason to this, it just happens, and it's all very unpleasant.

About a third of the way through the video, my phone rang. I told my friend what I was watching, and she asked how it was. I told her, "I can't decide. I'm not sure I like it." I kept watching. At the end, I understood. What I had meant to tell my friend was that I wasn't enjoying it. And I wasn't meant to.

The film starts out with a very bad point in Adam Sandler's life. He is neurotic, you want to kill his sisters even though they're not malicious per se, he is lonely, his life is unpleasant. This movie is trying to do more than TELL you it's unpleasant, and even more than SHOW you it's unpleasant: the movie is trying to get inside you and make you FEEL it. You seriously feel the abrasiveness of every image, every sound, every character; you feel accosted by it. When there's silence, it's brutal silence. When there are sounds, they're brutal sounds. Images and movements are abrasive. Until Adam's life begins to flourish: then you get pretty sounds, pretty colors--as the viewer, you're let off the hook, too.

So when it was over, I was in amazement. How many movies succeed at this, at taking you WITH them to the discomfort the character is living? The cinematography, the sound work, the script--none of it is any accident. When his life isn't going well, you FEEL it. Did I like the movie? Very much. And if you appreciate a very unusual take on an old topic, you will too.


235 of 253 people found this review helpful.  Was this review helpful to you?

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Why do you think Lena fell for Barry? mgrad784
what barry really needed... progjunky
I don't think I'll ever be able to watch another Adam Sandler movie. CarolineYes
I absolutely adore this film, are there any others like it? Pagoda_Littlejeans
Unwatchable jwarttman
His bloody knuckles spell LOVE sertichman
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