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Punch-Drunk Love (2002)

R  |   |  Comedy, Drama, Romance  |  1 November 2002 (USA)
7.3
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Ratings: 7.3/10 from 99,922 users   Metascore: 78/100
Reviews: 881 user | 248 critic | 37 from Metacritic.com

A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.

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Title: Punch-Drunk Love (2002)

Punch-Drunk Love (2002) on IMDb 7.3/10

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Nominated for 1 Golden Globe. Another 16 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jason Andrews ...
Operator Carter (voice)
...
Plastic (voice)
...
...
David Schrempf ...
Customer #1
Seann Conway ...
Customer #2
...
Rico
Hazel Mailloux ...
Rhonda
Karen Kilgariff ...
Anna (voice)
Julie Hermelin ...
Kathleen
Salvador Curiel ...
Sal
Jorge Barahona ...
Jorge
Ernesto Quintero ...
Ernesto
Julius Steuer ...
Mechanic
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Storyline

Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters without them probably even realizing it. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he's frustrated. His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves. Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, "Georgia", who he contacted in an effort to alleviate his ... Written by Huggo

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong language including a scene of sexual dialogue | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 2002 (USA)  »

Also Known As:

Just Desserts  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$367,203 (USA) (11 October 2002)

Gross:

£322,921 (UK) (14 February 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

As sound is a major player in the film, Paul Thomas Anderson brought in Gary Rydstrom to do the sound mixing. Rydstrom, who is the chief sound editor for Pixar, is more noted for his work on big noisy special effects movies, notably through his long-term association with Steven Spielberg, for whom he worked on Jurassic Park (1993) and Saving Private Ryan (1998). See more »

Goofs

When Barry boards the flight to Hawaii, he wears the blue suit with the red tie he wears throughout most of the film. When he is shown sitting in his seat talking to the man next to him, his tie is yellow. The next scene, showing him leaving the Hawaii Airport, he wears the red tie again. See more »

Quotes

[first lines]
Barry: Yes, I'm still on hold.
Phone Rep: And what was this?
Barry: I'm looking at your advertisement for the airline promotion and giveaway.
Phone Rep: Ah, the 10 for 1 mile plan...
Barry: Yeah, it's hard to understand, because it says "in addition to". But I can't exactly understand in addition to what? Because there's actually nothing to add to.
Phone Rep: I think that's a typo then.h
Barry: Okay, so just to clarify - I'm sorry - 10 purchases of any of your healthy choice products equals 500 miles, and with the coupon, the same purchase ...
[...]
See more »

Crazy Credits

Egan's seven sisters are credited collectively as "The Sisters." The four brothers who pursue and assault him are credited collectively as "The Brothers." See more »

Connections

References Playtime (1967) See more »

Soundtracks

Moana Chimes
Written by Johnny Noble and M.K. Moke
See more »

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User Reviews

 
Biggest surprise of the year - an Adam Sandler art film
6 October 2002 | by (Brooklyn, New York) – See all my reviews

I caught this at the New York film festival and my expectations were about as low as they could be. I was never a huge Adam Sandler fan, and I hadn't ever taken a liking to PT Anderson's other films. I thought that Magnolia was pretty flimsy writing-wise, and I also thought that it got way too much undue attention when it came out.

I couldn't believe how great Punch Drunk Love was. It seems to be the polar opposite of Magnolia. Where Magnolia was sprawling, messy and often generic, Punch Drunk Love is short, tight and completely fresh. It reminded me of Fargo, in a way. It centers on a very small cadre of characters, it's incredibly focused, and it creates its own world for those characters to live and move around in.

It's been mentioned here before, but the art direction is stunning. I haven't seen such memorable visuals since The Royal Tenenbaums. In a grocery store scene, the items are stacked vertically by color (echoing the color bars that appear periodically between scenes), making the scene appear otherworldly. Other sets are bare of color or distinction. Sandler's love interest in the film (played by Emily Watson) lives in a maze of white corridors. Somehow, every "place" in the film has its own character and association. Even the characters become associated with particular colors.

The movie ends up being genuinely romantic while deviating completely from the very stale paradigm for romantic comedies of the last decade: Watson's character pursues Barry Egan; their inability to hit it off from the start is more character-driven and psychological than situational. Through the use of bizarre props and surreal scenes, the anxiety and frustration of Barry Egan becomes totally absorbing and affecting.

This is a wonderfully directed film. There isn't an extraneous moment. The visual style and pacing are particularly great. There's an interesting subtext in the film about communication - enormous background noise while characters are on the phone, Barry Egan's sisters' voices create this wall of noise (all voices making fun of him), telephones figure predominantly, the opening scene is completely bereft of background noise or music. There are a lot of interesting things to consider when it comes to the theme of communication and how sound is handled in the film.

That said, I'm already cringing at how most people are going to react to this. The Adam Sandler fans might find it too weird. People who liked PT Anderson's other movies might find it too pretensious. I was thrilled to have my low expectations completely overturned. This movie is great.


199 of 250 people found this review helpful.  Was this review helpful to you?

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Why do you think Lena fell for Barry? mgrad784
Adam Sandler's Best Movie marcheurfr
I don't think I'll ever be able to watch another Adam Sandler movie. CarolineYes
what barry really needed... progjunky
I absolutely adore this film, are there any others like it? Pagoda_Littlejeans
Unwatchable jwarttman
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