| Melissa Gilbert | ... | Jo Ellen Hathaway | |
| Costas Mandylor | ... | Nathan Delaney | |
| Chris William Martin | ... | Brian Hathaway (as Chris Martin) | |
| Leslie Hope | ... | Kirby Fitzsimmons | |
| Kenneth Welsh | ... | Sam Hathaway | |
| Kathy Baker | ... | Aunt Kate | |
| John Ralston | ... | David Delaney | |
| Robin Brûlé | ... | Ginny | |
| Kristen Ross | ... | Annabelle Hathaway | |
| Booth Savage | ... | Sheriff Bill Duer | |
| Wayne Robson | ... | Cappy | |
| James Bulliard | ... | Bobby | |
| Hayley Lochner | ... | Jo Ellen at age 10 | |
| Hannah Lochner | ... | Jo Ellen at age 7 | |
| Skylar Pollack | ... | David at age 15 | |
| Joel Gordon | ... | Party Guest | |
| Doug Lennox | ... | Fisherman |
Directed by | |||
| Katt Shea | |||
Writing credits(WGA) | ||
| Nora Roberts | (book) | |
| Katt Shea | (teleplay) and | |
| Vivienne Radkoff | (teleplay) | |
Produced by | |||
| Andrew Adelson | .... | executive producer | |
| Tracey Alexander | .... | executive producer | |
| Vivienne Radkoff | .... | co-producer | |
| Frank Siracusa | .... | producer | |
Original Music by | |||
| Danny B. Harvey | |||
Cinematography by | |||
| Wally Pfister | |||
Film Editing by | |||
| Henk Van Eeghen | |||
Casting by | |||
| Mary V. Buck | |||
| Susan Edelman | |||
Production Design by | |||
| Jeff Ginn | |||
Art Direction by | |||
| Michele Brady | |||
Set Decoration by | |||
| Andy Joyce | |||
Costume Design by | |||
| Noreen Landry | |||
Makeup Department | |||
| Stephanie Ingram | .... | key hair stylist | |
| Lynda McCormack | .... | key makeup artist | |
Production Management | |||
| Jeff Henry | .... | post-production supervisor | |
| Thom J. Pretak | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Rick Morris | .... | trainee assistant director | |
| Woody Sidarous | .... | first assistant director | |
| Erin Walker | .... | second assistant director | |
Art Department | |||
| Jason Clarke | .... | assistant art director | |
| Dwight Doerksen | .... | construction coordinator | |
| Jason Herriott | .... | scenic artist | |
| Mark Hunter | .... | assistant property master | |
| Peter Miskimmin | .... | property master | |
| Norm Ouzounis | .... | on-set dresser | |
Sound Department | |||
| Roy Braverman | .... | adr editor | |
| Roy Braverman | .... | adr supervisor | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound effects editor | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Timothy Pearson | .... | foley artist | |
| Keith Rogers | .... | sound re-recording mixer | |
| Urmas Rosin | .... | sound (as Urmas John Rosin) | |
| Burton Weinstein | .... | sound supervisor | |
Special Effects by | |||
| Brock Jolliffe | .... | special effects supervisor | |
Stunts | |||
| Matt Birman | .... | stunt coordinator | |
| Henry Korhonen | .... | stunts | |
Camera and Electrical Department | |||
| Gabriele DiChiara | .... | gaffer | |
| Carl Flood | .... | electrician | |
| Mike Gowland | .... | generator operator | |
| Mark Silver | .... | key grip | |
| Kit Whitmore | .... | camera operator | |
Casting Department | |||
| Jon Comerford | .... | casting: Toronto | |
| Larissa Giroux | .... | casting associate | |
Music Department | |||
| Bob Beecher | .... | music editor | |
Transportation Department | |||
| Jerry Skavinsky | .... | transportation coordinator | |
Other crew | |||
| Matti Huhta | .... | script supervisor | |
| Nick Kontsalakis | .... | first assistant accountant | |
| Alexandra Lane | .... | production coordinator | |
| Lisa Perone | .... | production assistant | |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
For a TV movie the dialogue is really good in Sanctuary. And it's by far Melissa Gilbert's best adult performance. The relationship between her and Costas Mandylor is really sexy and romantic. They have some really fiery scenes. There is one where they are at a campfire and he's flirting with her, she thinks he's going to kiss her, she's finally ready and he doesn't, sort of punishment for all her coolness and it's fantastic. But really you get the feeling they've probably been in love since they were kids and their families spent summers at the island where Melissa Gilbert's family owns a big Bed & Breakfast. It has a lot of of real emotion especially in the scenes with Kathy Baker. It looks more like a movie movie than a TV movie because some of the photography is really beautiful, set on an island on the east coast. The music is good too, not the usual TV stuff. Also it has a lot more humor than you expect to find in a thriller. Keeps you guessing until the end which is kind of cheesy but it is after all made from a Nora Roberts book. All in all it is a really good movie.