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IMDb > Dead Dogs Lie (2001)

Dead Dogs Lie (2001) More at IMDbPro »


Overview

User Rating:
6.8/10   32 votes
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Release Date:
1 December 2001 (USA) more
Plot:
A pulp-fiction type dark comedy about 3 hitmen who are given a list of places to go. They arrive at the locations on the list and there they must figure out what they need to do. full summary | add synopsis
Awards:
3 wins more
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User Comments:
Trash City Film Blitz Review more (2 total)

Cast

  (Cast overview, first billed only)

Tommy Flanagan ... Michael
Sarah Graham Hayes ... Amity

Gary Stretch ... Duck

Peter Greene ... Marcus Devlin
Stephanie Silk ... Denise / Waitress
Michael McCormick ... Walter

Eric Tonken ... Teenage Michael
Jeff Shore ... Moe
Dean Sansone ... Larry Gold

Del Pentecost ... Southern Cop
Tania Deighton ... Jamie

David Wolos-Fonteno ... Benny (as David Fonteno)
Keith Smith ... Lenny
Victor Mastroianni ... Jeff the Clerk
Torri Singer ... 8-Year-Old Amity
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Additional Details

Runtime:
98 min
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4 out of 4 people found the following comment useful.
Trash City Film Blitz Review, 16 May 2003
6/10
Author: DS from California

Three killers (Flanagan, Stretch and Hayes) are sent on a road trip/murder spree by their boss. Apart from being killers, they don't initially have much in common; so when they discover they've previously screwed up in various ways, is that the cold scent of retribution in the air? Just when you think all possible hitmen movies have been done, along comes this, rejuvenating the usual cliches - killer with a heart, hitwoman who had a bad childhood - with fresh execution (pun fully intended) and a host of strong performances. Stretch is the biggest surprise, given he's best known for being former British light-middleweight champion; here, he's like a psychotic version of Kurt Cobain. Flanagan and Hayes are equally good: hayes delivers the best burger-joint scene since FALLING DOWN, while Flanagan gets to shoot a dog - but it's okay because he agonises wonderfully about it beforehand. It's particularly captivating, because a lot of this movie is no more than three characters talking, yet it still commands your attention. If the ending is perhaps a let-down, this is probably the kind of film you'd be sorry to see end, regardless of how it happened. If you're thinking it's Tarantino-esque, you might be right, yet it leaves all his self-indulgent baggage behind, and is instead beautifully tight, with hardly a wasted moment.

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