CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
Phil Alden Robinson
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
Tough guy Thomas Beckett is a US Marine working in the Panamanian jungle. His job is to seek out rebels and remove them using his sniper skills. Beckett is notorious for losing his partners... See full summary »
When three star General Irwin is transferred to a maximum security military prison, its warden, Colonel Winter, can't hide his admiration towards the highly decorated and experienced soldier. Irwin has been stripped of his rank for disobedience in a mission, but not of fame. Colonel Winter, who runs the prison with an iron fist, deeply admires the General, but works with completely different methods in order to keep up discipline. After a short while, Irwin can feel Winter's unjust treatment of the inmates. He decides to teach Winter a lesson by taking over command of the facility and thus depriving him of his smug attitude. When Winter decides to participate in what he still thinks of as a game, it may already be too late to win. Written by
Julian Reischl <email@example.com>
The finished film's storyline for Gen. Irwin and Col. Winter diverted sharply from David Scarpa's original screenplay. While both the script and the film begin by presenting Irwin as the sympathetic lead character and Winter as the bullying antagonist, Scarpa wrote the film's 2nd and 3rd acts to show that Winter was a good man and Irwin was a violent taskmaster who brutalized the other inmates into joining his crusade to get rid of the Colonel. The script was re-written when Robert Redford signed up to the film, with Irwin remaining the generally noble campaigner against Winter's reign of cruelty. See more »
Shortly after Winter examines the rock thrown at him, a guard yells, "Fall back! Fall back!" That guard's nightstick is fake and rubbery. See more »
Take a look at a castle. Any castle. Now break down the key elements that make it a castle. They haven't changed in a thousand years. 1: Location. A site on high ground that commands the territory as far as the eye can see. 2: Protection. Big walls, walls strong enough to withstand a frontal attack. 3: A garrison. Men who are trained and willing to kill. 4: A flag. You tell your men you are soldiers and that's your flag. You tell them nobody takes our flag. And you raise that flag ...
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Written by Jim Sumber, Dave Jay (as Dave Bumpstead) & Austin Reynolds
Performed by Soul Hooligan
Courtesy of Maverick Recording Company
By Arrangement with Warner Special Products See more »
I have eagerly awaited my chance to see The Last Castle. I thought the previews looked interesting and at the very least I loved The Rock and think Redford is great so I figured this movie would be good. Heck I almost skipped paying the $4 rental fee to just buy the DVD. Glad I didn't.
Despite what others may believe, I feel that this movie strongly apes Shawshank Redemption and other heretofore well-tramped ground. We have a power-hungry, egocentric warden, a quiet, reserved new prisoner who was quite successful on the outside and whose previous life is known of by his inmates. And a struggle of wits, warden vs. prisoner plays out like a game of chess. Interesting to note, both Shawshank and Last Castle incorporate chess as the greatest battle of wits...I doubt the similarity is coincidental.
The acting is good...I won't take that away from the film. The characters are relatively believable and the actors handle their roles well. The problem with this film is that it relies too much on illogical or contradictory ideas to move itself along. Ok, first the title "the last castle" is contradicted again and again as Redford keeps saying that anywhere you raise the flag and say you can't take this away from me is a castle. It's almost the theme of the film and it directly contradicts the title...seems like a case of a line too good to throw out, even though it really does not fit.
Also, Redford demonstrates a great deal of respect to the warden but speaks very harshly of him when the warden is simply removed to the other room to grab a book to have signed. Redford criticizes the warden in a most uncivil way right in front of the warden and it just doesn't make sense...it's completely unlike the character to do so. But there has to be some animosity between the two and that was the easiest way to do it...illogical yes, but whatever gets the action moving, right? The guards are also painfully one-dimensional. We get a glimpse early on that the captain is a good guy forced to do bad things but all that we know of the snipers, etc. is that they enjoy shooting prisoners and that the warden enjoys manipulating everyone within the walls. A scene that showed them to be human, to have any feeling other than hate for prisoners, would make them far more believable and make the story that much better...again, this is an action movie and moving the story along fast is key: not a logical progression of events, not keeping the promise to show both sides of the story made in the opening scenes.
In short, this movie is woefully inconsistent. Is it filled with good action sequences, especially for a prison movie. Is it entertaining...sure, it's not bad. But as a film, a piece of art, it just does not pass muster...in their attempts to push this movie onto the screen the film makers simply left too much out and obviously did not spend enough time developing the script. It has so much potential and so little payoff. A 6 in my book.
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