When three star General Irwin is transferred to a maximum security military prison, its warden, Colonel Winter, can't hide his admiration towards the highly decorated and experienced soldier. Irwin has been stripped of his rank for disobedience in a mission, but not of fame. Colonel Winter, who runs the prison with an iron fist, deeply admires the General, but works with completely different methods in order to keep up discipline. After a short while, Irwin can feel Winter's unjust treatment of the inmates. He decides to teach Winter a lesson by taking over command of the facility and thus depriving him of his smug attitude. When Winter decides to participate in what he still thinks of as a game, it may already be too late to win. Written by
Julian Reischl <firstname.lastname@example.org>
The main score of the movie, composed by Jerry Goldsmith, was named "September 11th 2001", because it was recorded on that day. Also, the movie's posters were changed after 9/11, because they showed an American flag flying upside-down (which is a signal for distress). A new poster was put up featuring faces of the cast. See more »
As General Wheeler and Colonel Winters are talking outside, clouds disappear and reappear in the sky above the prison. See more »
[while in his office]
What do you expect from your time at The Castle?
Nothing. I just want to do my time, and go home.
That is the perfect answer.
See more »
A prisoner's fantasy: decorated U.S. General Robert Redford has been Court Marshalled for disobeying orders during wartime--which resulted in the deaths of eight soldiers--and is sent to a prison for violent criminals (!). He immediately gets on the wrong side of warden James Gandolfini and rallies the inmates to take control of the yard. Fairly typical genre picture with all the usual details, including the stuttering innocent whose bad treatment becomes a catalyst in the warring sides. The film is well-cast and has some fine passages, yet the heavy symbolism (with flying flags, chess moves and endless talk of castles) comes off as self-important in a movie which uses its entire second half to allow violent criminals to run roughshod over security. Redford gives a modest, self-effacing performance--he's so noble he's like visiting royalty; Gandolfini plays his Colonel like an offended child, affecting a soft but precise, lispy voice, giving the one-dimensional role some unexpected subtext. The handsomely photographed film looks great and works its way slyly on the viewer until all defenses are down, but in retrospect its earnestness seems woefully silly. **1/2 from ****
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