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Bad Karma (2002)

R  |   |  Horror, Thriller  |  23 July 2002 (USA)
3.7
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Ratings: 3.7/10 from 538 users  
Reviews: 15 user | 15 critic

Mental Patient terrorizes her Psychiatrist who she believes is the reincarnation of Jack the Ripper.

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Cast

Cast overview, first billed only:
...
Maureen Hatcher / Agnes
...
Dr. Trey Campbell
...
Carly Campbell
...
Jenny Pantelli
...
Detective Arboles (as Patrick Byrnes)
Aimee O'Sullivan ...
Teresa Campbell
Vinnie McCabe ...
Arthur
Rachel O'Riordan ...
Denise
...
Richard
Merrina Millsapp ...
Edie
...
Dad
Denise McCarton ...
Redhead
Fiona Reynard ...
English Prostitute
Maria Tecce ...
Female Security Guard
Jeanette Omos ...
Police Woman
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Storyline

A young girl is abducted by a man. He claims that she was the one who killed him in a past life. When she denies what he is saying, he subjects her to electro shocks. Eventually her personality changes and she kills him and walks off. Years later she runs into a man and says that they were lovers in a past life. He of course thinks she's out of her mind. But she pursues him. She tells him that they were than lovers, they killed people together. Written by rcs0411@yahoo.com

Plot Summary | Add Synopsis

Taglines:

There is no escape. See more »

Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence/gore and sexuality/nudity | See all certifications »
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Details

Country:

Language:

Release Date:

23 July 2002 (USA)  »

Also Known As:

Hell's Gate  »

Company Credits

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Technical Specs

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Sound Mix:

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Did You Know?

Trivia

The building that portrays Darden State Hospital in the movie is actually a school but had been used as a hospital during World War II. Trey Campbell's office in the movie is the principal's office of the school. See more »

Goofs

When Dr. Trey Campbell is sitting with Carly Campbell and says "I don't know what to do with the rest of my life" his voice obviously doesn't match his mouth. See more »

Quotes

Maureen Hatcher: How can an ant know or understand the boot that crushes it?
See more »

Soundtracks

Fatal Memories
Written by Kevin Cloud and Mark Williamson
Performed by Kevin Cloud, Mark Williamson and Terry Wollman
Courtesy of World American Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

How not to do it...
20 January 2007 | by (www.moviemoviesite.com) – See all my reviews

This is one of those sorry little efforts in which everyone – from minor characters right up to the director – is clearly just going through the motions, working for their pay-packet and nothing else. The director is John Hough, a veteran who, although something of a journeyman, has some good efforts under his belt (TWINS OF EVIL, DIRTY MARY, CRAZY LARRY) so he really has no excuse for producing such a shoddy piece of work. And as for the editing, well, IMDb doesn't even list an editor amongst the crew, which probably tells you all you need to know. I can only think that Hough is either very brave or very foolish to refrain from adding another dud to Alan Smithee's ever-growing CV with this one.  

The story opens ten years in the past. A garage attendant, after spying on a naked teenage schoolgirl in the garage's washroom, abducts her. After stripping and tying her to a bed, he attaches electrodes to her wrists and proceeds to torture her. Now if this girl's acting was half as hot as her body, her mantelpiece would be groaning under the weight of her Oscars – and if her body was as lousy as her acting this would be a horror to put all those 70s Italian cannibal flicks in the shade. With God knows how many volts zipping through her body, our naked teen merely winces, says ow, and fetchingly jiggles her boobs. This girl, however – who also appears to be mysteriously absent from the credits – is merely setting the standard that the rest of the cast will follow throughout the movie – although it has to be said that Patsy Kensit is marginally less bad than the others (and when Patsy Kensit is the best thing about a movie, you know it's in trouble…).

Anyway, the reason the poor lass has been abducted is that, in a past life, she was Jack the Ripper's squeeze, helping him to find and disembowel cockney prostitutes, and the garage attendant was one of their female victims. Now he has found her in modern-day America – which is easier to believe than is the fact that the makers actually found financing for this barmy flick – and is electrocuting her in order to retrieve her memory of her previous life before he kills her. Our wronged former streetwalker just can't resist sampling the morsel on his bed, however, which of course leads to his/her undoing: the young girl frees one wrist, unscrews the strut of the bed's headboard, magically frees her other hand and whacks the slobbering pump attendant over the noggin before then apparently retying her wrist so that she can then untie it all over again.

And, believe me, thanks to the copious female nudity this is the best bit of the movie (sorry, ladies).

There is a kind of trashy appeal to some of these sex and gore flicks – this one's a little like something a mediocre student of Michael Winner's might make if the old boy had turned to teaching movie-making instead of appearing in insurance adverts on TV – but the repeated lapses in logic and continuity, coupled with the bad acting (that isn't quite bad enough to be amusing) from a cast who play it straight, and the stupid decisions made by every single character, prevent the viewer from gaining even guilty pleasure from it. Even the location grates: the movie is supposed to take place in Rhode Island, but was clearly filmed in Britain - most likely some godforsaken island off the Scottish coastline by the look of it.

Anyway, the attendant's electrocution theory proves to be right on the button, as Jack's moll is restored to consciousness in the teen's body and we next see her in the present day – now in the form of Patsy Kensit – strapped to a bed in a mental hospital, and convinced that her doctor (Patrick Muldoon) is the reincarnation of Jack. Funny how all these Victorian killer types gravitate toward the States in their new lives. Naturally, it's not long before she is on the loose, killing everyone she comes across, often stabbing them repeatedly before somehow washing and repairing their clothes so that she can wear them to make her escape from the scene.

There's no two ways about it: this is bad movie-making, and can serve only as a cautionary message to aspiring movie makers: this is how not to do it.


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Ha hardly no one posted! Havent seen the movie but got a question... LilyRFox
I liked this movie anthony_0358
Nudity by Zoe Paul WRONGLY attributed to Amy Huberman tlhslobus
John Hough? Really? matt-wallner
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