Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
Dr. RJ Stevens is a talk show host who visits his family in the deep south. While there he reunites with his brother Otis, his sister Betty, his cousin/rival Clyde and his childhood love intrest Lucinda Allen.
Malcolm D. Lee
James Earl Jones
Earl and Hank have only one thing in common: they're both L.A.P.D. rejects. One just got kicked out, the other can't even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.--led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don't kill each other first. Written by
Sujit R. Varma
Earl's automatic pistol, "Earl Jr.", is a Glock 17 converted to fire fully-automatic. Glock 18C's, as it was meant to portray, have a rate-of-fire selector switch on the slide. See more »
When they climb into the trailer and find the van, the doors are open and in the next scene the doors are closed. Trailer doors can only be opened and closed from the outside. See more »
[Earl is trying to reach for the keys in his car and Hank is walking up to him]
Need some help?
Are you asking me if I need some help or am I stealing this car?
Are you stealing this car?
Does it look like I'm stealing this damn car?
A little bit.
Why, 'cause I'm black? If you saw a white guy doing this you'd give him a reward.
Let me see your license.
I ain't showin' you a damn thing! This is my car and I didn't do anything wrong. You owe me an apology.
You're in dangerous grounds here, bub, ...
[...] See more »
Martin Lawrence and Steve Zahn star in this funny comedy as two ill-fated security guards who team up to bring down a dangerous criminal organisation and a crooked cop. It may not be an excellent film, but it is a lighthearted, fairly fresh take on the classic "buddy cop" formula that's been used over and over again (Shanghai Noon, I Spy, etc...) This time, most of the laughs come from Lawrence, who does a good job of being the wise-assed, smart-mouthed partner as Steve Zahn does his stuff as the impatient lead character.
The plot of the film seems a bit rushed, and not developped to its extent, but that's no matter. What DOES matter are the laughs; and though "National Security" isn't the funniest film in the world, the comedy is sharp --- although, at times, it does seem a bit recycled. Come on, we've seen this sort of stuff WAY too many times before...
The point is, "National Security" provides some laughs and is an all-around good film, though not great. For those of you lookin' for a familiar, smile-inducing cop film, you can't go wrong with "National Security". I'm a bit put off, though --- a 4.3 rating for this flick is just way too low, and I don't think the film deserves the bad reviews it's been getting. The same thing seems to have happened to "I Spy" as well...
Come on, you guys need to lighten up. Of course these films aren't Shakespeare --- and they don't want to be! Sooner or later, you'll learn that a movie doesn't have to be perfect in order for it to be an enjoyable experience. Most movies don't aim to be Oscar-material, so they opt to bring to the general public the things we want from this sort of film: comedy, action, wise-cracks, and, if at all possible, a decent plot. We can't compare movies like these to, say, "Star Wars" or "Casablanca" or "Titanic", because they're in totally different leagues. I try to review each film while considering the different intentions of the producers. If a film is a clear Oscar contender, I may be a bit more harsh in my review --- but with most comedies and action pics, I give credit where credit is due.
And that's the moral of this story: GIVE CREDIT WHERE CREDIT IS DUE! "National Security" is a decent flick and is well worth the price of admission, at least in the eyes of this reviewer.
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