Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (... See full summary »
John C. McGinley
Earl and Hank have only one thing in common: they're both L.A.P.D. rejects. One just got kicked out, the other can't even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.--led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don't kill each other first. Written by
Sujit R. Varma
L.A. cops Charlie and Hank respond to what they believe is a false alarm. It is not, but they went to check out the situation just in case. Charlie is killed.
Earl wants to be an L.A. cop but his outrageous and reckless behavior gets him kicked out of the academy. Never mind that Earl can do no wrong because any criticism from whites is the result of racism against black people.
Hank is bitter about losing his partner, so it doesn't help matters that he is the one who catches Earl trying to break into his own car. And Earl is allergic to bees so when a bee complicates the situation and Hank tries to swat the bee, and Earl is mostly behind the car so the person videotaping the scene can't really tell what's going on ...
It's Rodney King all over again. And the joke of a trial gets Hank sent up the river.
Six months later, Earl and Hank work for the same security company. Hank ends up at the Coca-Cola warehouse where Earl works because, while the guys who got Charlie killed are up to no good, Earl is making out with the secretary.
The result: a whole lot of wasted soda.
Earl and Hank now have to learn to work together so they can catch the guys responsible for Charlie's death. Never mind that they are not real cops. The results are hilarious and fun. There is even an exciting car chase which results in the pursuing cop cars turning upside down.
This is just a fun movie with some explosions, crashes and other excitement and plenty of laughs. Don't look for outstanding acting or writing, but to me Martin Lawrence is quite appealing despite his constant racist attitude. Toward the end, this is actually pretty good as the guys work toward solving the mystery.
One actor stands out: Cleo King is a black woman who picks up the guys when they need a ride. And she won't take any attitude, though she is really a nice person. She's not around long.
Martin Lawrence's stunt man (or men) does an impressive job. It's scary what they let him do.
Don't expect too much, and you won't be disappointed.
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