Trouble starts when Lars, a 25-year-old with few prospects for the future, discovers that an older man is fooling around with the teenage boys in his suburb. A terrible rage is triggered in... See full summary »
Erik Richter Strand
Nils Jørgen Kaalstad,
Mikkel Bratt Silset,
When 21 year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV+ family bonds are tested. The family decides that 11 year Marcel, the youngest, is too ... See full summary »
THIS SPECIAL FRIENDSHIP tells of the tender relationship between a twelve-year-old boy and the upperclassman who is the object of his desire. All set in the rigid atmosphere of a Jesuit run... See full summary »
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how ... See full summary »
Due to the death of his mother, 15 yr old Charley must live with his unloving bully father. Out of loneliness, Charley strikes up an illicit romance with 29 yr old Eban. When their families... See full summary »
Gio Black Peter,
Lorenzo, a handsome first-year professor in an isolated Italian village, falls under the spell of his most beguiling pupil, a dark-haired, starry-eyed 12-year-old named Duilio. As Lorenzo's... See full summary »
Gianni Da Campo
I gave this a 9 out of 10, which is extraordinary for what, in many ways, is a pretty bad film. Sometimes a movie can touch you, like this one does, even though you know it has some terribly bad aspects like cardboard-cutout characters and unbelievable plot turns. In a movie that often has the complexity and production values of an ABC Afternoon Special, there is the stirring performance of Branden Nadon as Nathan, a young male prostitute, latching onto a drifter he wants to be his ... father figure? lover? both? There are many unanswered questions here, opportunities missed, time spent on uninteresting plot lines. But instead of walking away in disgust, Nadon's performance and character just leaves you hungry for more, and wishing scenes had been expanded. There's a scene where Nathan tells a gay teen who has just kissed him, "I just want to be a good kid," and it so excruciating and sweet and sad you wish the scene had gone on forever. When Nathan accompanies the drifter to the drifter's home town, none of the people he encounters there know how worldly he is, or how wounded he is, and how he longs to belong to someone. It's a poignant performance you won't easily forget.
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