A year after Hurricane Katrina, Henry, a surgeon in the affluent Garden District of New Orleans, is attempting to get his life back on track. He is remarrying his ex-wife, renovating her ... See full summary »
Jason Butler Harner
This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of ... See full summary »
An oddball family on a Kansas farm are trapped in their farmhouse by an impending storm. The patriarch of the clan is a retired soda pop tycoon. He is currently dating a children's TV ... See full summary »
Harry Dean Stanton,
Poet and pundit Andrei Codrescu (Road Scholar 1992) is once again taking the pulse of America, trading his Cadillac convertible for a variety of water craft as he explores, with typical ... See full summary »
In New Orleans, a young woman named Muriel goes missing. Her sister, Amelia, arrives to look for her. Aided by her aunt's lover, an ex-CIA agent named Bill, Amelia finds evidence on Muriel's computer of conversations with a mysterious and philosophical man. Bill and Amelia's search for him is fitful, but we learn that he's Eddie, a local exterminator who wants to produce and direct a movie about Nicholas Tesla. We follow Eddie, full of schemes, and we meet his brother, Tom, a firefighter who may know something about the death of a man whose widow, Hannah, seeks him out. What has happened to Muriel? Is this a world where anything can be known? Written by
Mysterious, elliptical film that at first I didn't know what to make of, but I found it really lingered in the mind afterwards and was ultimately one of the most memorable films I saw at the 2002 Toronto International film festival; a really unique play between the real and the imiation of the real and the blurring between them. Funny, strange, affecting; I didn't understand all of it, but I liked it.
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