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Happy Here and Now (2002)

R | | Drama | 8 June 2002 (USA)
1:06 | Trailer

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When an unhappy young woman disappears, her worried sister desperately searches the internet for a clue to her missing sibling's whereabouts.


1 nomination. See more awards »



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Credited cast:
Eddie Mars / Tom
Josephine Martin ...
Quintron ...
Nic Ratner ...
John Sinclair ...
Ernie K-Doe ...
Antoinette K-Doe ...
Rest of cast listed alphabetically:


In New Orleans, a young woman named Muriel goes missing. Her sister, Amelia, arrives to look for her. Aided by her aunt's lover, an ex-CIA agent named Bill, Amelia finds evidence on Muriel's computer of conversations with a mysterious and philosophical man. Bill and Amelia's search for him is fitful, but we learn that he's Eddie, a local exterminator who wants to produce and direct a movie about Nicholas Tesla. We follow Eddie, full of schemes, and we meet his brother, Tom, a firefighter who may know something about the death of a man whose widow, Hannah, seeks him out. What has happened to Muriel? Is this a world where anything can be known? Written by <jhailey@hotmail.com>

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Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »




Release Date:

8 June 2002 (USA)  »

Also Known As:

Segunda Vida  »

Box Office

Opening Weekend:

$1,867 (USA) (16 December 2005)


$2,443 (USA) (16 December 2005)

Company Credits

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User Reviews

ideas? direction? purpose? not here...
14 October 2002 | by (new orleans) – See all my reviews

Now let me clarify that I love art films. I love abstract ideas. I love seeing and hearing things on screen that make me go,"Wha????, and then go "oohhhh...i get it." But this is no Godard. This film, well, I just don't know. Is it in art film? Is it an excuse to display the gritty, third-world beauty of New Orleans, and the array of characters that lie within? Or is it a low-budget independent film that juggles from one concept to the other, never bothering to connect the dots because, well hell, there wasn't really a solid script in the first place, and never a real purpose to the story(how's that for a run-on sentence)? i guess my problem with this film is that, though it may have been low-budget, they still spent a a good deal on its production and actors, but didn't bother making an actual story with what they had. I was intrigued by the film and the ideas it was portraying. And if the whole film would have been as beautifully-abstract as the final dream sequence, or even the beginning (the music score, by David Julyan is great!), I would have wept--in a good way--like a child. I saw this at the New Orleans film fest in a packed house of audience members happy enough to see people and places they recognized: Ernie K. Doe, Bud's Broiler, etc. But perhaps they loved it...who knows?

The ideas, talent, and potential are there for a good film. But as a whole, the film makes you go, "hmmmmm....interesting....NEXT PLEASE!"

11 of 16 people found this review helpful.  Was this review helpful to you?

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