An ad executive (Weaver) impersonates an archeology professor (Westheimer) to avoid a situation with an obsessed former lover. She enlists the help of a hapless archeologist (Depardieu) who... See full summary »
A 10 year old gifted boy wants to be a jazz pianist much to the chagrin of his more classical oriented piano instructor. With his mother's help, he is an underage regular at a local ... See full summary »
Vietnam veteran Leon Barlow is struggling as a writer, and his personal life isn't much better. His unsympathetic ex-wife Marilyn doesn't approve of his visits with his two children, and he... See full summary »
Jeffrey, a young gay man in New York, decides that sex is too much and decided to become celibate. He immediately meets the man of his dreams and must decide whether or not love is worth ... See full summary »
Michael T. Weiss,
Beautiful, sophisticated women are all over Oscar Grubman. He is sensitive and compassionate, speaks French fluently, is passionate about Voltaire, and thinks the feature that tells the most about a woman is her hands. On the train home from Chauncey Academy for the Thanksgiving weekend, Oscar confides in his best friend that he has plans for this vacation--he will win the heart of his true love. But there is one major problem--Oscar's true love is his stepmother Eve. Oscar is certain that he could be a better mate to Eve than his work-obsessed father. He fails to win Eve's heart and is consequently dejected. Oscar's path to his true love is further crossed by Diane, Eve's best friend who, one night while wearing Eve's borrowed perfumed scarf, offers him temporary comfort in an unconventional tryst. For Diane, Oscar fills a void in her life. For Oscar, Diane is somewhat of a distraction, as his continued pursuit of Eve leads to an unexpected resolution. Written by
Sujit R. Varma
The café where the three ladies meet and Diane introduces Oscar to her friends was also the location where director Gary Winick arranged a meeting with Sigourney Weaver before production, to play the part of Eve. After Weaver spoke to the restaurant owner, they agreed to let them use it in the film. See more »
When Oscar and Charlie are riding in the car, the scenery outside Charlie's window moves twice as fast as the scenery outside Oscar's window. See more »
I don't think I can give an intellectual critique of this movie, because I reacted to it in a very emotional way: I loved it. I laughed all the way through. The thing that struck me so funny wasn't the dialogue so much as the facial expressions of the performers (though I did laugh every time Bebe Neuwirth opened her mouth.) The look on Charlie's face when he finds out Oscar is in love with his stepmother, the amused look on Diane's face as she watches Oscar panic during dinner at the French restaurant...I could go on.
Also, John Ritter performs the funniest choke take I have ever seen, during the aforementioned French restaurant scene. In short, I enjoyed this movie immensely and have already recommended it to all of my friends.
Finally, in response to the person who found the Voltaire quotes pretentious: I agree, but I think that was the point. After all, a 15 year old who reads Voltaire and thinks girls his age are beneath him is pretty damn pretentious himself.
11 of 15 people found this review helpful.
Was this review helpful to you?