Kevin Burke a young executive for a multinational investment bank, is a rising star in the Rotterdam office. Rewarded for his perceptive eye and mastery of foreign languages, Kevin receives... See full summary »
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An outlaw, a waitress and her misfit neighbor come upon a baby in the midst of car wreckage. With his former partner in crime out to get him, the outlaw and his new friends put their lives on the line to protect the infant from danger.
Kevin Burke a young executive for a multinational investment bank, is a rising star in the Rotterdam office. Rewarded for his perceptive eye and mastery of foreign languages, Kevin receives the promotion he has been working for - a coveted spot on the company's internal security team. Trained by the enigmatic Mr. Ficks to protect the firm's employees in volatile, third world markets, Kevin thinks he has a shield for every arrow. And this makes him feel safe, or at least "safer" than he's felt since his father's mysterious death. Karl Jorgensen, the Managing Director of the bank, is Kevin's boss and surrogate father. He has mentored Kevin over the years, which makes his biological son, Karl Jorgensen Junior, visibly jealous. Jorgensen brushes off the "sibling rivalry", but clearly favors Kevin, molding him into a confident, young man. It is this confidence that gives Kevin the courage he needs to propose to the woman he loves. One smile from Rosalind Bremmond and it is easy to ... Written by
Parabolic Pictures, Inc.
It's not easy to do, but a story that had potential simply sinks under very, very bad direction.
In film one of the director's jobs is to tell the viewer where to look. True that. But it does not mean that he should be shouting "Look at me!" when he should be concentrating on story and characterization.
A reported $7 million goes down the toilet in developing this story of greed, jealousy, and revenge. Actors who have done very fine work in the past are simply stranded on screen. That's bad enough.
But for some reason a great chunk of the action is filmed using a blue filter over the lens. This is understandable for the exteriors at night. But it looks more than slightly stupid for scenes in, say, a living room.
The action is sped up in some scenes for no reason whatsoever. And the fight scenes are edited so incoherently that it's impossible to tell who's who are what's going on.
Watching movies directed by, say, Ed Wood can be a fun experience. Catatonic actors, cardboard sets, special effects that totally fail, it's sort of like watching the community theater group perform on the stage in the American Legion hall. You know that they're genuinely trying to do their best and it's easy to root for everyone involved.
Here, the gimmicks just seem to try to cover up undeveloped story arcs.
There is one very good thing about this, though. Director Laurence Malkin directed exactly one more movie after this, in 2006, and has not worked behind the camera since then although he has remained active in the film business. People seeking proof that God created an orderly universe need look no further.
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