At loose ends drifter (Ivan Martin) stumbles upon a struggling painter (Drea de Matteo) as he searches for answers under the stars and rooftops of New York.
Director:
Writer:
Stars:
Photos and Videos
Cast
Drea de Matteo | ... |
Henrietta
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Ivan Martin | ... |
Ray
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John Lurie | ... |
Frank
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Catherine Kellner | ... |
Nina
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Ron Ryan | ... |
Robert Madon
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Jay Veduccio | ... |
Date #1
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James Drego | ... |
Date #2
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Gerry Hildebrandt | ... |
Date #3
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Daryl C. Patterson | ... |
Date #4
(as Daryl Patterson)
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Scott Maher | ... |
Date #5
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Karen Goodman | ... |
Date #6
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Directed by
James Savoca |
Written by
James Savoca | ... | () |
Produced by
John Goldsmith | ... | executive producer |
Clare Martorana | ... | producer |
Stephanie Oakley | ... | co-producer |
Diana Vest Goodman | ... | executive producer (uncredited) |
Music by
Peter Heitzman | ||
Karen Savoca |
Cinematography by
George Motz |
Editing by
Caleb Oglesby |
Editorial Department
Don Ciana | ... | color timer |
Joe Violante | ... | coordinator: Technicolor |
Achim Voermanek | ... | digital post-production (uncredited) |
Production Design by
Casey Benjamin |
Costume Design by
Holly Krueger |
Second Unit Director or Assistant Director
Daryl C. Patterson | ... | assistant director (as Daryl Patterson) |
Art Department
Chris Freeman | ... | set construction |
Andy McNish | ... | artist / scenic painter |
Sound Department
Eben Baume | ... | boom operator |
Joe Cunningham | ... | sound designer |
Theresa Radka | ... | sound |
Visual Effects by
George Apuzzo | ... | opticals |
Camera and Electrical Department
Todd Armitage | ... | assistant camera |
Ryan Elsemore | ... | gaffer |
Scott Jones | ... | still photographer |
Scott Maher | ... | grip |
Matt Petosa | ... | still photographer / swing grip |
John Schwartz | ... | additional grip |
Costume and Wardrobe Department
Jennifer Joseph | ... | stylist (as Jen Joseph) |
Music Department
Jimmy Johns | ... | musician: drums |
Script and Continuity Department
Karen Goodman | ... | script supervisor |
Additional Crew
Kate Fitzgerald | ... | assistant to the producer |
Vicki King | ... | production assistant |
Jamie Pierce | ... | key production assistant |
Matt Petosa | ... | production assistant (uncredited) |
Thanks
Allyson Bari | ... | thanks |
Ellen Bromberg | ... | special thanks |
Eric Bromberg | ... | special thanks |
Annie Collopy | ... | thanks |
Greg Corbin | ... | thanks |
Nick Damici | ... | thanks |
Al de Matteo | ... | thanks |
Donna de Matteo | ... | thanks |
Sarah Delgado | ... | thanks |
Bob Fisher | ... | thanks |
Lorraine Fletcher | ... | special thanks |
James Gann | ... | special thanks |
John Goldsmith | ... | special thanks |
Diane Goodman | ... | special thanks |
Laurie Hrebenak | ... | thanks |
Jimi | ... | thanks |
Alyssa Leal | ... | thanks |
Deborah Levy | ... | special thanks |
Mai Lieu | ... | thanks |
Mary Louis | ... | thanks |
John Lurie | ... | thanks |
Jeff Martin | ... | thanks |
Caleb Oglesby | ... | special thanks |
Meredith Paige | ... | thanks |
Denise Petitta | ... | thanks |
Poppi | ... | thanks |
Harry Ralston | ... | thanks |
Chad Reddell | ... | thanks |
Toni Roberts | ... | thanks |
Marie Savoca | ... | thanks |
Kristi Schroder | ... | thanks: Starbucks |
Genevieve Symanski | ... | thanks |
Meg Walsh | ... | thanks |
Production Companies
Distributors
- Independent Film Channel (IFC) (2001) (United States) (tv)
Special Effects
Other Companies
- Acordia/Speare & Company Insurance Brokers (insurance)
- Aero Mock-Ups (aircraft mock-up rental)
- Audio Services (tape stock)
- Blue Ribbon (catering)
- Camera Service Center (camera equipment provided by)
- Mimondo Productions Ltd. (titles)
- New Approach Film & Video (video dailies)
- New York Sound (sound post-production)
- Noëlle Penraat (negative cutting)
- Raw Stock (film stock)
- Star Lighting Enterprises (grip and lighting equipment)
- Technicolor (post-production facilities)
- Videogenix (post-production facilities)
Storyline
Plot Summary |
A restless young man who's been drinking, wanders the industrial section of his Brooklyn neighborhood to meet another restless soul of the opposite sex. They drink, laugh, and dance there way into the bedroom. The morning light of the next day exposes them as strangers as now they struggle to keep alive what they wonderfully shared the night before. Written by Anonymous |
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Parents Guide | Add content advisory for parents » |
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Additional Details
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Box Office
Budget | $100,000 (estimated) |