A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »
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A down-on-his-luck businessman desperately takes the only job offered - a teacher in the U.S. Army. His mission: keep a ragtag bunch of underachieving misfits from flunking out of basic ... See full summary »
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by
At the airport in Paris, Joshua says to Regina that they are now in another country. However, their only previous meeting was in Martinique. Whilst located in the Caribbean, Martinique is an overseas department of France. Thus, they are still in the same country as where they met before. See more »
Reggie, I hate that you're caught up in this. But at the same time I'm glad, because it means we've met.
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Just as the reference for Francois Truffaut's "Tirez sur le Pianiste" is shown, a shot of Truffaut's grave is inserted. See more »
In an overall comparison between the "Charade" and `Charlie,' the latter is the imposter-no ambiguity intended.
So Cary grant and Audrey Hepburn are unfortunately dead. That means director Jonathan Demme (`Silence of the Lambs') must find suitable replacements for his remake of `Charade' called `The Truth about Charlie.' Will Smith was his first choice-Mark Wahlberg (`Planet of the Apes') took the Grant role. Thandi Newton (`Mission Impossible 2') plays Hepburn's role. Neither carries the film, which requires a certain amount of international sophistication and charm.
Set in Paris, `The Truth about Charlie' starts with a murder and the victim's money, which everyone seems to want. It has touches of the old American love of Paris, e.g., the tower appears regularly. But it is a more modern Paris than the original film's: Cinematographer Tak Fujimoto (`Signs' `The Silence of the Lambs') said, `We wanted to make the city feel mysterious and scary. We wanted it overcast and gray-different from the traditional view of Paris, more realistic, more paranoid.'
A Ferris-wheel scene with Wahlberg and Tim Robbins, who reprises the Walter Matthau role, evokes the mystery and danger of Sir Carol Reed's `Third Man.' That most American of images, the incarcerated Hannibal Lecter, ends the film with a fitting tribute to his invulnerability.
Back to Wahlberg and Newton. The success of the film, then and now, rests with the leads, and they failed. Wahlberg is flat, expressionless, 2 dimensional. Newton lacks the acting chops to navigate the aftershocks of a husband's murder and the barrage of interest in his money, hidden somewhere in plain sight. Robbins comes closest to a screen presence, part mountebank, part protector, and part enigma.
The original title `Charade' better expresses the delicious ambiguity of European intrigue where nothing is as it seems, and people are not what they appear. In this regard, `Charlie' fulfills the promise. For a modern look, it also succeeds.
But in an overall comparison between the 2 films, `Charlie' is the imposter-no ambiguity intended.
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