A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »
A young man, Pat, visits the clan of gypsy-like grifters (Irish Travellers) in rural North Carolina from whom he is descended. He is at first rejected, but cousin Bokky takes him on as an ... See full summary »
Jack N. Green
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
To payoff his second girlfriend's debt, hitman Melvin Smiley undertakes a kidnapping job with his usual associates. In a world of prospective Jewish in-laws and late movie fees, the hitman ... See full summary »
Lou Diamond Phillips,
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by
When Regina is in the elevator after "Joshua" saves her, he sends her up in the elevator, but when we see Joshua scuffling with the attacker from Regina's point of view, the lift is going down, we know this because we see his shoes disappear from the top of the screen, if she was going up, we would see his head or shoes disappear from the bottom of the screen. See more »
Excuse me, does this belong to you?
Now what's he gone and done?
Well, he was creating a fairly sophisticated surveillance system behind the ladies' cabana.
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Just as the reference for Francois Truffaut's "Tirez sur le Pianiste" is shown, a shot of Truffaut's grave is inserted. See more »
This was strange. I had no idea what this film was about as it was a free loan and I just put in the machine, not even reading the back of the box. Well, obviously it didn't take long to figure out this was a re-make of the famous 1963 film "Charade."
It's not really bad on it's own but if you've watched and admired Charade a half dozen times as I have, this film isn't even close measuring up. Mark Wahlberg is no Cary Grant; Thandie Newton is no Audry Hepburn and Tim Robbins in no Walter Matthau.
Why settle for second-rate after having first-rate? I mean, why even bother? It's not like you are updating some old black-and-white movie to accommodate today's crowd which won't look at B&W. The original still looks good (on the Criterion DVD).
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