A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »
A young man, Pat, visits the clan of gypsy-like grifters (Irish Travellers) in rural North Carolina from whom he is descended. He is at first rejected, but cousin Bokky takes him on as an ... See full summary »
Jack N. Green
To payoff his second girlfriend's debt, hitman Melvin Smiley undertakes a kidnapping job with his usual associates. In a world of prospective Jewish in-laws and late movie fees, the hitman ... See full summary »
Lou Diamond Phillips,
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
A down-on-his-luck businessman desperately takes the only job offered - a teacher in the U.S. Army. His mission: keep a ragtag bunch of underachieving misfits from flunking out of basic ... See full summary »
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by
There's a double-barreled New Wave homage in one scene, where the Widow Hippolyte character is seen loading a shop van with advertising on the side for "Les parapluies de Cousin Jacques," with a street address in Cherbourg. The shop information refers to director Jacques Demy, playing on the title of "Les parapluies de Cherbourg (The Umbrellas of Cherbourg);" the actress loading the van is Agnès Varda, Demy's widow. See more »
When Regina is in the elevator after "Joshua" saves her, he sends her up in the elevator, but when we see Joshua scuffling with the attacker from Regina's point of view, the lift is going down, we know this because we see his shoes disappear from the top of the screen, if she was going up, we would see his head or shoes disappear from the bottom of the screen. See more »
Le Malade Imaginaire
Written by Silver Johnson, Cedric Belise, Khalid Dehbi, Samuel Adebiyi, Fabien Philetas, Gerard Nubul,
Georges Jeannot, Arnaud Codet, Mehdi Felicite
Performed by Saïan Supa Crew
Courtesy of Source/Virgin France, S.A.
By Arrangement with Virgin Records America, Inc. See more »
I watched "The Truth About Charlie," last night. This is a remake of "Charade," a perennial favorite among lovers of Hitchcock-style thrillers. Made in 1963, Charade is something of an artifact, as it seems to have been made on the cusp of two eras: Old Hollywood vs. New Hollywood. It stars Cary Grant and Audrey Hepburn, both in the later stages of their film careers. Yet its tone and humor predate a more modern and sophisticated sensibility. One that would become increasingly cynical over time.
In fact, I actually rented "The Truth About Charlie" DVD to re-watch "Charade," which I hadn't seen in many years. Apparently, some marketing wag came up with the bright idea to distribute "The Truth About Charlie" DVD with the complete version of "Charade" on the flip-side of the DVD. It worked for me. It would have never occurred to me to rent the DVD if it didn't afford me the opportunity to watch "Charade" again.
Unfortunately, I also decided to watch the remake. Which brings me to the crux of the matter. While I was watching this disjointed, disfigured, and disgusting resemblance to a movie, it occured to me that this thing had been directed by Johnathan Demme. The same Johnathan Demme who directed "Something Wild," "Married to the Mob," and "Silence of the Lambs." How was it possible that this formerly superb craftsman of edgy, intense, character-driven films could cobble together something so ungainly, unraveled, and unprofessional? The movie literally looked as if it had been shot by a rank amateur who knew nothing about the film production process. The film didn't make any sense. In simple terms, it was execrable.
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