From aboard the IMDboat at San Diego Comic-Con, Kevin Smith talks to the cast of "Teen Wolf" about the solemn yet celebratory panel for the upcoming season. This news and more in our Guide to Comic-Con.
With the aid from a New York City policeman, a top immigrant cop tries to stop drug-trafficking and corruption by immigrant Chinese Triads, but things get complicated when the Triads try to bribe the policeman.
An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
A young man, Pat, visits the clan of gypsy-like grifters (Irish Travellers) in rural North Carolina from whom he is descended. He is at first rejected, but cousin Bokky takes him on as an ... See full summary »
Jack N. Green
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
Get entertainment news, trailer drops, and photos with IMDb's coverage of 2017 San Diego Comic-Con featuring host and IMDboat captain Kevin Smith. Watch our exclusive celebrity interviews, and tune in to our LIVE show from 3:30 to 5 p.m. PDT on Saturday, July 22.
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by
There's a double-barreled New Wave homage in one scene, where the Widow Hippolyte character is seen loading a shop van with advertising on the side for "Les parapluies de Cousin Jacques," with a street address in Cherbourg. The shop information refers to director Jacques Demy, playing on the title of "Les parapluies de Cherbourg (The Umbrellas of Cherbourg);" the actress loading the van is Agnès Varda, Demy's widow. See more »
When in the restaurant, Regina and "Alex" kiss, her head is tilted to her right and his to his right, a split second later, her head is tilted to her left and his to his left, they did not have enough time to change. See more »
I watched "The Truth About Charlie," last night. This is a remake of "Charade," a perennial favorite among lovers of Hitchcock-style thrillers. Made in 1963, Charade is something of an artifact, as it seems to have been made on the cusp of two eras: Old Hollywood vs. New Hollywood. It stars Cary Grant and Audrey Hepburn, both in the later stages of their film careers. Yet its tone and humor predate a more modern and sophisticated sensibility. One that would become increasingly cynical over time.
In fact, I actually rented "The Truth About Charlie" DVD to re-watch "Charade," which I hadn't seen in many years. Apparently, some marketing wag came up with the bright idea to distribute "The Truth About Charlie" DVD with the complete version of "Charade" on the flip-side of the DVD. It worked for me. It would have never occurred to me to rent the DVD if it didn't afford me the opportunity to watch "Charade" again.
Unfortunately, I also decided to watch the remake. Which brings me to the crux of the matter. While I was watching this disjointed, disfigured, and disgusting resemblance to a movie, it occured to me that this thing had been directed by Johnathan Demme. The same Johnathan Demme who directed "Something Wild," "Married to the Mob," and "Silence of the Lambs." How was it possible that this formerly superb craftsman of edgy, intense, character-driven films could cobble together something so ungainly, unraveled, and unprofessional? The movie literally looked as if it had been shot by a rank amateur who knew nothing about the film production process. The film didn't make any sense. In simple terms, it was execrable.
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