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The Truth About Charlie (2002)

PG-13  |   |  Mystery, Thriller  |  25 October 2002 (USA)
4.7
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Ratings: 4.7/10 from 8,350 users   Metascore: 55/100
Reviews: 149 user | 83 critic | 35 from Metacritic.com

A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »

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(based on the motion picture "Charade" screenplay by), (screenplay), 3 more credits »
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Cast

Cast overview, first billed only:
Olga Sékulic ...
...
Françoise Bertin ...
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Cassius Kumar Wilkinson ...
...
...
...
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Christophe Salengro ...
Philippe Fretun ...
Loeïza Jacq ...
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...
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Storyline

A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and sexual content/nudity | See all certifications »
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Details

Official Sites:

Country:

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Language:

| |

Release Date:

25 October 2002 (USA)  »

Also Known As:

La verdad sobre Charlie  »

Box Office

Opening Weekend:

$2,270,290 (USA) (25 October 2002)

Gross:

$34,676 (South Africa) (29 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The part of Joshua Peters was originally intended for Will Smith, but due to extended production on Ali (2001) he was unable to meet start of filming on Charlie, so Demme had to move forward with Mark Wahlberg instead, losing the Thandie Newton/Will Smith "double-act" he had imagined watching the original movie Charade (1963). See more »

Goofs

At the airport in Paris, Joshua says to Regina that they are now in another country. However, their only previous meeting was in Martinique. Whilst located in the Caribbean, Martinique is an overseas department of France. Thus, they are still in the same country as where they met before. See more »

Quotes

Lewis Bartholomew: We want that money back, Mrs. Lambert.
Regina Lambert: I don't have it.
Lewis Bartholomew: Oh yes, you do. You have it. You just don't know you've got it.
See more »

Crazy Credits

Just as the reference for Francois Truffaut's "Tirez sur le Pianiste" is shown, a shot of Truffaut's grave is inserted. See more »

Connections

Remake of Charade (1963) See more »

Soundtracks

Jim the Jinn
Written by Otto Engelhardt, Pit Baumgartner
Performed by De Phazz
Courtesy of Universal International Music, B.V.
Under license from Universal Music Enterprises
See more »

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User Reviews

In an overall comparison between the "Charade" and `Charlie,' the latter is the imposter-no ambiguity intended.
24 October 2002 | by (Columbus, Ohio) – See all my reviews

So Cary grant and Audrey Hepburn are unfortunately dead. That means director Jonathan Demme (`Silence of the Lambs') must find suitable replacements for his remake of `Charade' called `The Truth about Charlie.' Will Smith was his first choice-Mark Wahlberg (`Planet of the Apes') took the Grant role. Thandi Newton (`Mission Impossible 2') plays Hepburn's role. Neither carries the film, which requires a certain amount of international sophistication and charm.

Set in Paris, `The Truth about Charlie' starts with a murder and the victim's money, which everyone seems to want. It has touches of the old American love of Paris, e.g., the tower appears regularly. But it is a more modern Paris than the original film's: Cinematographer Tak Fujimoto (`Signs' `The Silence of the Lambs') said, `We wanted to make the city feel mysterious and scary. We wanted it overcast and gray-different from the traditional view of Paris, more realistic, more paranoid.'

A Ferris-wheel scene with Wahlberg and Tim Robbins, who reprises the Walter Matthau role, evokes the mystery and danger of Sir Carol Reed's `Third Man.' That most American of images, the incarcerated Hannibal Lecter, ends the film with a fitting tribute to his invulnerability.

Back to Wahlberg and Newton. The success of the film, then and now, rests with the leads, and they failed. Wahlberg is flat, expressionless, 2 dimensional. Newton lacks the acting chops to navigate the aftershocks of a husband's murder and the barrage of interest in his money, hidden somewhere in plain sight. Robbins comes closest to a screen presence, part mountebank, part protector, and part enigma.

The original title `Charade' better expresses the delicious ambiguity of European intrigue where nothing is as it seems, and people are not what they appear. In this regard, `Charlie' fulfills the promise. For a modern look, it also succeeds.

But in an overall comparison between the 2 films, `Charlie' is the imposter-no ambiguity intended.


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