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The Truth About Charlie (2002)

PG-13 | | Mystery, Thriller | 25 October 2002 (USA)
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »

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(based on the motion picture "Charade" screenplay by), (screenplay) | 3 more credits »

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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Olga Sékulic ...
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Françoise Bertin ...
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Cassius Kumar Wilkinson ...
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Christophe Salengro ...
Philippe Fretun ...
Loeïza Jacq ...
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Storyline

A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and sexual content/nudity | See all certifications »
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Details

Official Sites:

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Language:

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Release Date:

25 October 2002 (USA)  »

Also Known As:

La verdad sobre Charlie  »

Box Office

Opening Weekend:

$2,270,290 (USA) (25 October 2002)

Gross:

$5,293,525 (USA) (15 November 2002)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The part of Joshua Peters was originally intended for Will Smith, but due to extended production on Ali (2001) he was unable to meet start of filming on Charlie, so Demme had to move forward with Mark Wahlberg instead, losing the Thandie Newton/Will Smith "double-act" he had imagined watching the original movie Charade (1963). See more »

Goofs

Regina and Joshua take a train from Paris' Gare du Nord station, bound for London's Waterloo station. The rail equipment used carries the blue and white TGV livery, the French high-speed line that runs domestically in several directions from Paris. However, only yellow Eurostar trains run from Gare du Nord through the Channel Tunnel to England. See more »

Quotes

Regina Lambert: You're a good listener
Joshua Peters: No. You're a good talker.
See more »

Crazy Credits

Just as the reference for Francois Truffaut's "Tirez sur le Pianiste" is shown, a shot of Truffaut's grave is inserted. See more »

Connections

Referenced in Ancient Evil 2: Guardian of the Underworld (2005) See more »

Soundtracks

Garab
Written by Rachid Taha
Performed by Rachid Taha
Courtesy of Mondo Melodia/Barclay
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User Reviews

 
A travesty of a remake puts all to shame
15 July 2004 | by (Milwaukee, Wis. USA) – See all my reviews

REVIEW: The Truth About Charlie, for IMDB, July 13, 2004

As "rosscinema" says in a previous post, "Why did they bother?" Well, they bothered for the same reason virtually all Hollywood films are made: to make **MONEY**, lots of MONEY! No one in their right mind would attempt to duplicate two so magic stars as Cary Grant and Audrey Hepburn from the original "Charade", but some studio type thought they could cost in on the deserved reputation of the original for excellence, and make a bundle before the critics and the public got to see what a stinker this would-be remake is. Mark Wahlberg may have a certain presence, but a Cary Grant his is NOT and never will be; and that woman taking Hepburn's part was simply pathetic, what with her little moues of pseudo-British mouthings. Audrey, who was the quintessence of delicate dignity and charm, would spin in her grave, if she could. And with the change of dating to reflect, not the Second World War, but post-Vietnam, the entire tenor of the original was changed from a charming 'escapade-avec-larceny', to a mad chase with the modern dictum of 'diversity' with a cast more suited to a tract on multiculturalism, than anything having to do with telling a coherent story! The 'stamps' were well explained in the original, but here they are a throwaway plot device that more confuses than illuminates. And 'la belle Paris', mon Dieu, how it is ignored and abused in this tawdry effort; what was charming even in the face of murder and crime in the original, is merely seedy here. There is no magic between the stars as in "Charade", just some groping. And where was the duplicate of the crafty Walter Matthau character? Tim Robbins is a good actor, but here he is no replacement for the Mr. Dyle. And that dismal woman who is the police inspector is merely awful in this tiresome flick. If you have never seen "Charade" you must not let this failure make you think the original is as bad, for you would be denying yourself one of the finest delights of the modern screen, and the sight of two of its greatest luminaries, Grant and Hepburn, in very good form!


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