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The Truth About Charlie (2002)

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Ratings: 4.8/10 from 7,872 users   Metascore: 55/100
Reviews: 146 user | 82 critic | 35 from Metacritic.com

A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »

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(based on the motion picture "Charade" screenplay by), (screenplay), 3 more credits »
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Director: Jonathan Demme
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Cast

Cast overview, first billed only:
Olga Sékulic ...
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Françoise Bertin ...
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Cassius Kumar Wilkinson ...
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...
...
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Christophe Salengro ...
Philippe Fretun ...
Loeïza Jacq ...
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...
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Storyline

A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and sexual content/nudity | See all certifications »
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Details

Official Sites:

Country:

|

Language:

| |

Release Date:

25 October 2002 (USA)  »

Also Known As:

La verdad sobre Charlie  »

Box Office

Opening Weekend:

$34,676 (South Africa) (29 August 2003)

Gross:

$34,676 (South Africa) (29 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Peter Stone, the writer of Charade (1963) (the basis for the movie) was so against this remake that in some releases of this movie his screenwriting credit was changed to Peter Joshua, the name of Cary Grant's character in Charade. See more »

Goofs

Using a mint stamp by applying an inappropriate postmark, or even simply spoiling the adhesive by attaching it to a piece of paper, can reduce the value considerably, maybe even making the item totally worthless. See more »

Quotes

Regina Lambert: You're a good listener
Joshua Peters: No. You're a good talker.
See more »

Crazy Credits

Just as the reference for Francois Truffaut's "Tirez sur le Pianiste" is shown, a shot of Truffaut's grave is inserted. See more »

Connections

Referenced in Ancient Evil 2: Guardian of the Underworld (2005) See more »

Soundtracks

It's More Expensive for This
Written by Snooze, Moritz Von Oswald, Mark Ernestus
Performed by Snooze
Courtesy of SSR/Crammed Discs
By Arrangement with Ocean Park Music Group
See more »

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User Reviews

 
A travesty of a remake puts all to shame
15 July 2004 | by (Milwaukee, Wis. USA) – See all my reviews

REVIEW: The Truth About Charlie, for IMDB, July 13, 2004

As "rosscinema" says in a previous post, "Why did they bother?" Well, they bothered for the same reason virtually all Hollywood films are made: to make **MONEY**, lots of MONEY! No one in their right mind would attempt to duplicate two so magic stars as Cary Grant and Audrey Hepburn from the original "Charade", but some studio type thought they could cost in on the deserved reputation of the original for excellence, and make a bundle before the critics and the public got to see what a stinker this would-be remake is. Mark Wahlberg may have a certain presence, but a Cary Grant his is NOT and never will be; and that woman taking Hepburn's part was simply pathetic, what with her little moues of pseudo-British mouthings. Audrey, who was the quintessence of delicate dignity and charm, would spin in her grave, if she could. And with the change of dating to reflect, not the Second World War, but post-Vietnam, the entire tenor of the original was changed from a charming 'escapade-avec-larceny', to a mad chase with the modern dictum of 'diversity' with a cast more suited to a tract on multiculturalism, than anything having to do with telling a coherent story! The 'stamps' were well explained in the original, but here they are a throwaway plot device that more confuses than illuminates. And 'la belle Paris', mon Dieu, how it is ignored and abused in this tawdry effort; what was charming even in the face of murder and crime in the original, is merely seedy here. There is no magic between the stars as in "Charade", just some groping. And where was the duplicate of the crafty Walter Matthau character? Tim Robbins is a good actor, but here he is no replacement for the Mr. Dyle. And that dismal woman who is the police inspector is merely awful in this tiresome flick. If you have never seen "Charade" you must not let this failure make you think the original is as bad, for you would be denying yourself one of the finest delights of the modern screen, and the sight of two of its greatest luminaries, Grant and Hepburn, in very good form!


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