| Photos (See all 14 | slideshow) |
| Pilar López de Ayala | ... | Juana | |
| Daniele Liotti | ... | Felipe | |
| Rosana Pastor | ... | Elvira | |
| Giuliano Gemma | ... | De Veyre | |
| Roberto Álvarez | ... | Admiral | |
| Eloy Azorín | ... | Álvaro de Estúñiga | |
| Guillermo Toledo | ... | Capitán Corrales | |
| Susi Sánchez | ... | Reina Isabel (as Susy Sánchez) | |
| Chema de Miguel | ... | Don Juan Manuel | |
| Andrés Lima | ... | Marqués de Villena | |
| Cipriano Lodosa | ... | Marliano | |
| Manuela Arcuri | ... | Aixa-Beatriz | |
| Carolina Bona | ... | Inés | |
| Jorge Monje | ... | Hernán | |
| Sol Abad | ... | Mucama | |
| Cristina Arranz | ... | Ana | |
| Cristina Perales | ... | María | |
| María Ballesteros | ... | Catalina | |
| Sonia Madrid | ... | Brigitte | |
| Cristina Solano | ... | Analfabeta | |
| Héctor Colomé | ... | Rey Fernando de Aragón | |
| Ricardo García Robledo | ... | Juan as a Child | |
| Jennifer Díaz | ... | Maria as a Child | |
| Nerea García | ... | Catalin as a Child | |
| Virginia Olmas | ... | Isabella as a Child | |
| Fidel Almansa | ... | Fray Andrea | |
| Ana Villa | ... | Spanish Woman 1 | |
| María de los Ángeles Morales | ... | Spanish Woman 2 | |
| Eva Zapico | ... | Spanish Woman 3 | |
| José María Rueda | ... | Doctor | |
| Javier Sandoval | ... | Painter | |
| María Jesús Valdés | ... | Older Juana | |
| Carlos Martínez | ... | Francisco de Borja | |
| Lucio Romero | ... | Noble | |
| Diana Costa e Silva | ... | Lady (as Diana Costa) | |
| rest of cast listed alphabetically: | |||
| Miguel Ángel Barajas | ... | Obispo (uncredited) | |
| Raquel González | ... | (uncredited) | |
| João Ventura | ... | Soldier (uncredited) | |
Directed by | |||
| Vicente Aranda | |||
Writing credits(in alphabetical order) | ||
| Vicente Aranda | screenplay | |
| Antonio Larreta | screenplay | |
| Manuel Tamayo y Baus | play "La locura de amor" | |
Produced by | |||
| Enrique Cerezo | .... | producer | |
| Pedro Costa | .... | executive producer | |
| James Ordonez | .... | consulting producer | |
| Manuel Soria | .... | administrative producer | |
Original Music by | |||
| José Nieto | |||
Cinematography by | |||
| Paco Femenia | |||
Film Editing by | |||
| Teresa Font | |||
Casting by | |||
| Carlos Manzanares | |||
Production Design by | |||
| Josep Rosell | |||
Set Decoration by | |||
| Miguel Chang | |||
Costume Design by | |||
| Javier Artiñano | |||
Makeup Department | |||
| Paula Cruz | .... | assistant makeup artist | |
| Montse Damas | .... | assistant makeup artist (as Montserrat Damas) | |
| Mercedes Guillot | .... | hair stylist | |
| Mercedes Guillot | .... | wig maker | |
| Milagros Martínez | .... | assistant hair stylist | |
| Ester Nin | .... | assistant hair stylist | |
| Miguel Sesé Guillot | .... | assistant makeup artist | |
| Miguel Sesé | .... | makeup artist | |
| Natalia Sesé | .... | assistant hair stylist | |
| Sonia Teruel | .... | assistant hair stylist | |
Production Management | |||
| Carlos Bernases | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ana Hernando | .... | second assistant director (as Ana Cristina Hernando) | |
| María Martínez | .... | second assistant director | |
| Luis Oliveros | .... | assistant director | |
| Marta Pahissa | .... | second assistant director | |
| Jorge Romero | .... | additional assistant director | |
Art Department | |||
| Vera Bauluz | .... | set designer | |
| Benji | .... | props | |
| Dídac Bono | .... | assistant set decorator | |
| José M. Canencia | .... | property master (as José Manuel Canencia) | |
| Javier de Miguel | .... | property master | |
| Luis Doce | .... | props | |
| Alberto González | .... | props | |
| Leticia Lara | .... | assistant set decorator | |
| Alejandro Montero | .... | props | |
| José Luis Moya | .... | construction coordinator | |
| Ramón Moya | .... | construction manager | |
| Roger Subirachs | .... | set dresser | |
Sound Department | |||
| David Calleja | .... | sound mixer | |
| David Calleja | .... | sound re-recording mixer | |
| Manuel Carrión | .... | sound effects (as Manolo Carrión) | |
| Ignacio del Amo | .... | sound assistant | |
| Dani Fontrodona | .... | sound | |
| Urko Garai | .... | boom operator | |
| Santiago García | .... | avid operator | |
| Óscar García | .... | avid operator | |
| Eugenio Gonzalo | .... | sound effects technician | |
| Alberto Herena | .... | dubbing mixer | |
| James Muñoz | .... | sound editor | |
| Jaume Puig | .... | stereo sound consultant: Dolby | |
| David Álvarez | .... | assistant sound mixer | |
Special Effects by | |||
| David Campos | .... | special effects technician | |
| Pau Costa | .... | special effects | |
| Javier H. Moneo | .... | special effects technician | |
Visual Effects by | |||
| Guillermo Orbe | .... | digital compositor | |
| Rafa Solorzano | .... | digital compositor supervisor | |
Stunts | |||
| Gonzalo Hernández | .... | horseman | |
Camera and Electrical Department | |||
| Javier Abad | .... | additional electrician | |
| José Manuel Barrio | .... | assistant camera (as Chiky) | |
| Ignacio del Amo | .... | still photographer | |
| Gonzalo Fernández | .... | electrician | |
| Juan Antonio Fernández | .... | additional electrician | |
| Luis Fuentes | .... | trainee assistant camera | |
| Salvador G. González | .... | electrician | |
| Igor Iglesias | .... | assistant camera: video camera | |
| Roberto Keusses | .... | chief electrician | |
| Carlos Muñoz | .... | electrician | |
| Carlos Parra | .... | key grip | |
| Jaime Rebato | .... | focus puller | |
| Marcelo Ruiz | .... | electrician | |
| Edmundo Sanz | .... | key grip | |
| José Luis Soria | .... | grip | |
| Miguel Udo | .... | electrician | |
Costume and Wardrobe Department | |||
| María Ángeles Gil | .... | seamstress | |
| María Gordo | .... | additional costume assistant | |
| Alberto Martos | .... | additional costume assistant | |
| Pedro Ramos | .... | wardrobe master | |
| Luis Triguero | .... | wardrobe assistant | |
Editorial Department | |||
| Lissi Sanchez | .... | assistant editor (as Lissi Sánchez) | |
| Renato Sanjuán | .... | assistant editor | |
| José Luis Vázquez | .... | assistant editor | |
Music Department | |||
| Alfredo Anaya | .... | musician | |
| Arquímedes Artal | .... | musician | |
| Ángel Balloz | .... | musician | |
| Simeón Calduí | .... | musician | |
| Francisco J. García | .... | musician | |
| Joaquín Gutiérrez | .... | musician | |
| Elías Hernandis | .... | musician | |
| José M. Hernández | .... | musician | |
| Matias López | .... | musician | |
| Elena Maturová | .... | conductor: choir | |
| David Mayoral | .... | musician | |
| Manuel Minguiñón | .... | musician | |
| Ramiro Morales | .... | musician | |
| José Nieto | .... | conductor | |
| Manuel Pascual | .... | musician | |
| Bohuslav Pavlik | .... | musician: viola | |
| Fernando Paz | .... | musician | |
| Ramón Pérez | .... | musician | |
| Jesús Sánchez | .... | musician | |
| Juan Vinader | .... | music mixer | |
| Juan Vinader | .... | music recordist | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Spain section |
There is no question that director Vicente Aranda has taken considerable liberty with generally accepted history, but despite this and a few flaws within the context of certain scenes, what we have is an excellent story, and one very well recounted and acted.
It will come as absolutely no surprise for those who have seen this film to know that Pilar Lopez de Ayala (as Juana I) and Rosana Pastor (Elvira, Head of Queen´s Household) are nominated in the lead and supporting categories of the Spanish Goya Film Awards, and, despite having been ignored by the Golden Globes, this film should be in contention for Oscar Consideration as Spain´s representation for the "Best Foreign Film" of 2001. Frankly, the performances just mentioned were so stunning, especially Pilar Lopez de Ayala, that I would consider her among nominees for Best Actress at the Oscars, not only given the absolutely pathetic list the Golden Globes presented in the Drama category, but simply because Pilar Lopez de Ayala DESERVES IT, much as did Fernanda Montenegro in the Brazilian masterpiece "Central Do Brazil" just a few years back.
For the historians among the viewing public, my recommendation is to simply look the other way on the bit of revisionism on display, given that far greater crimes have been committed by Hollywood as regards same. The story is excellent, the costumes & design, art direction, cinematography, and above all film editing are simply tops -- and film editing has been a GREAT problem in US films in recent times. Go and see it and I DO MEAN the original version! Rating = 4 stars (of five).