The night of San Juan, Miguel murders his associate. Two elderly people are witness to the crime and predict that all of his dreams will come true thereafter. He will know the price he has ... See full summary »
José Miguel Juárez
A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his ... See full summary »
Daniel Giménez Cacho,
Based on the novel by Prosper Merimee, CARMEN is the classic tale of forbidden passion between a young man (Leonardo Sbaraglia) and a spoken-for woman, Carmen (Paz Vega). It is told in ... See full summary »
Set in '50s Spain, a young man (Sanz) leaves the army and looks for a job so he and his fiancée (Verdu) can get married. He rents a room from a widow (Abril), and shortly begins a torrid ... See full summary »
Desideria, a married Spanish woman who has a quite boring and hidden sex-life, goes to Istanbul where she meets Yaman, a Turkish tourist guide, who makes her discover new physical ... See full summary »
Young Queen Margot finds herself trapped in an arranged marriage amidst a religious war between Catholics and Protestants. She hopes to escape with a new lover, but finds herself imprisoned by her powerful and ruthless family.
EN LAS NUBES (In the Clouds) explores the complicated, and often comedic, space between how we think romance should work and how it actually does. Set all around Buenos Aires during one ... See full summary »
In childhood and youth, the three were "the inseparables." Luisa married Ángel, then two years later, she left him to marry Ramiro. After ten years, Ángel reappears, back from South America... See full summary »
In another lifetime, a Spanish couple takes drugs and teleports through their television set. A troubled young man travels through the countryside and meets a lost woman. During the trip, ... See full summary »
Juana is married off by her pious parents, the Catholic kings Ferndinand of Aragon and Isabella of Castille, to ally Spain, united by their marriage, to the Burgundian and other Habsburg heritage of archduke Maximilian's son Philip. When they meet, it's love at first sight, for her all-consuming, for him one of many happy bed partnerships as she later discovers. Deaths in her family soon make Juana Isabella's heir, but Ferdinand suggests she inherited her grandmother's madness and supports Philip's ambition to rule instead, which becomes the stakes of political maneuvering in the Cortes (nobility-dominated parliament). Combined with Philip's incurable infidelity, which includes a Moorish whore-princess, multiple drama is inevitable, and worse follows. Written by
Allegedly the "true story" of Juana de Castilla, the eldest daughter of the Catholic Queen Isabella (yes, the same who funded Columbus's expedition), the film charts the progress and degeneration of her morbid obsession with her husband, the Archduke Philip of Austria, known as "The Handsome" (and played in a rather unispired manner by Italian hunk Daniele Liotti, at his most buttery and beefy here). This is a groan-inducingly familiar story of late 15th c., early 16th c. intrigue, betrayal and bodice-ripping. It drips destructive lust from start to finish. But while La Reine Margot succeeds in making cruel sensuality and ruthless, cut-throat intrigue entertaining to watch, Juana La Loca just doesn't pull off. It just ends up feeling like a big-budgeted soap opera, with below-average, lazy or over-keen acting. Liotti looks positively bored and Pilar López de Ayala in the title role though to be fair she may mature into a proper talent just seems to be trying too hard, switching back and fourth from two-dimensional horny-looking to spoilt teenage hysterics all the way through. Some of the supporting cast are OK, with the exception of Manuela Arcuri, another Italian pin-up, voluptuous and beautiful but really no "actress" to speak of. I couldn't in fact bring myself to feel any concern towards any character, nor for that matter did I feel strongly in a negative way against any of the supposed villains. What a waste of a substantial film budget! This one, sadly, is just so rhetorical and deja-vu, nodding to other films in the genre rather than to its source material - history - for inspiration. It seems to me that such a fascinating and complex historic era deserved a far superior film-maker to evoke it.
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