The night of San Juan, Miguel murders his associate. Two elderly people are witness to the crime and predict that all of his dreams will come true thereafter. He will know the price he has ... See full summary »
José Miguel Juárez
Set in '50s Spain, a young man (Sanz) leaves the army and looks for a job so he and his fiancée (Verdu) can get married. He rents a room from a widow (Abril), and shortly begins a torrid ... See full summary »
Based on the novel by Prosper Merimee, CARMEN is the classic tale of forbidden passion between a young man (Leonardo Sbaraglia) and a spoken-for woman, Carmen (Paz Vega). It is told in ... See full summary »
In childhood and youth, the three were "the inseparables." Luisa married Ángel, then two years later, she left him to marry Ramiro. After ten years, Ángel reappears, back from South America... See full summary »
Desideria, a married Spanish woman who has a quite boring and hidden sex-life, goes to Istanbul where she meets Yaman, a Turkish tourist guide, who makes her discover new physical ... See full summary »
EN LAS NUBES (In the Clouds) explores the complicated, and often comedic, space between how we think romance should work and how it actually does. Set all around Buenos Aires during one ... See full summary »
In another lifetime, a Spanish couple takes drugs and teleports through their television set. A troubled young man travels through the countryside and meets a lost woman. During the trip, ... See full summary »
Juana is married off by her pious parents, the Catholic kings Ferndinand of Aragon and Isabella of Castille, to ally Spain, united by their marriage, to the Burgundian and other Habsburg heritage of archduke Maximilian's son Philip. When they meet, it's love at first sight, for her all-consuming, for him one of many happy bed partnerships as she later discovers. Deaths in her family soon make Juana Isabella's heir, but Ferdinand suggests she inherited her grandmother's madness and supports Philip's ambition to rule instead, which becomes the stakes of political maneuvering in the Cortes (nobility-dominated parliament). Combined with Philip's incurable infidelity, which includes a Moorish whore-princess, multiple drama is inevitable, and worse follows. Written by
The movie should be seen chiefly for its main actress, the beautiful and talented Pilar López de Ayala. She does the absolute best with what the script gives her.
This should be an entertaining and engrossing film, especially for those interested in Renaissance Europe, but it may be taking just too many liberties with the historical facts. It is highly doubtful that the real Juana became "mad" chiefly out of love for an unfaithful husband, who in this movie is not shown to be particularly interesting anyway. And if the real Juana was anywhere near as beautiful as the actress who plays her, I suppose the real Philip would not have been such a mean husband to her.
Aside from her husband, her father King Fernando of Aragón and most of the Castilian nobles are not depicted too favorably either.
Still, this movie is a good movie if you like costume drama, especially one with a southern European more than an English background.
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