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Directed by | |||
| Greg MacGillivray | |||
Writing credits(WGA) | ||
| Jack Stephens | (narration) | |
| Osha Gray Davidson | (written by) and | |
| Stephen Judson | (written by) | |
| Liam Neeson | ... | Narrator (voice) | |
| Howard Hall | ... | Himself | |
| Michele Hall | ... | Herself | |
| Jean-Michel Cousteau | ... | Himself | |
| Rusi Vulakoro | ... | Himself | |
| Richard Pyle | ... | Himself | |
| Tracey Medway | ... | Herself | |
| Maria Joao Rodriguez | ... | Herself | |
| Rob Barrel | ... | Himself | |
| Cat Holloway | ... | Herself |
Produced by | |||
| Alec Lorimore | .... | producer | |
| Greg MacGillivray | .... | producer | |
| Christopher N. Palmer | .... | executive producer (as Christopher Palmer) | |
| Chat Reynders | .... | executive producer | |
Original Music by | |||
| Bob Brozman | |||
| Brent Lewis | |||
| Steve Wood | |||
Cinematography by | |||
| Brad Ohlund | (topside) | ||
Film Editing by | |||
| Stephen Judson | |||
Production Management | |||
| Cris Andrei | .... | production manager | |
| Teresa Ferreira | .... | production manager | |
| Michele Hall | .... | production manager | |
| Anne Marie Hammers | .... | production manager | |
Sound Department | |||
| Robert Carr | .... | sound recordist | |
| Patrick Cusack | .... | editorial assistant: Soundstorm | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| David Esparza | .... | sound effects editor | |
| Marshall Garlington | .... | sound mixer | |
| Amy Hammer | .... | mix facility coordinator | |
| Laura Macias | .... | foley artist | |
| Nancy Nugent | .... | foley editor | |
| Stephen P. Robinson | .... | sound effects editor (as Steve Robinson) | |
| Bob Stewart | .... | dialog editor: Stewart Sound Factory | |
| Ken Teaney | .... | sound mixer | |
| David Abrahamsen | .... | sound re-recording mixer (uncredited) | |
Visual Effects by | |||
| Paulina B. Abarca | .... | visual effects producer: BBFXA | |
| Renaud Bergeron | .... | digital artist | |
| Lisa Slates Connors | .... | map sequences design & animation: Hellikon/BBFXA | |
| Matt Davis | .... | Spydercam rigger technician | |
| Tim Drnec | .... | spydercam coordinator/rigging | |
| Steve Emerson | .... | digital compositor | |
| Patrick Faille | .... | digital artist | |
| Olivier Goulet | .... | digital artist | |
| François Lambert | .... | lead digital compositor | |
| Charles Marchand | .... | digital effects artist | |
| Simon Marinof | .... | digital artist | |
| Mario Rachiele | .... | visual effects supervisor | |
| Daniel Rapo | .... | scanning & film recording | |
| Craig Edward Rogers Jr. | .... | digital scanning | |
| Craig Edward Rogers Jr. | .... | film recording | |
| Ari Rubenstein | .... | digital compositor: Curv Studios | |
| Christina Schmidlin | .... | map sequences design & animation: Hellikon/BBFXA | |
| Todd Semmes | .... | aerial effects | |
| Earl Wiggins | .... | aerial rigging coordinator | |
Camera and Electrical Department | |||
| Betty Amolgy | .... | underwater assistant camera | |
| John Anderson | .... | assistant camera: topside | |
| Mark Conlin | .... | underwater assistant camera | |
| Bob Cranston | .... | underwater camera operator | |
| Damian Doucette | .... | rigger: Spydercam | |
| Steven Ford | .... | assistant camera: topside | |
| Dave Forsythe | .... | underwater assistant camera | |
| Pat Gilluly | .... | gaffer | |
| Ron Goodman | .... | aerial photographer | |
| Howard Hall | .... | underwater cinematographer | |
| Mike Kirsch | .... | assistant camera | |
| Peter Kragh | .... | underwater assistant camera | |
| Bill MacLeod | .... | grip | |
| Lance Milbrand | .... | underwater assistant camera | |
| Mark Thurlow | .... | underwater assistant camera | |
Editorial Department | |||
| Mel Bucholz | .... | post-production consultant: David Keighley Productions 70mm Inc. | |
| Charlie Fuguet | .... | post-production consultant: DKP 70MM Inc. | |
| Kana Goto | .... | assistant editor | |
| Courteney Hall | .... | assistant editor | |
| Ralph Milliken | .... | post-production consultant: David Keighley Productions 70mm Inc. | |
| Matthew Muller | .... | post-production coordinator | |
| German Nuñez | .... | negative cutter | |
| Nancy Paweski | .... | negative cutter | |
| Scott Price | .... | post-production consultant: David Keighley Productions 70mm Inc. | |
| Robert Walker | .... | associate editor | |
| Ron Wengler | .... | color timer | |
Music Department | |||
| Bob Brozman | .... | musician: guitar | |
| Crosby Stills & Nash | .... | music performers | |
| Fiji Cultural Group 2002 | .... | music performers | |
| Wame Waqanisanini | .... | translator: song lyrics | |
Other crew | |||
| Gerald R. Allen | .... | science advisory panel: Conservation International and the Western Australian Museum (as Gerald R. Allen Ph.D.) | |
| Richard Aronson | .... | science advisory panel: Dauphin Island Sea Lab, Alabama (as Richard Aronson Ph.D.) | |
| John Dunham | .... | pilot: ultralight plane | |
| Janna Emmel | .... | researcher | |
| Cliff Fleming | .... | pilot | |
| James W. Gavin | .... | pilot (as Jim Gavin) | |
| Howard Hall | .... | underwater second unit director | |
| John Heiney | .... | flight consultant | |
| John Heiney | .... | glider pilot | |
| Giséle Muller-Parker | .... | science advisory panel: Western Washington University (as Giséle Muller-Parker Ph.D.) | |
| Brad Ohlund | .... | secund unit director: topside | |
| Richard Pyle | .... | science advisory panel: Bishop Museum, Honolulu (as Richard Pyle Ph.D.) | |
| Kaeran Sudmalis | .... | production assistant | |
| Jack Tankard | .... | aerial consultant | |
Thanks | |||
| Bruce Carlson | .... | special thanks: director of Waikiki Aquarium (as Dr. Bruce Carlson) | |
| Yves Lefevre | .... | special thanks: Raie Manta Club | |
| Richard Walter | .... | special thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |