| Liam Neeson | ... | Narrator (voice) | |
| Howard Hall | ... | Himself | |
| Michele Hall | ... | Herself | |
| Jean-Michel Cousteau | ... | Himself | |
| Rusi Vulakoro | ... | Himself | |
| Richard Pyle | ... | Himself | |
| Tracey Medway | ... | Herself | |
| Maria Joao Rodriguez | ... | Herself | |
| Rob Barrel | ... | Himself | |
| Cat Holloway | ... | Herself |
Directed by | |||
| Greg MacGillivray | |||
Writing credits(WGA) | ||
| Jack Stephens | (narration) | |
| Osha Gray Davidson | (written by) and | |
| Stephen Judson | (written by) | |
Produced by | |||
| Alec Lorimore | .... | producer | |
| Greg MacGillivray | .... | producer | |
| Christopher N. Palmer | .... | executive producer (as Christopher Palmer) | |
| Chat Reynders | .... | executive producer | |
Original Music by | |||
| Bob Brozman | |||
| Brent Lewis | |||
| Steve Wood | |||
Cinematography by | |||
| Brad Ohlund | (topside) | ||
Film Editing by | |||
| Stephen Judson | |||
Production Management | |||
| Cris Andrei | .... | production manager | |
| Teresa Ferreira | .... | production manager | |
| Michele Hall | .... | production manager | |
| Anne Marie Hammers | .... | production manager | |
Sound Department | |||
| Robert Carr | .... | sound recordist | |
| Patrick Cusack | .... | editorial assistant: Soundstorm | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| David Esparza | .... | sound effects editor | |
| Marshall Garlington | .... | sound mixer | |
| Amy Hammer | .... | mix facility coordinator | |
| Laura Macias | .... | foley artist | |
| Nancy Nugent | .... | foley editor | |
| Stephen P. Robinson | .... | sound effects editor (as Steve Robinson) | |
| Bob Stewart | .... | dialog editor: Stewart Sound Factory | |
| Ken Teaney | .... | sound mixer | |
| David Abrahamsen | .... | sound re-recording mixer (uncredited) | |
Visual Effects by | |||
| Paulina B. Abarca | .... | visual effects producer: BBFXA | |
| Renaud Bergeron | .... | digital artist | |
| Lisa Slates Connors | .... | map sequences design & animation: Hellikon/BBFXA | |
| Matt Davis | .... | Spydercam rigger technician | |
| Tim Drnec | .... | spydercam coordinator/rigging | |
| Steve Emerson | .... | digital compositor | |
| Patrick Faille | .... | digital artist | |
| Olivier Goulet | .... | digital artist | |
| François Lambert | .... | lead digital compositor | |
| Charles Marchand | .... | digital effects artist | |
| Simon Marinof | .... | digital artist | |
| Mario Rachiele | .... | visual effects supervisor | |
| Daniel Rapo | .... | scanning & film recording | |
| Craig Edward Rogers Jr. | .... | digital scanning | |
| Craig Edward Rogers Jr. | .... | film recording | |
| Ari Rubenstein | .... | digital compositor: Curv Studios | |
| Luc Sanfaçon | .... | digital artist | |
| Christina Schmidlin | .... | map sequences design & animation: Hellikon/BBFXA | |
| Todd Semmes | .... | aerial effects | |
| Earl Wiggins | .... | aerial rigging coordinator | |
Camera and Electrical Department | |||
| Betty Amolgy | .... | underwater assistant camera | |
| John Anderson | .... | assistant camera: topside | |
| Mark Conlin | .... | underwater assistant camera | |
| Bob Cranston | .... | underwater camera operator | |
| Damian Doucette | .... | rigger: Spydercam | |
| Steven Ford | .... | assistant camera: topside | |
| Dave Forsythe | .... | underwater assistant camera | |
| Pat Gilluly | .... | gaffer | |
| Ron Goodman | .... | aerial photographer | |
| Howard Hall | .... | underwater cinematographer | |
| Mike Kirsch | .... | assistant camera | |
| Peter Kragh | .... | underwater assistant camera | |
| Bill MacLeod | .... | grip | |
| Lance Milbrand | .... | underwater assistant camera | |
| Mark Thurlow | .... | underwater assistant camera | |
Editorial Department | |||
| Mel Bucholz | .... | post-production consultant: David Keighley Productions 70mm Inc. | |
| Charlie Fuguet | .... | post-production consultant: DKP 70MM Inc. | |
| Kana Goto | .... | assistant editor | |
| Courteney Hall | .... | assistant editor | |
| Ralph Milliken | .... | post-production consultant: David Keighley Productions 70mm Inc. | |
| Matthew Muller | .... | post-production coordinator | |
| German Nuñez | .... | negative cutter | |
| Nancy Paweski | .... | negative cutter | |
| Scott Price | .... | post-production consultant: David Keighley Productions 70mm Inc. | |
| Robert Walker | .... | associate editor | |
| Ron Wengler | .... | color timer | |
Music Department | |||
| Bob Brozman | .... | musician: guitar | |
| Crosby Stills & Nash | .... | music performers | |
| Fiji Cultural Group 2002 | .... | music performers | |
| Wame Waqanisanini | .... | translator: song lyrics | |
Other crew | |||
| Gerald R. Allen | .... | science advisory panel: Conservation International and the Western Australian Museum (as Gerald R. Allen Ph.D.) | |
| Richard Aronson | .... | science advisory panel: Dauphin Island Sea Lab, Alabama (as Richard Aronson Ph.D.) | |
| John Dunham | .... | pilot: ultralight plane | |
| Janna Emmel | .... | researcher | |
| Cliff Fleming | .... | pilot | |
| James W. Gavin | .... | pilot (as Jim Gavin) | |
| Howard Hall | .... | underwater second unit director | |
| John Heiney | .... | flight consultant | |
| John Heiney | .... | glider pilot | |
| Giséle Muller-Parker | .... | science advisory panel: Western Washington University (as Giséle Muller-Parker Ph.D.) | |
| Brad Ohlund | .... | secund unit director: topside | |
| Richard Pyle | .... | science advisory panel: Bishop Museum, Honolulu (as Richard Pyle Ph.D.) | |
| Kaeran Sudmalis | .... | production assistant | |
| Jack Tankard | .... | aerial consultant | |
Thanks | |||
| Bruce Carlson | .... | special thanks: director of Waikiki Aquarium (as Dr. Bruce Carlson) | |
| Yves Lefevre | .... | special thanks: Raie Manta Club | |
| Richard Walter | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
This film gives a beautiful display of how wondrous and beautiful the worlds
coral reefs are. It also shows how the worlds coral reefs are dying. The reefs are dying for a number of reasons. 1. Over fishing, because fish eat the alga that grows over the coral, and will engulf the coral if there are no fish to eat it. 2. is because of global warming. If the ocean gets too warm the will not be able to withstand the warmth and will gradually die out. 3. Is because of pollution. The pollution can come from a number places. It could come from sewerage
dumped into the sea, it could from rivers that have turned muddy because of
tree logging. Also the removal of mangrove trees, because mangrove trees help to consume the pollution and prevent it from reaching the sea.
This film shows not only the Great Barrier Reef, it also takes you the coral reefs of tropical island such as Fiji Tahiti and Bora Bora. For some of the Fijian
people, the reefs provide much more than just a beautiful paradise they also
provide food because of all the sea creatures that live there. So if the reefs were to die, many Fijians could starve.
So the basic morals this film teaches is how beautiful and important the worlds coral reefs are and that they could all die in the next three decades unless we do something about it.