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Confessions of a Dangerous Mind (2002)

7.1
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Ratings: 7.1/10 from 63,294 users   Metascore: 67/100
Reviews: 274 user | 174 critic | 33 from Metacritic.com

An adaptation of the cult memoir of game show impresario Chuck Barris, in which he purports to have been a CIA hitman.

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Cast

Cast overview, first billed only:
...
Himself
...
Michelle Sweeney ...
...
Chelsea Ceci ...
Tuvia, Age 8
...
Chuck Age 8 and 11 (as Michael Céra)
Aimee Rose Ambroziak ...
Chuck's Date #1
Isabelle Blais ...
Chuck's Date #2
Melissa Carter ...
Chuck's Date #3
...
...
Georgia's Girlfriend
...
Barfly
Jaye P. Morgan ...
Herself
...
...
Freddie Cannon (as David Hirsh)
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Storyline

Television made him famous, but his biggest hits happened off screen. "Confessions of a Dangerous Mind" is the story of a legendary showman's double life - television producer by day, CIA assassin by night. At the height of his TV career, Chuck Barris was recruited by the CIA and trained to become a covert operative. Or so Barris said. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

His future was uncertain. His every move was being watched. See more »


Motion Picture Rating (MPAA)

Rated R for language, sexual content and violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

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Language:

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Release Date:

24 January 2003 (USA)  »

Also Known As:

Confesiones de una mente peligrosa  »

Filming Locations:

 »

Box Office

Budget:

$29,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

George Clooney started a relationship with Krista Allen after the film was finished. They broke up two years later. See more »

Goofs

Twice in the film Chuck Barris lights a cigarette backwards (i.e. he lights the filter with the tip in his mouth.) The first time is in Chuck's office with him and his secretary (labeled as taking place in LA, 1967), and the second time is in a car with Chuck, Byrd, and Simon Oliver in Helsinki 1967. Also, in each of these scenes Chuck is smoking a different brand of cigarettes, though this may very well have been on purpose. See more »

Quotes

[first lines]
Dick Clark: I wouldn't want to live his life because he hasn't been happy all of his life. All I think is if you can find work, stay healthy, find somebody to share it with, you're the ultimate success. He's had some of the pieces of the puzzle, but not all of them.
See more »

Connections

References The Family Game (1967) See more »

Soundtracks

The Silencers
Written by Mack David / Elmer Bernstein
Performed by Vikki Carr
Courtesy of Capitol Records
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A highly disarming dark comedy
9 July 2005 | by (East Anglia, UK) – See all my reviews

One of Charlie Kaufman's more overlooked and underrated screenplays, 'Confessions of a Dangerous Mind' may have been something of a departure from the high-concept experimentalism that made his previous brainchildren, 'Being John Malkovich' and 'Adaptation' (a masterpiece and a near-masterpiece, respectively) such striking breaths of fresh air, but on no account should its ability to engage and entertain on those strengths of its own be underestimated. Taking a well-earned break from the surreal situations and the complex plotting, Kaufman turned his attention here to a much more straightforward yarn that was better grounded in reality; the twist there being that it was based on a story that, while allegedly true, just as likely never happened. 'Confessions' though is willing to give Chuck Barris the benefit of the doubt in regards to his dubious claims to have been a secret assassin for the CIA in the midst of his days as a game show host, giving life to such controversial classic as 'the Gong Show' and 'the Dating Game' while taking it from a range of human targets around the globe. It sits back and lets the scenario unfold without question – and does so with such considerable spirit and vigour that it's hard not to get lured in and pulled along for the ride. Regardless of whether the real-life Barris truly did have some incredible adventures within his time, or simply an overly-active imagination, this movie translates it into one heck of an enjoyable romp – slick, stylish and entrancing on the surface, and with a bracingly poignant and sobering tale lurking underneath.

Kaufman continues to rule supreme with his flair for developing the most heavily flawed and eccentric of characters, investing them with witty dialogue and sharp situations and, as with his previous screenplays, the humour is a pleasantly mixed bag – lightly amusing at some points, laugh-out-loud hilarious at others, even outright alarming whenever it needs to be. George Clooney's direction, meanwhile, though it stands a fair distance from the eye-seizing zippiness that we're used to seeing Spike Jonze apply to this writer's workings, is still an accomplished visual take on the material, made sensational by its meticulous attention to detail. Indeed, the film's fondness for subtle in-jokes, crafty cameos (some great ones among the Dating Game contestants – absolutely great), background gags and general all-round intricacy is partly what makes it so rewarding and worthy of repeated viewings (I was watching it for what must have been sixth or seventh time last night, and still I found myself picking up a whole range of details that I somehow missed out on the first few times around). Sure, things can move a tad slowly every now and then, but with this number of niceties up there to be marvelled at you know you're never for a second going to be bored.

It also draws a fine contrast between the two separate pursuits that Chuck Barris is called to follow – the game show scenes are colourful, light-hearted fun, the assassin scenes murky and deliciously paranoid, and Sam Rockwell, at the helm as our savvy and hapless main man, has the timing, the energy and the appeal to emerge from the two as both a comic figure and a tragic one. Kicking off as a likable, familiar kind of anti-hero, whose goofy grin and offhand ways have us smiling through the bar fights and the womanising, he gradually evolves into something more enigmatic and sorrowful; a lost, confused individual whose more innocuous contributions to society, in the form of lowbrow 'trash TV', are widely scorned (not that I've ever seen any of the genuine Chuck Barris's shows myself, but it would amaze me if they were really any worse than the kind of mind-numbing reality TV that's enjoyed popularity over the past few years), while the hidden talent he discovers in contract killing begins to understandably repulse him soon enough. One of the most effective things about 'Confessions' is just how deftly it uses its gags and its pathos, along with interview snippets from those who were acquainted with the real-life Barris, which punctuate the story at various points, to reflect upon this man, his life, and just how much he really achieved either way, arriving in the end at quite a biting conclusion. I don't think that any other rendition of 'If I had a Hammer' could feel nearly as sad and haunting as it does here.

Drew Barrymore and Clooney himself offer nice support all the while, each epitomising different ends of the Chuck Barris spectrum – Barrymore, as Chuck's bubbly girlfriend Penny, is a fun-loving innocent; Clooney, as his CIA director, is aptly subtle and mysterious. But neither of them, or anyone else involved for a matter of fact, comes even close to upstaging Rockwell, whose input is simply fantastic – there's no doubt in my mind that the Best Actor Award which, as the blurb on the DVD so proudly states, he picked up at the Berlin International Film Festival for his efforts, was well-and-truly earned.

It's not an innovative, far-out, one-of-a-kind experience (a la 'Being John Malkovich'). But it's an entertaining, well-made and entirely satisfying flick with one particularly brilliant stand-out performance, and that's more than enough to do the job. Kaufman can probably pen avant-garde better than anybody else today, but 'Confessions of a Dangerous Mind' goes to prove that, when in the right company, he can write 'normal' just as impressively.

Grade: A


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