A troubled young man retreats from the big city and his ex-wife for the tranquility of a small town. He is drawn into a relationship with a young woman whose boyfriend goes missing, leaving the new arrival as a suspect.
Alcoholic Billy reflects on his country-music career that never happened and beats his wife Glory Marie, also a drunk. Grown-up son Hank has moved away, but teenaged Phoebe and sensitive ... See full summary »
When the three are in the hotel room together, it is obviously dark outside and the time is even stated at being "midnight". However, when the television is turned on, the news channel is running live stock quotes (something that would only happen during the day) and the time on the television reads "1:30PM" See more »
[Julie is checking Nick's pulse]
I don't know...
What do you mean you don't know?
I'm not a fucking doctor!
See more »
Call it an art film. Call it low-budget. Call it limited-release. But it's a lot more entertaining and intelligent than 95 percent of what Hollywood produces these days. (I know this was filmed primarily in New Jersey, but you know where I'm coming from.)
The psychological and physical tension between the two leading characters (Channing and Stiles) really makes this film. There's a lot to think about here, including the price to be paid for corporate success and how trust often ends up being the world's most valuable commodity.
Anyone who's ever reached the top of the corporate ladder and then found themselves to tired to enjoy it will appreciate Channing's performance. She's a perfect fit for this role, strong and confident on one hand but insecure and a tad lonely on the other.
It seems strange to say it, but I really liked something about how the culture of business travel was illustrated in the movie -- hotel bars, shuttle buses, cell phones, neatly-organized suitcases, lounges, alarm clocks. Maybe these characters simply have more impact in such an artificial environment.
A solid 8 1/2 out of 10.
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