Prep school student Daisy and her European-born grandmother Nana share the sad stories of their lives: Daisy tells Nana of her romance with young Ethan and problems in school because she's ... See full summary »
This is an update of George Bernard Shaw's "Pygmalion" that changes the genders of the main characters. Hannah Higgins attempts to turn blue-collar Boston beer vendor Elliot Doolittle into ... See full summary »
In the opening scene in the airport as the camera moves in through the passengers toward Julia Stiles from behind, the camera approaches from behind the left shoulder of a stranger and hits him hard enough that his head first snaps hard to the right, then bounces back to the left into the frame again just before he moves out of the camera's view. See more »
Nobody ends up being what they really want - it's part of life. It's called growing up.
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So women can act as stupid as men, cinematically? YAY!
If this is supposed to be a turn on the usual men-exploiting-women movie, then congrats to all concerned, its great to know that the playing field is now equal.
It started off great, it really did. The cinematography is remarkable and I am assuming there was not a gigantic budget, but you'd never know it by what is onscreen - the 'look' of the movie is also terrific. It has a certain feel to it - I give it that much credit gladly.
But then you get to the characters and the screenplay and the actual words that are said and it all goes into the garbage can very fast. I didn't buy either womans' motivation for anything. Is the woman Julia Stiles plays a psychopath, a liar, a spoiled brat or just bored? Is the woman Stockard Channing plays an idiot, a moron or just bored? For Stiles to accuse Frederick Weller of rape/sexual abuse just for the fun of it is an insult to women and men worldwide who have actually suffered such abuse.
I like Weller and watched this originally to see him. I watched it again to make sure I hated it as much as I did the first time, and I did. 3/10 and that's generous on my part.
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