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The Business of Strangers (2001)

R  |   |  Drama, Thriller  |  21 December 2001 (USA)
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Ratings: 6.4/10 from 3,396 users   Metascore: 67/100
Reviews: 78 user | 60 critic | 30 from

Two businesswomen bond and reveal their inner natures while getting carried away on a revenge attack against an accused rapist.


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Airport Announcer


A dark thriller about a successful businesswoman and her young assistant who toy with a slow-witted businessman while stuck at an airport hotel. Written by Anonymous

Plot Summary | Add Synopsis


Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong language and some sexuality | See all certifications »


Official Sites:




Release Date:

21 December 2001 (USA)  »

Also Known As:

Bosszúálló nők  »

Box Office

Opening Weekend:

$71,821 (USA) (7 December 2001)


$1,028,337 (USA) (19 April 2002)

Company Credits

Production Co:

,  »
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Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


In the opening scene in the airport as the camera moves in through the passengers toward Julia Stiles from behind, the camera approaches from behind the left shoulder of a stranger and hits him hard enough that his head first snaps hard to the right, then bounces back to the left into the frame again just before he moves out of the camera's view. See more »


Paula: I like the sloppiness of real life.
See more »


Features One Size Fits All (1998) See more »

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User Reviews

Edgy, daring, unconventional
23 September 2003 | by (United States) – See all my reviews

Near the beginning of this imaginative film when Paula Murphy (20-year-old Julia Stiles) and Julie Styron (Stockard Channing) meet in earnest, Paula tells Julie what she really does in life: "I'm a writer," she says. I write short stories about things that I experience. Nonfiction. "Fiction is too stupid, too neat. I like the sloppiness of real life." What we don't know at the time is that Paula is about to improvise just such a tale involving Julie, a tale that challenges the middle-aged executive's lifestyle and her assumptions about herself and inspires her to do things she wouldn't normally do.

This is the "business of strangers." And this is the story within the story. Paula is the diabolical kind of person who is dedicated to introducing people to themselves so that she can watch them twist, a privileged, under-achieving Ivy League girl with machinations. Julie is a community college workaholic who never had time for a family, or love, or self-discovery, a lonely woman whose life is a parade of sterile hotel rooms, anonymous strangers, alcohol and pills. Although the story drags in a little in spots, the overall effect is edgy and fascinating, and the contrast between the principals keeps us wondering who is going to come out on top.

The action really begins when Julie, in an expansive mood with some booze and her promotion to CEO, shows some interest in the girl she just fired for being late to a presentation. It's not clear what sort of interest that is. Julie responds as a spider coaxing a fly into the web, but it's not clear what she's up to. They go to the pool and play around, get on the treadmills at the gym and run. They go back to Julie's suite and drink some more.

At this point I'm afraid that the film will deteriorate into a politically correct cliché of some kind, or a lesbian wish-fulfillment debacle, without anything really happening. Enter (or actually re-enter) Nick Harris (Fred Weller) who, Paula has confided to Julie, raped her best friend when they were undergraduates in Boston. This excites Julie's loathing and so the two women play out an improvised and drunken revenge scenario that is a bit over the top, but psychologically correct.

After some intense emotional interaction, the film resolves surprisingly and rather neatly, allowing us to see that Paula has indeed spun out a tale whose moral might be, "watch out for young foxes." The scene in the airport emphasizes this, with Julie and Nick sheepishly sorting out last night's bizarre debauchery while trying to maintain their dignity, with Paula poised brazenly in plain sight wearing earphones, a smug silhouette in the distance.

Patrick Stettner wrote the script, which, judging from the series of stationary settings and the limited cast, I suspect was originally a stage play. He also directed in a business-like manner, getting a saucy and smirk-laden performance from Stiles, whose originality and talent is obvious, and a steady and believable one from veteran Channing. Incidentally, Channing is a Harvard graduate who is perhaps best known for her performance as Betty Rizzo in Grease (1978) playing a teenager when she was 32-years-old! Here she braves some close camera work that starkly reveals the 57-year-old actress beneath the makeup. Yet, as always, Stockard Channing pleases us.

But see this for Julia Stiles, a thoroughly professional player, whose arrogant, sneering, and edgy style add spice to, and partially disguise, her youthful mastery of the fine art of acting.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

14 of 22 people found this review helpful.  Was this review helpful to you?

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