| Alain Delon | ... | Fabio Montale (3 episodes, 2002) | |
| Cédric Chevalme | ... | Thierry Peyrol (3 episodes, 2002) | |
| Elena Sofia Ricci | ... | Babeth De Metz (3 episodes, 2002) | |
| Eric Defosse | ... | Loubet (3 episodes, 2002) | |
| Andrée Damant | ... | Norine (3 episodes, 2002) | |
| Georges Neri | ... | Fonfon (3 episodes, 2002) | |
| Jean-Marie Winling | ... | Philippe Auch (3 episodes, 2002) | |
| Laurent Casanova | ... | Policier (3 episodes, 2002) | |
| Mathilda May | ... | Hélène Pessayre (2 episodes, 2002) | |
| Jean-Louis Foulquier | ... | Mavros (2 episodes, 2002) | |
| Kahena Saighi | ... | Sylvie Jarry (2 episodes, 2002) | |
| Abdel Ryan | ... | Mourrad (2 episodes, 2002) | |
| Emmanuelle Brouck | ... | Nicole (2 episodes, 2002) |
Series Directed by | |||
| José Pinheiro | (3 episodes, 2002) | ||
Series Writing credits | ||
| Jean-Claude Izzo | (3 episodes, 2002) | |
| Philippe Setbon | (3 episodes, 2002) | |
Series Produced by | |||
| Jean-Pierre Guérin | .... | producer (1 episode, 2002) | |
| Véronique Marchat | .... | executive producer (1 episode, 2002) | |
Series Original Music by | |||
| Serge Perathoner | (3 episodes, 2002) | ||
Series Cinematography by | |||
| Jacques Boumendil | (3 episodes, 2002) | ||
Series Film Editing by | |||
| Jean-Daniel Fernandez-Qundez | (3 episodes, 2002) | ||
Series Casting by | |||
| Sylvie Brocheré | (unknown episodes) | ||
Series Production Design by | |||
| Bruno Vavasseur | (1 episode, 2002) | ||
Series Makeup Department | |||
| Pierre Olivier Persin | .... | special makeup effects artist (unknown episodes) | |
Series Production Management | |||
| Jerome Albertini | .... | assistant unit manager (3 episodes, 2002) | |
Series Second Unit Director or Assistant Director | |||
| Nicolas Adelet | .... | first assistant director (1 episode, 2002) | |
Series Sound Department | |||
| Rémi Clément | .... | sound recordist (3 episodes, 2002) | |
| Thierry Delor | .... | sound mixer / sound (3 episodes, 2002) | |
| Jean-Michel Tresallet | .... | post-production sound (3 episodes, 2002) | |
| Marc Vielfaure | .... | foley recordist (3 episodes, 2002) | |
| Benoît Iwanesco | .... | sound assistant (unknown episodes, 2001) | |
Series Special Effects by | |||
| Alain Couty | .... | special effects (unknown episodes) | |
| Fabrice Dautcourt | .... | special effects (unknown episodes) | |
Series Stunts | |||
| Christophe Marsaud | .... | stunt performer / stunts (3 episodes, 2002) | |
| Michel Norman | .... | stunt coordinator (3 episodes, 2002) | |
| Patrick Robineau | .... | stunts (3 episodes, 2002) | |
| François Schetelat | .... | stunts (3 episodes, 2002) | |
| Patrick Steltzer | .... | stunts (3 episodes, 2002) | |
Series Camera and Electrical Department | |||
| Fabrizio Fontemaggi | .... | first assistant camera (3 episodes, 2002) | |
| Jérôme Carles | .... | first assistant camera (unknown episodes) | |
| Laurent Passera | .... | grip (unknown episodes) | |
Series Editorial Department | |||
| Olivier Veinat | .... | color timer (3 episodes, 2002) | |
| Ain Varet | .... | assistant editor (unknown episodes) | |
Series Music Department | |||
| Serge Perathoner | .... | conductor (1 episode, 2002) | |
| Jannick Top | .... | conductor (1 episode, 2002) | |
Series Other crew | |||
| Sadek Djermoune | .... | production administrator (3 episodes, 2002) | |
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| Razzia | 22 Bullets | Touchez Pas au Grisbi | The Professional | Mesrine: Public Enemy #1 |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | IMDb TV section | IMDb Action section |
| IMDb France section |
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"Fabio Montale" is a fairly faithful film version of the trilogy by Jean-Claude Izzo. I read all three books and they were excellent. This version is most accurate in its characterizations. Alain Delon is totally Fabio. He is a native of Marseille, the son of Italian immigrants. Delon brings to life Montale's charm and pathos. Montale is completely in love with Marseille, in spite of his recognition of her warts (racism, corruption and crime.) Every role is well-played. Even minor characters become dear or loathed, few are neutral and none are flat. There is also plenty of action. The cinematography is superb! I was amazed at how well produced it was. My French is basic, but I had no trouble following every nuance with the aid of subtitles. This is really a wonderful film set.