Part 1 - PAOLA - Police Inspector Cattani fights a losing battle to save his loved daughter's sanity, after what she suffered (see "La Piovra", original mini-series). He loses her, and his ... See full summary »
Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
Two adventurers and best friends, Roland and Manu, are the victims of a practical joke that costs Manu his pilot's license. With seeming contrition, the jokesters tell Roland and Manu about... See full summary »
An evocative crime thriller that captures the chilling action and sharp wit of Peter Temple's acclaimed novel The Broken Shore. In this gripping adaptation, Detective Joe Cashin uncovers a ... See full summary »
This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their ... See full summary »
Delon In Mellow Fade Out Role: Retired Cop Targeted by Mafia Guns
For years, Alain Delon has held the mantle of the handsome brooding detective, soft- spoken almost to the point of silence, quietly going about the business of murder-- or solving them. In Europe Delon has been a major star since the 1950's, justly celebrated for films made with Visconti, Antonioni and Clement; his few American films didn't do much to enrich U.S. appeal, but no matter. Le Samourai, Rocco and His Brothers, Mr. Klein, Purple Noon and many others justly cemented his reputation, and here towards the end of his career, he has made this swan-song to a lifetime of crime in the movies, playing a cop about to retire.
Fabio Montale is set mainly in Marseilles (where Delon actually grew up), and the rich Technicolor and sense of place contributes greatly to this series of related cat-and- mouse detective thriller, as Montale, the title character, attempts at last to make some kind of dent in mafia crime.
As the three parts continue, it is evident that for one reason or another, it is dangerous to know Montale; even though he is much loved by the populace, and especially by his mom-and-pop neighbors, who have a seaside home where Montale likes to hang out, there lurks in the darkness people who want to do him in, who want to drag him into deadly shooting when he is ready to retire. It is a civilized entertainment with a quality script, plenty of suspense, and a richness of character development in it's 4 1/2 hour running time.
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