IMDb > No Maps for These Territories (2000)

No Maps for These Territories (2000) More at IMDbPro »


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Fascinating look at media, Net, modern life--well worth seeking out See more (4 total) »

Cast

  (in credits order)
William Gibson ... Himself
rest of cast listed alphabetically:

Kimberly Blair

Bono ... Himself
Nick Conroy ... Interviewer, Cowboy, Michael Jackson Impersonator

Jenna Mattison ... Movie Star

The Edge ... Himself
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Directed by
Mark Neale 
 
Writing credits
(in alphabetical order)
Mark Neale 

Produced by
Mary Buffet .... executive producer
Tom Gorai .... executive producer
Mark Neale .... producer
Chris Paine .... executive producer
Mark Pellington .... executive producer
 
Original Music by
Daniel Lanois 
The Edge 
tomandandy 
 
Cinematography by
Grant Gee 
Joe Kessler 
Steven Miko 
Mark Neale 
Chris Norr 
Mark Ritchie 
Phillip Todd  (as Phil Todd)
 
Film Editing by
Nicholas Erasmus 
Rochelle Watson  (as Rochelle Ford)
 
Sound Department
Tim Boland .... sound mixer
Michelle Garuik .... sound designer
Mark Neale .... sound
 
Editorial Department
Stephen Gregory .... assistant editor
 
Music Department
Tim Boland .... composer: additional music
Drazen Bosnjak .... composer: theme music
Ted Woerner .... music producer
 

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Additional Details

Runtime:
89 min
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6 out of 8 people found the following review useful.
Fascinating look at media, Net, modern life--well worth seeking out, 29 April 2001
Author: utzutzutz from Ashland, Oregon

He intended the notion of cyberspace as metaphor, but his readers-a nascent gen of programmers and hackers--took it much more literally. The result: the Internet as we know it. Its conceptual pioneer? William Gibson, sci-fi writer, philosopher, and here, a genial muser on the creative process, Bill Burroughs, drugs, the 1960s, and even the birth of American porn. You don't have to be a media maven or Web geek to appreciate Gibson's insights, which happen from the backseat of a car whizzing through a `postgeographic world.' Cut in are readings from his work and perspective offered by the likes of Bruce Sterling and U2's Bono. Director Mark Neale aptly uses music video-style cuts and snippets of technology to create a playful disorientation that already seems dated. But he couldn't have picked a more fascinating character, whose values embrace such concepts as living in the moment. Ironically, Gibson implants a very human heart into the digital cavity of the cyberbeast.

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