| William Gibson | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Kimberly Blair | |||
| Bono | ... | Himself | |
| Nick Conroy | ... | Interviewer, Cowboy, Michael Jackson Impersonator | |
| Jenna Mattison | ... | Movie Star | |
| The Edge | ... | Himself | |
Directed by | |||
| Mark Neale | |||
Writing credits(in alphabetical order) | ||
| Mark Neale | ||
Produced by | |||
| Mary Buffet | .... | executive producer | |
| Tom Gorai | .... | executive producer | |
| Mark Neale | .... | producer | |
| Chris Paine | .... | executive producer | |
| Mark Pellington | .... | executive producer | |
Original Music by | |||
| Daniel Lanois | |||
| The Edge | |||
| tomandandy | |||
Cinematography by | |||
| Grant Gee | |||
| Joe Kessler | |||
| Steven Miko | |||
| Mark Neale | |||
| Chris Norr | |||
| Mark Ritchie | |||
| Phillip Todd | (as Phil Todd) | ||
Film Editing by | |||
| Nicholas Erasmus | |||
| Rochelle Watson | (as Rochelle Ford) | ||
Sound Department | |||
| Tim Boland | .... | sound mixer | |
| Michelle Garuik | .... | sound designer | |
| Mark Neale | .... | sound | |
Editorial Department | |||
| Stephen Gregory | .... | assistant editor | |
Music Department | |||
| Tim Boland | .... | composer: additional music | |
| Drazen Bosnjak | .... | composer: theme music | |
| Ted Woerner | .... | music producer | |
| Recent Posts (updated daily) | User |
|---|---|
| Title | bjrndlw |
| Hmmm | yehaww |
| Does this film give some spoilers about his books? | lecourrierdemarco |
| Jas Mann of Babylon Zoo | projectcyclops |
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| Charge | Faster | Fastest | Genius Rory Gallagher Live | Negative Space |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb UK section |
He intended the notion of cyberspace as metaphor, but his readers-a nascent gen of programmers and hackers--took it much more literally. The result: the Internet as we know it. Its conceptual pioneer? William Gibson, sci-fi writer, philosopher, and here, a genial muser on the creative process, Bill Burroughs, drugs, the 1960s, and even the birth of American porn. You don't have to be a media maven or Web geek to appreciate Gibson's insights, which happen from the backseat of a car whizzing through a `postgeographic world.' Cut in are readings from his work and perspective offered by the likes of Bruce Sterling and U2's Bono. Director Mark Neale aptly uses music video-style cuts and snippets of technology to create a playful disorientation that already seems dated. But he couldn't have picked a more fascinating character, whose values embrace such concepts as living in the moment. Ironically, Gibson implants a very human heart into the digital cavity of the cyberbeast.