Comedy duo Key & Peele make their big-screen debut in Keanu. Read up on the stolen-cat comedy and this week's other new releases in our In Theaters section, where you can watch trailers, buy tickets, and more.
Case was the hottest computer cowboy cruising the information superhighway, jacking his consciousness into cyberspace, soaring through tactile lattices of data and logic, rustling encoded ... See full summary »
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for ... See full summary »
A schoolgirl is raped by three low-lifes, and is then blackmailed by her attackers to keep her quiet. Desperate for revenge, she makes contact with a necromancer, who promptly "takes care" ... See full summary »
The first film to go inside the MotoGP world since television took a sport watched by a few thousand spectators at race tracks and turned it into prime-time entertainment for over 350 ... See full summary »
CHARGE captures a pivotal moment in motor sport history: the advent of high-speed, zero-emissions racing. It came on June 12th 2009, the day of the world's first zero-emissions motorcycle ... See full summary »
A marketing consultant, who has a psychological sensitivity to corporate symbols, is hired to seek the creators of film clips anonymously posted to the internet - before uncovering a larger conspiracy.
Bill is shooting architectural photographs of "futuristic" buildings of the 30's for a coffee table book commissioned by Dialta. But as he frames up a deco bingo hall, a vast airship looms ... See full summary »
....but is it enough for a movie? Recommended for fans, but
Despite his unique world view and perspectives on technology, William Gibson is, I'm sorry to say, a little underwhelming on camera. It might be more accurate to describe him as just an ordinary guy--albeit one you could have a very stimulating chat with--and like any ordinary guy, watching a movie of him talking from the backseat of a car just isn't captivating for a whole hour and a half.
Lacking visual content, director Mark Neale splices in an endless montage of television static, stock footage, and technological advancements, presumably in an effort to show how Progress has, for better or worse, cluttered our lives. Occasionally, the jerky jump-cuts and trick-shots serve a purpose, but mostly they produce a mind-wracking effect not unlike flipping through 150 channels in under 10 seconds.
Gibson fans will still enjoy this (I did, despite it's dryness the filmmaker's well-intentioned editing spectacles), particularly to see just what the author of "Neuromancer" is like. It's probably no surprise that he comes across more than a little geeky, but he also seems very grounded, conceding the work he's known best for has an adolescent streak to it, and maturity had led him down a different path as a writer.
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