Case was the hottest computer cowboy cruising the information superhighway, jacking his consciousness into cyberspace, soaring through tactile lattices of data and logic, rustling encoded ... See full summary »
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for ... See full summary »
VINTAGE TOMORROWS examines Steampunk's origins, explosive growth, and cultural significance. Is the Steampunk movement a homogenized, privileged subculture or a reclamation of technology from the hands of Silicon Valley?
A schoolgirl is raped by three low-lifes, and is then blackmailed by her attackers to keep her quiet. Desperate for revenge, she makes contact with a necromancer, who promptly "takes care" ... See full summary »
JB is the city's best attacker, who lives a carefully organized life in and outside the network. After hacking into the most powerful of all domains the Stoiser domain, JB thought that the ... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
CHARGE captures a pivotal moment in motor sport history: the advent of high-speed, zero-emissions racing. It came on June 12th 2009, the day of the world's first zero-emissions motorcycle ... See full summary »
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
Stylistic documentary about the cyberpunk movement. William Gibson, author of cyberpunk classic Neuromancer, and Timothy Leary, famous advocate of psychedelic drugs, share their thoughts on the future of society and technology.
Bill is shooting architectural photographs of "futuristic" buildings of the 30's for a coffee table book commissioned by Dialta. But as he frames up a deco bingo hall, a vast airship looms ... See full summary »
A Profound and Moving Statement About the Human Condition
You don't need to be a fan of William Gibson to get a lot out of "No Maps for These Territories." Taking the simple form of Gibson expounding on a raft of subjects from the backseat of a car en route from Los Angeles to Vancouver, intercut with a breathtaking visual melange to illustrate his points, "Maps" is a good reminder of how truly profound have been the changes in the world in the last few years, as well as what it means to be human -- the only animal that makes maps, after all.
Despite the whole "cyberpunk" label (which he rejects, anyway) Gibson comes across as intelligent, thoughtful and a rather nice person, and he looks at least a good decade and a half younger than his mid-50's baby-boomer age. And his description of his writing process is the most accurate distillation of how creativity works that I've ever heard. There isn't any BS coming from this back seat; Gibson speaks from the heart and it shows.
Oddly enough, it's the hardcore fans who might be the most disappointed in this film. Gibson is almost self-deprecating in talking about his work and his fame. But it's a film that deserves to be seen, and listened to with great attention. It's also done with a stunning style that adds to, rather than distracts from, the content. The film begins with frenetic, quick-cut images, but ends up in a beautiful, elegiac mood as we drive down a fog-shrouded bridge while U2's Bono reads from Gibson's unpublished Memory Palace. The end result is moving, haunting and worth many repeat viewings to take it all in.
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