In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in ... See full summary »
1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. ... See full summary »
Bertrand Tavernier is in top form with this gripping, superbly mounted drama set against the savage Catholic/Protestant wars that ripped France apart in the 16th century. Based on a novella... See full summary »
The story begins on the autumn of 1654 in South France. Eloise lives in a cloister. Her famous father left her there. The young lady is enthusiastic about honour, faithfulness, affection to... See full summary »
In 'Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from ... See full summary »
A grief-stricken man who just lost his mother has a one night stand with a maid. What he doesn't know is that she's a virgin. He returns to his sad world of perfume business while she, unable to forget her first lover, follows him.
During World War II, Switzerland severely limited refugees: "Our boat is full." A train from Germany halts briefly in an isolated corner of Switzerland. Six people jump off seeking asylum: ... See full summary »
This movie is foremost distinguished by the use of a subjective camera, and nearly 100 % of the time consists of close-up of the young girl's face. She is capable of changing her facial ... See full summary »
In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in between the wolf's teeth and avoid being chewed up". Fast-living screenwriter Jean Aurenche uses every possible argument to avoid working for the enemy. For both, wartime is a battle for survival. Written by
This film's dedication states that it is "Dedicated to those who lived through these events" [as depicted in this movie]. See more »
The film credits include references to a Lysander and a Dakota but Devaivre flies out in a de Haviland Dragon Rapide, and is parachuted back into France from what looks like a Lockheed Hudson (as it has twin tailfins, it cannot be a Dakota). See more »
Bertrand Tavernier is, arguably, the greatest living director of French films, and "Laissez-Passer" ("Safe Conduct") is his masterpiece. By recreating the working and personal lives of two actual French artists, screenwriter Jean Auranche and director Jean Devaivre, Tavernier provides a rich tapestry -- at once funny, tender, exciting, and moving -- of the French film industry during the darkest days of World War II. Although the studio for which Auranche and Devaivre worked was under Nazi patronage and control, almost every writer, director, and technician who made French comedies, dramas,and musicals tried to subvert Nazism by subtly incorporating themes of revolt and resistance into the films they made. Tavernier asserts this truth while he explores his heroes' real-life participation in the French underground: stealing German documents and passing these on to the Allies and finding jobs for creative, but indigent, friends. Moreover, the affection with which Auranche and Devaivre regarded the cinema talent of their days -- Pierre Fresnay, Raimu, Danielle Darrieux, Harry Baur, even the lightly satirized Fernandel -- is part of Tavernier's epic vision of the French film scene of its time. And he gives us invaluable insights into how brave people continued to work at their craft despite the poverty, hunger, and oppression they suffered daily. It's a pity that some of Tavernier's younger critics cannot appreciate either his concepts or his visually fluid and arresting style (for sheer cinematic beauty, he captures the squalor of everyday French life during the Resistance by alternating it with glowing sequences of the country's rural life). "Laissez-Passer" is faultlessly acted; seldom has such a large cast of players -- of all ages -- been in such beautiful synch with a director.
14 of 18 people found this review helpful.
Was this review helpful to you?