In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in ...
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Three adolescents, a girl who serves as the priming and two boys, kill two men cold blooded who were known by the girl only for to steal the money of them. With the money the three want to ... See full summary »
This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by ... See full summary »
Daniel is schoolmaster of a kindergarten in a small French town. The local economy, which depended entirely on coal production, has been mired in a depression ever since the mines were ... See full summary »
In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. ... See full summary »
Somewhere in France during the Middle Ages. Béatrice is impatient to see her father return from English captivity. She doesn't expect however that the father whom she loves from distance ... See full summary »
The setting is the Riviera in autumn. A retired English businessman has just been through heart surgery but it has, apparently, done little to relieve his constant pain or improve his ... See full summary »
Alexandre Taillard de Vorms is tall and impressive, a man with style, attractive to women. He also happens to be the Minister of Foreign Affairs for the land of enlightenment: France. With ... See full summary »
In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in between the wolf's teeth and avoid being chewed up". Fast-living screenwriter Jean Aurenche uses every possible argument to avoid working for the enemy. For both, wartime is a battle for survival. Written by
This film's dedication states that it is "Dedicated to those who lived through these events" [as depicted in this movie]. See more »
The film credits include references to a Lysander and a Dakota but Devaivre flies out in a de Haviland Dragon Rapide, and is parachuted back into France from what looks like a Lockheed Hudson (as it has twin tailfins, it cannot be a Dakota). See more »
This is a film directed by Bertrand Tavernier. I loved his film IT ALL STARTS TODAY, and I was quite impressed by this one as well. However, be forewarned that this film will not be for all tastes. If you are French or have a good knowledge of French cinema, then you'll no doubt enjoy this film. Otherwise, you may find yourself very confused and bored, as the movie is 163 minutes long. I enjoyed it though, because they made reference to many films, directors and actors who worked under this system whose work I have seen (such as Clouzot and his film THE RAVEN and the Swiss actor Michel Simon).
The film concerns the French film industry during the Nazi occupation. Despite the Germans running things, they did allow the French to continue making films--so long as they didn't violate Nazi sensibilities. After the war, some of these people who continued making films were sharply criticized as collaborators. This film focuses on two people in the business and illustrated that there were many different motivations for working in the film industry at this time. Some simply had no choice (work or die), some needed jobs, some gladly embraced evil and some worked in the film business while actively fighting the Nazis. The two men are a very busy writer and an assistant director. The writer (Jean Aurenche) has a very shallow, if not non-existent moral compass, as he is most concerned with sexual conquests and not "rocking the boat". The assistant director (Jean-Devaivre), in sharp contrast, is a loving family man who also works with the Resistance and takes great risks for what he knows is right.
The writing, directing and acting are all first-rate and it was an excellent film--especially from a historical standpoint. By the way, the two main characters were real figures in the film industry. In fact, Jean-Devaivre wrote the book on which the movie is based.
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