In the green woods of Silver Falls, Oregon, Aaron Hallam, a trained assassin AWOL from the Special Forces, keeps his own brand of wildlife vigil. After Hallam brutally slew four deer hunters in the area, FBI Special Agent Abby Durrell turns to L.T. Bonham-- the one man who may be able to stop him. At first L.T. resists the mission. Snug in retirement, he's closed off to his past, the years he spent in the Special Forces training soldiers to become skilled killers. But when he realizes that these recent slaying is the work of a man he trained, he feels obligated to stop him. Accepting the assignment under the condition that he works alone, L.T. enters the woods, unarmed--plagued by memories of his best student and riddled with guilt for not responding to Aaron's tortured letters to him as he began to slip over the edge of sanity. Furious as he is with his former mentor for ignoring his pleas for help, Aaron knows that he and L.T. share a tragic bond that is unbreakable. And, even as ... Written by
Sujit R. Varma
The Metro Area Express (MAX) light rail train used on the Hawthorne Bridge scene, was actually two articulated buses joined together at the rear ends, with the frontal portion of the "train" to look like the actual older Bombardier MAX trains. See more »
When L.T is on top of the MAX train chasing Aaron, there is the "click-clack-click-clack" sound of a train, but when the camera shows the deck of the bridge behind and in front of the "train" you can see that there are no tracks (the Hawthorne Bridge carries cars, not trains). Tracks are only shown when the "train" makes an emergency stop before Aaron climbs up the bridge. Even then, the tracks are merely shiny strips of metal unevenly laid upon the bridge's metal grating, with no grooves for the wheels at all in the surface. See more »
God said to Abraham, "Kill me a son." Abe says, "Man, you must be puttin' me on." God say, "no"; Abe say, "what?" God say, "You can do what you want, Abe, but the next time you see me comin', you better run." Abe says, "Where do you want this killin' done?" God says, "Out on Highway 61."
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Although it would be easy to write The Hunted off as a simple chase film (I can see the pitch now: "It's First Blood married to Predator with a dose of The Fugitive", and in reality that is a pretty fair description) but it's straight forward manner lends a constant sense of urgency. Throughout this gory (yeah it's pretty graphic) cat and mouse thriller we are also given some real insight into Del Toro's character. Unwilling to make sweeping judgments about nearly any of the characters (Connie Nielsen's FBI agent is a bit stubborn and single minded and occasionally very careless in discharging her firearm in public, Tommy Lee Jones'survivalist trainer has a guilty conscious of his own and even Del Toro's transformation is understandable), the finale is exciting but emotionally complicated, even tragic. The camera work and editing are very effective and affective while not overwhelming the finished product with the typical Hollywood style over substance dilemma. Combined with some very strong performances by the leads THE HUNTED makes for a very intense and satisfying thriller experience.
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