In the green woods of Silver Falls, Oregon, Aaron Hallam, a trained assassin AWOL from the Special Forces, keeps his own brand of wildlife vigil. After Hallam brutally slew four deer hunters in the area, FBI Special Agent Abby Durrell turns to L.T. Bonham-- the one man who may be able to stop him. At first L.T. resists the mission. Snug in retirement, he's closed off to his past, the years he spent in the Special Forces training soldiers to become skilled killers. But when he realizes that these recent slaying is the work of a man he trained, he feels obligated to stop him. Accepting the assignment under the condition that he works alone, L.T. enters the woods, unarmed--plagued by memories of his best student and riddled with guilt for not responding to Aaron's tortured letters to him as he began to slip over the edge of sanity. Furious as he is with his former mentor for ignoring his pleas for help, Aaron knows that he and L.T. share a tragic bond that is unbreakable. And, even as ... Written by
Sujit R. Varma
Ted and L.T. are joking about an agent who "shit his pants...Mike Haney." Haney is the First Assistant Director on the film. See more »
When Aaron Hallam is stuck in traffic, he smashes his car head-on into several cars so that the hood is badly damaged. But when he gets out of the car near the bridge, the hood is completely intact. See more »
God said to Abraham, "Kill me a son." Abe says, "Man, you must be puttin' me on." God say, "no"; Abe say, "what?" God say, "You can do what you want, Abe, but the next time you see me comin', you better run." Abe says, "Where do you want this killin' done?" God says, "Out on Highway 61."
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Here are several reasons for the low scoring reviews, for those of you who thought it was terrific. Watch again and tell me that any one of these is incorrect (NOTE. I'd warn about possible spoilers, but if you're actually thinking about what you're watching, you'll see the following plot elements coming).
The repetitive chase (hunt, find, fight, escape, hunt,find,fight,escape, huntfindfightescape) leaves little room for character development, e.g. what was it ABOUT his war experience that made Hallam decide to kill irreverent sport hunters? Do he and Bonham feel a father/son bond for each other, and if so when and why did that come about?
The sloppy digital effects (Tommy Lee's flailing torso spliced into the waterfall, flashes of Benicio's face spliced onto the fountain's cascade, as if he were in the cavity behind it.
Really? You're going to stop in the middle of the chase to forge a knife from scrap iron? Really??? You know how long that would take, and how noisy? So Bonham doesn't like guns, he's gonna knap one from flint rather than ask an agent for a combat knife? In the middle of a pursuit? REALLY????
The battlefield Kosovo set looked like a cross between Disneyland and Colonel Kurtz' most apocalyptic delusional nightmare. Too many pretty explosions, overstuffed setting, too populated by extras (who don't even react to the pretty explosions occurring feet away), too designed and manufactured looking, etc.
Yes ,the knife fight scenes were well choreographed, bloody, and inventive, with nice portrayals of effort and gravity (no wire work or movieland physics), but they needed to be cut more tightly. The way aging Tommy Lee broadcast his moves, Benicio would have filleted him like a fish, nine ways to Sunday.
If there's a deeper message to the film (Show some respect for the beings you kill, Honor thy Fatherfigure, whatever) it's trampled as badly by the pursuit as the ground is by the set dresser making blatantly overdone footprints for Tommy to "track".
I'd add more but this film's hardly worth it.
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