When it comes to matters of the heart, keeping her man happy and committed is all in a day's work for Shanté Smith. Shanté is so adept at navigating the waters of romance that her best girlfriends Diedre, Karen and Tracye depend on her for advice whenever "man trouble" clouds the horizon. But when Shanté's boyfriend Keith is caught red-handed stepping out with a co-worker, Shanté institutes her "Ten Day Plan" to get her man in line. Whether its sexy lingerie or good home cooking, Shanté has an arsenal of weapons designed to bring a man to his knees...and back to her. She's not above playing the damsel in distress or using the ever-reliable local grapevine to get Keith's attention. It's all good, because getting her man back - by any means necessary - is all that matters. Unfortunately the happy ending that Shanté expects goes sideways when Keith begins following the advice of his buddy Tony, who brings a player's perspective to the games girls play. In this comedic battle of the sexes... Written by
The bouquet of flowers is unwrapped when Shante receives them at the beginning of the movie. When the top of the convertible opens, they are wrapped in plastic. When she arrives home, they are unwrapped again. See more »
I don't need to know nothin' 'bout women when I got a momma, a cat, nine sisters and a gay uncle.
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Outtakes are shown during the end credits. See more »
Kitty Kat World
Melky Sedeck Sampled "Just Kissed My Baby"
Written by Joseph Modeliste (as Joseph Modeliste, Jr., George Porter (as George Joseph Porter, Jr.), Art Neville (as Arthur Lanon Neville) and Leo Nocentelli
Performed by The Meters See more »
This would be standard middle-brow entertainment were it not for three factors that I'll discuss in a little bit. The concept, that women can be as deft "players" of the field as men, is certainly not new to most. It may be new to A level films, and it probably is new to director/producer Mark Brown, the creator of HOW TO BE A PLAYER. But it is not a concept new to almost any B level direct-to-video thriller, anything on Cinemax after 11pm, or to any newspaper. Women have almost always been better players (see Anna Nicole Smith, Leona Helmsley, that maid that married the Johnson & Johnson fortune, and almost all of the guests on either Jerry Springer, Jenny Jones, or Ricki Lake). But, this movie does have an easy going pace and sound track that combine to make it as smooth as a ride in Shante's convertible Jaguar. What makes the film stay slightly above average is the presence of the three lead thespians. First of all, let it be said that Anthony Anderson does in fact walk away with this film. He simply owns every second that he is on screen (including the out takes at the end). His natural and easy manner combined with impeccable comic timing simply makes him the de facto owner of the material, the screen, and the film as a whole. Next, Morris Chestnut, whether given a lot or a little (like here) to do simply comes off as likable. And in the main role, few actresses - good looking or not - could carry off the part that Vivica A. Fox plays. The film would not be believable were it not for this particular actresses commanding presence and astonishing good looks. She, like her character, is someone who has worked her looks and her intelligence to get exactly what she wants out of life, and she is not afraid to show it. So, if you go in not expecting too much, you will come out pleasantly surprised. A 7 out of 10.
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